Review: My Journey

Dear Constant Reader,

Here’s another review from the archives.

My Journey: Burlesque: The Way It Was by Doris Kotzan (2005).

This is the memoir of burlesque dancer Dolores Rozelle, also known as Bambi Brooks, Bambi Jones, and Joi Naymith. These days she’s know as Bambi Sr., to distinguish her from her daughter, Bambi Jr. Her story well documents the declining days of burlesque in the 1950’s & 60’s, as the shows moved from theatres to nightclubs and the performers went from stars to glorified B-girls. I was particularly interested because she was from Massachusetts. Unfortunately, her run at the Crawford House with Sally Keith was over before it began, since she wouldn’t mix (hustle drinks from the customers). She did work the Casino Theatre and saw Winnie Garret flash the audience.

She met a lot of luminaries of the burlesque world, like Blaze Starr, Carrie Finnell, Zorita, Hedy Jo Star, and Candy Barr, but there are mostly just snippets about each one. During the height of Joe Namath’s fame, she hit upon the gimmick of a football act, billing herself as “Joi Naymith”. At one point, she was booked with that act in Suriname, a Dutch colony in South America and it was an utter dud. Her audiences knew nothing about American football. A lesson for us all when drawing from pop culture for our inspiration…

As with all the other autobiographies of burlesque performers that I’ve read [at the time I originally wrote this], it is in desperate need of an editor (probably more than most). Ms. Kotzan does not have a great writing style. Her tone is very casual and more than a little rambling. In fact, it feels more like a transcript of an oral history than a memoir. It’s mostly a random collection of stories and thoughts with little logical order. Each chapter title is a town where she performed, and it might be sort of vaguely chronological (with lots of divergences), but it’s hard to tell and there is no organization other than that. My biggest gripe is the truly atrocious punctuation: randomly sprinkled commas, erratic capitalization, and an egregious and often incorrect use of quotations marks. It made me want to whip out my red pen.

There are some gems that make it worth plowing through. When performing at a club in a dry area of Kansas, she got paid more than she expected, she was told she got a commission on steaks. Normally the dancers had to hustle drinks, not meat! The same club held church services Sunday morning. One of her bookings, in Western Massachusetts, required that her costume be weighed at the end of her act. In Las Vegas (New Mexico, not Nevada), the audience showed their appreciation by flinging silver dollars at her.

Although the author is not a polished writer, she was a burlesque performer and her memories and stories are valuable to our understanding of our history.

M2

Published in: on 11 March 2015 at 3:04 pm  Leave a Comment  
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Continuous Improvement

Dear Constant Reader,

The other day, Scratch wrote the following on Facebook, and I just had to share with you. I think it’s thought provoking and hope it might start a little conversation. Obviously he’s writing about burlesque, but you can apply this to any performing art.

***
I read yet another performer gushing “Burlesque is great! Anyone can do it!”. Well, that’s true — anyone can write a poem, play the guitar, throw a baseball, or draw a flower. The question is, do you want to be good at it?

Being good at burlesque is constantly learning and training — sometimes burlesque classes, but many times learning other skills that you bring back to burlesque. Being good at burlesque is not taking an introductory class or two, doing your first (or even second) performance, and thinking you know it all.

It’s learning all the time from everything and at every opportunity. It’s watching video clips and movies of modern and classic performers… and yourself — to see what you can glean from that. It’s heading to museums to pull inspiration for costumes and acts. It’s getting outside of your comfort zone and outside your city to see how you stack up against performers in other parts of the world. It’s honestly assessing both your strengths and weaknesses… and working on those weaknesses, even when you’d much rather be playing to your strengths.

It’s not listening to your friends when they tell you you’re great — and, instead, trying to actually be great. You probably won’t achieve greatness, so few people do, but if you live your life as a performer in the middle of a mutual congratulations society, you’ll never get anywhere significant… and worse, you’ll think you have.
***

What do you think? How do you improve your art?

M2

Published in: on 9 March 2015 at 2:31 pm  Comments (1)  
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Friday Tip!

Dear Constant Reader,

Last week I groused about audience members taking authorized photos during shows. Now I’m going to turn it around with a tip for performers.

Always credit your photographer.

It’s just the right thing to do. Just a small line on a poster, a link on your website, a tag on your Facebook, where ever you’re using the photo. Just something so your admiring fans know who took your great photo. And do make sure you have the rights to use it before you do.

M2

Published in: on 6 March 2015 at 2:28 pm  Leave a Comment  
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The Mystery Box Challenge

Dear Constant Reader,

Yesterday I alluded to a challenge that had been set for me. Actually, there’s been one set for all The Boston Babydolls. We have a little down time in March until we gear up for our new show, The MalTease Falcon, and we like to use down time to build our skills and push our abilities. A couple years ago we had The July Project, out of which came some acts that have become standards for many of us (see some of them at The Tardy Gras Ball on Saturday!).

This time Scratch came up with something fiendish. There were 7 identical boxes on the dance floor. The six of us each grabbed one and then went out into the hall to open them privately. Each box contained an accessory and some costume embellishment item(s) and 4 cards — a dance move, a prop, a costume piece, and a mood. You must use all the items in the box in the routine, but can draw from the pantry & fridge, I mean, the costume closet and your personal resources.

One by one we went into the studio and were given a piece of music to listen to. We could then decide to stay with what we had or switch to the remaining box. If you switched (and a couple people did), you got to open that box and listen to the new music, but you couldn’t switch back if you liked it less.

Then we all went into the studio and revealed everything, including the contents of the box and associated song that were left over.


This was my box: red satin gauntlets and wide ruffled trim. The cards read “panel skirt”, “chair”, “assels”, and “dirty/sexy/raunchy”. And the song is Billie Holiday doing “All of Me”.

I’ve got some ideas, but this is certainly going to be a challenge!

M2

Published in: on 5 March 2015 at 12:18 pm  Comments (1)  
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A Challenge

Dear Constant Reader,

I have been given a challenge to create a routine that is outside my comfort zone using certain specific elements including one I have never used before. The initial ideas are starting to come together. It may involve something from Dangrrrous Designs, if the designer is available for a little project.

I shall find out if progress reports to you, my faithful audience, are within the rules of the challenge and then you may get a blow-by-blow of my agonies and triumphs. Until then, I’ll just tantalize you.

M2

Published in: on 4 March 2015 at 9:48 am  Leave a Comment