In the Kitchen: Pineapple Salad (1928)

Dear Constant Reader,

It’s my birthday tomorrow and I have a gift for you!

When I made Sub-Gum Chop Suey from The Mandarin Cook Book, I also made Pineapple Salad. It was too weird to pass up! Usually I only share these vintage cooking videos with my Patrons, but thanks to my kind sponsor, Emporium 32, I’m making this little bonus video public! Enjoy!

If you want more like this, consider becoming a Patron. With more Patrons, I can get some better video equipment, like the microphone I clearly need.


Pineapple Salad
Original Recipe
Boil 3 cups bean sprouts in pineapple juice. Cover with mayonnaise dressing, flavored slightly with Chinese sauce. Sprinkle with chopped nut meats and garnish with Kumquats cut in quarters.

Mina’s Version
Simmer 1 cup bean sprouts in 1 cup pineapple juice until tender. Drain and let cool. Blend 3 tablespoons mayo with 1 teaspoon soy sauce and add enough to the bean sprouts to lightly coat. Sprinkle with 1 tablespoon toasted slivered almonds and garnish with citrus sections.

M2These writings and other creative projects are supported by my 15 Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 18 February 2021 at 4:38 pm  Leave a Comment  
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In the Kitchen: Sub-Gum Chop Suey (1928)

Dear Constant Reader,

One of my Advisor Committee tier supporters on Patreon, Adrienne F.,  requested a recipe from the 1920s. I first grabbed a Photoplay cookbook, full of recipes from movie stars of the era, but no dish jumped out at me. Then I remembered I had another Jazz Age cookbook.

The full title is Mandarin Chop Suey Cook Book containing authentic translation of the best recipes of leading Chinese chefs and directions for preparing various popular and healthful Chinese dishes exactly as they are prepared in the Orient. You can take all that with as much salt as you like… It was published by The Pacific Trading Company in Chicago in 1928.

Once again, I have made a video of cooking this dish for my Patrons.

You will need meat (I used boneless pork chops), oil, celery, water chestnuts, bamboo shoots, green pepper, mushrooms, pimentos, soy sauce, corn starch, water, and almonds.

Everything should be sliced thinly,  then brown the meat in a pan with some oil. Then add the celery, water chestnuts, and bamboo shoots and cook for ten minutes. I though this was excessive, and feared the meat would get tough, but followed the instructions to the letter.

Then add the green pepper and mushrooms. At this point the recipes says to simmer until tender. There’s no liquid to simmer. I wonder if you were supposed to add some stock as well, as is done in some of the other chop suey recipes in the book.

Next we add the pimentos and some “Chinese sauce”, which I assumed to be soy sauce, as well as salt and pepper (I skipped the salt because the soy sauce should be salty enough). Lastly some cornstarch in an unspecified amount of water, which would thicken any liquid, but there wasn’t any. Again, an argument for adding some stock earlier in the cooking process. 

Serve with chopped almonds on top or mixed in.

It was pretty good, but I would make a few changes if I cooked it again. My fears that the meat would become tough from overcooking were realized and the entire dish really wanted to be saucier. Some of the other recipes in the book said to cook the meat until “half-cooked” and then add the vegetables. Others added half a cup of stock after the vegetables. Both of these would be an improvement. I’d probably also add onions and bean sprouts (and skip the green pepper!), but that’s just my personal taste.

Here’s the original recipe, exactly as writ.

Sub-Gum Chop Suey
(4-6 persons)

1 lb. meat (pork or beef)
1 green pepper
1/2 can pimentos
1/2 cup chopped celery
1 doz. water chestnuts
1 doz. almonds
1/2 cup bamboo shoots
1 doz. white mushrooms
3 tablespoons Chinese sauce
1 tablespoon cornstarch

Meat should be cut real small, also all the vegetables.

Have your skillet well greased and hot before you fry the meat. When meat is brown put in the celery, water chestnuts and bamboo shoots. Cook for ten minutes, then add green peppers, mushrooms and let it simmer until tender. Lastly, add chopped pimento, Chinese sauce and a little salt and pepper. Mix cornstarch with cold water and add to the chop suey. You can sprinkle the chopped almonds on top or mix it in the chop suey.

M2These writings and other creative projects are supported by my 15 Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 18 February 2021 at 3:25 pm  Leave a Comment  
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Friday Tip

Dear Constant Reader,

It’s Friday and Valentine’s Day is just around the corner! Quick commercial, I’m appearing this Saturday at 9pm on Velvet Revue in their Heartbreaker Showcase.

Here’s a seasonal quote to liven up your day:

“Love is a friendship set to music.”
–Joseph Campbell

I love the imagery; It makes me think of life as a dance. Have a beautiful week!

M2These writings and other creative projects are supported by my 14 Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 12 February 2021 at 2:19 pm  Leave a Comment  
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Review: Burlesque: The True Art of Seduction

Dear Constant Reader,

This book has been kicking around the library at The Manor for a while. Since it was published, about a decade ago, a lot has changed, but it was sort of a nice trip down memory lane.

Burlesque: The True Art of Seduction by Michel Grondin and Scarlett James, 2011.

I would call this a coffee table book. It’s big, heavy, graphically bold, kinda slick, and full of photos. Montreal burlesque performer Scarlett James graces the cover. There’s not that much text — there’s a lot of white space and some very large fonts. There are a lot of bright colors throughout. Each topic or person has a couple of pages lightly-filled with text or images and usually a quote from Scarlett James with her thoughts on the featured subject. The version I have is a translation from French, so the language is occasionally clunky and the spelling can be erratic.

The first 3 chapters are a history of burlesque from Classical Greece and Rome through the 1960s in America. The third chapter, “American Burlesque” features Legends of burlesque, some long gone, a few still with us (or were at the time). Most, if not all of the living Legends are shown with Scarlett James. There’s an additional two pages briefly mentioning other performers of note, which I found it a little surprising at some of who were relegated to this “also” list.

More than half the book is chapter 4, Neo-Burlesque. It’s loosely arranged geographically, first by country, and then city. Some of the top performers of the time (some of whom still are) make an appearance and notable festivals are mentioned. There are again light write-ups and some large photographs. Although the bulk of the neo-burlesque performers featured are in the US, there is ample coverage of Canada, as you might expect, plus highlighting burlesque in Europe, Japan, and Australia. Full disclosure: Scratch, the Burlesque Expo, and I get a mention (Scarlett likes Scratch’s suits!).

It’s a very pretty book. There’s no in-depth history or detailed biography, just a little taste of burlesque in an attractive package. I don’t think it’s the sort of book one would read cover to cover, but instead flip through and see what catches your eye — and the pages are quite eye-catching. Perhaps you’ll use it as a springboard for further investigation. But really, it’s very pretty.

(Affiliate links in this post benefit the American Burlesque Collection, a 501(c)(3) non-profit)

M2These writings and other creative projects are supported by my 14 Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 11 February 2021 at 3:31 pm  Leave a Comment  

Creating Choreography for BABE

Dear Constant Reader,

True confession time. I do not like creating choreography. It doesn’t come easily to me and it’s not particularly fun. However, it’s a good teaching tool and students seem to like learn routines as much (if not more) as building skills. How about a peek behind the curtain of my process for the new one I’m teaching on Thursday?

A choreography for teaching is very different than one for performing. I want something easy enough to teach in a limited time, but still challenge the students, have a variety of moves/skills, incorporate modifications as necessary, and be fun. The one in question also needs to evoke Valentine’s Day.

Because I don’t enjoy creating choreography, I dawdle and dally and then have to scramble madly. This time,  I vowed to have my shapely butt in gear and make Valen-Tease a quality class without making myself crazy. It didn’t hurt that a whole bunch of students registered as soon as the class was announced. (Want in? There’s still room.)

I set a deadline of having the whole thing completed by the Sunday before the class (this past Sunday) so I could show it to the BeauTease and get feedback. I had a concept, which is what I announced — a sensual striptease out of a robe, stockings and heels, done partially on a bed or couch. Then I needed music that would fit the bill; something it the 3-minute range, since I have just an hour to teach. Scratch made some suggestions, one of which inspired me to use a different song by the same artist.

Song acquired, I broke it down into sections and sketched out my ideas for each part. Then I got into costume and tried it out. And changed things, and tried again, and changed things, again and again, until something solid and reproducible emerged. It’s a tedious process. At least for me.

At last I had something I was wiling to show other people.  As luck would have it, our in-person rehearsal was moved on-line because of the snowstorm, so I could show the troupe from the room where I would be teaching. They gave me some feedback and made some suggestions based on my demonstration. Then we all did it together and gave me some more thoughts.

A little more work and it’s ready for class on Thursday! Except that I’ll probably make a few tweaks while teaching, since no choreography survives contact with students.

Perhaps you’ll join me….

M2These writings and other creative projects are supported by my 14 Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 9 February 2021 at 4:05 pm  Leave a Comment  
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Friday Tip

Dear Constant Reader,

Before we begin, a quick reminder that I’m offering Valen-Tease on next Thursday.

Here’s your tip!

Yell out your anger and frustration.

We’re all feeling it at some level, having our lives interrupted for almost a year, unable to do things we love, see people we love, and seeing so much loss. So just go yell and shout and scream. Lock yourself in the bathroom, or your car, go into the back yard, lie on your bed with a pillow to muffle your voice. You could even throw things if it would help (and not incur any property damage). Externalize your feelings.

This tip inspired by Michelle L’amour’s honest talk about anger and The NY Times “Primal Scream Line” for overwhelmed mothers.

M2These writings and other creative projects are supported by my 14 Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 5 February 2021 at 2:38 pm  Leave a Comment  
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Friday Tip

Dear Constant Reader,

It’s Friday! Before we get down to your tip, some announcements: 
•  Introduction to Burlesque starts on Wednesday!
•  On Feb. 11, I’m offering Valen-Tease, a striptease routine for a special Valentine’s Day (or night).
•  In case you missed it, a video to accompany yesterday’s recipe is available to supporters on Patreon.

And now for your tip!

For more hair volume, use a rat.

Not a squeaky rodent, padding for your hairstyle!  Rats are usually tubes or donut shapes of foam covered with mesh, tinted to match many hair colors. If you don’t quite have enough hair (like me!) to create a big style, arrange your hair over the rat to plump out your ‘do. Just make sure you cover the entire form with your hair. They’re good for buns, rolls, bumper bangs, and the like. You can get rats at drugstores and beauty supply places.

For a historically authentic rat, use your own hair. What? you may be asking. Didn’t you just say to use rats when you don’t have enough hair? From at least the Victorian era (if not earlier) through to the early 20th century, women would save the loose hair from their brushes and stuff it into little nets to make rats that would match their hair color perfectly.

To save the hair, they used hair receivers, basically a jar with a hole in the lid in which to stuff your brushings. Hair receivers are very pretty since they were kept out on the dressing table, usually with a matching powder jar. I’ve collected a few…

This was the first dresser set I found, glass jars with some kind of early plastic tops, probably celluloid (I doubt they’re Bakelite, but I haven’t tested). I keep hair brushings in the receiver, as one does, and dried roses from Judith Stein in the powder jar.

This set is probably from the 1930s. It’s made of French ivory, a kind of celluloid. Not seen in this photo is a matching brush set, manicure tools, and a hand mirror.

This is my favorite set, which is Noritake hand painted china. Based on the backmark, I think it was manufactured sometime in the 1920s, definitely pre-War. I’m still trying to identify the pattern. Any Noritake fans out there?
The footed dish may have been for hairpins, but I use it to hold my everyday jewelry while I sleep. There is dusting powder and a powder puff in the powder jar, as there should be, but I usually use the hair receiver to hold my hatpins until such a time as I get a proper hatpin holder.

M2These writings and other creative projects are supported by my 11 Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 29 January 2021 at 12:53 pm  Leave a Comment  
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In the Kitchen: Girl Scout Cookies (1922)

Dear Constant Reader,

Earlier this year I came across The Nineteenth Amendment Centennial Cookbook: 100 Recipes for 100 Years. I was thrilled to discover it contained the recipe for the original Girl Scout cookies. I was a Girl Scout for some years and selling cookies was a huge part of it. In fact, one year every girl in my troop had to each sell 200 boxes to help finance a trip we were taking. I can’t imagine baking the cookies as well as selling them! But I had to see what they tasted like.

If you’re one of my Patrons, you can see a video of me baking and then trying these cookies.

You need…

flour, sugar, butter, baking powder, eggs, vanilla, salt, and milk.

Cream the butter and sugar together. Beat the eggs and stir in. Add the milk and vanilla, and then the flour, baking powder, and salt. Mix well.

Wrap the dough in plastic wrap and chill for an hour.

Roll out the dough and cut into shapes. The recipe says trefoils, the Girl Scout emblem, but I don’t have a trefoil cutter and I wasn’t going to free-hand it with a knife. I used a heart-shaped cookie cutter Scratch made for me (awwwww….). The dough was really sticky and I needed a fair bit of additional flour to roll it out. After I cut the cookies, I decided to throw them in the fridge for 15 minutes to firm up before baking.

I sprinkled the cookies with a little sugar and popped them in a 375F oven until the edges browned, 8-10 minutes, then let them cool on a rack. They had spread a little bit in the baking and the heart shapes were no longer so distinct.

How did they taste? Well, like sugar cookies. Crispy around the edges and soft in the middle. Perfectly delicious sugar cookies. If I made them again (and I might), instead of rolling out the dough and using cookie cutters, I’d form the dough into small balls and flatten them with the bottom of a glass dipped in sugar.


Original Girl Scout Cookies
1 cup (2 sticks) butter
1 cup sugar
2 eggs
2 Tablespoons milk
1 teaspoon vanilla
2 cups flour
1 teaspoon salt
2 teaspoons baking powder

Cream butter and sugar.
Add well-beaten egg.
Then add milk, vanilla, flour, salt, and baking powder.
Refrigerate for at least 1 hour.
Roll out dough, cut into trefoil shapes, and sprinkle sugar on top
Bake in a quick oven (375F) for about 8-10 minutes, until edges begin to brown.
Cool and serve!

EDIT: I’ve since found the original recipe, without commentary from the above cookbook. It omits the salt and the directions are:

Cream butter and sugar; add well-beaten eggs, then milk, flavoring, flour, and baking powder. Roll thin and bake in quick oven. (Sprinkle sugar on top.)

This amount makes six to seven dozen.

M2These writings and other creative projects are supported by my 11 Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 28 January 2021 at 11:33 am  Leave a Comment  
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Review: Burlesque Undressed

Dear Constant Reader,

One of my Advisor Committee tier Patrons, Sarah V., suggested I review this documentary. If you want some input in my content here, become a Patron!

Immodesty Blaize Presents Burlesque Undressed, directed by Alison Grist, 2010.

This is a confection of a burlesque documentary. It’s light and sweet, extremely beautiful, carefully constructed, but ultimately insubstantial, and leaves you hungry for more. There’s some burlesque history, but it’s a lot of short interviews, some really only sound bites, and a great deal of burlesque performance footage.

There are interviews with five Legends, three of whom are no longer with us. You know how I feel about preserving the words and experiences of Legends, so this is a high point. Most of the Legends get to tell a brief origin story, illustrated with photos and footage, and they talk about their careers. (Side note: Scratch escorted one of said Legends to the Showgirl Museum for her interview, so I got a little behind the scenes info at the time.) . 

The film also features half a dozen of the top burlesque performers at the time, discussing their acts and inspirations. However, Immodesty dominates. She talks at length about her experiences in burlesque, often in a glamourous setting or backstage, getting ready for perform or model. More than once she’s interviewed while someone is doing her hair. I wish…

The documentary covers a wide variety of topics — costumes, music, glamour, act creation, what killed burlesque, and more. There are also appearances from a few male experts, mostly British, speaking on art, history, millinery, and showgirl headdresses, but their contributions are relatively brief.

Besides clips from several burlesque acts, including Dirty Martini’s balloon act and Perle Noir’s Josephine Baker tribute, there are a number of full or almost full-length performances, many from The Tease Show. Kalani Kokonuts performs “The Geisha”. Kitten DeVille shimmies and shakes as Marc Almond sings (the filmmakers liked this act so much it appears in the documentary and again during the credits).  Catherine D’Lish bathes in her champagne glass. Michelle L’amour does her Sally Rand tribute. And of course, Immodesty opens and closed the film with, respectively, her giant telephone and her rocking horse acts.

At times it feels like a commercial for Immodesty and The Tease Show, but it’s her project; she can spin it however she likes. And The Tease Show is pretty spectacular, with its high-end acts, gorgeous stage set, and 12-piece live band.

If you’re looking for a documentary about burlesque, either historic or neo-, there are far better ones out there, like Behind the Burly-Q or Exotic World & The Burlesque Revival. If you want to see beautiful burlesque performers doing beautiful things, with a little look backstage and a touch of history, this is a fine watch.

As far as I can tell, Burlesque Undressed is only available on DVD, in PAL format. There’s a short excerpt available here.

(Affiliate links in this post benefit the American Burlesque Collection, a 501(c)(3) non-profit)

M2These writings and other creative projects are supported by my 11 Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 26 January 2021 at 1:47 pm  Leave a Comment  
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Review: Lady of Burlesque

Dear Constant Reader,

This month celebrates the birthday of the most famous stripteaser, Gypsy Rose Lee. In her honor, I watched Lady of Burlesque, the movie based on her book, The G-String Murders.

Lady of Burlesque, United Artists, 1943.

Barbara Stanwyck stars as burlesque headliner, Dixie Daisy (a change from the book, in which the main character was Gypsy Rose Lee). She’s hit the big time, headlining at the Old Opera House. But not all is perfect; there’s a lot of tension backstage between singer Lolita LaVerne and well, everyone else, and Dixie is fending off the affections of comic Biff Brannigan. Things become even more tense as a haughty Russian princess arrives and takes Dixie’s spot in the show. And then there’s a murder… and another…

The plot is fairly faithful to the book, but the details have been sanitized for the audience’s protection. One of the plot points hinges on the broken toilet in the girls’ dressing room being replaced. No one ever actually says “toilet” and when the replacement porcelain is shown, it’s a sink. The producer’s affair with The Princess is also implied rather than stated.

We never get to see any real striptease on stage; Dixie takes off a fur muff, to reveal a smaller one, but her Edith Head-designed costumes stay firmly in place. During her big song, “Take It Off the E String, Play It On the G String”,  she sings “breaking out in bumps” and there’s an obvious associated move, but the camera focuses only on her face. Cut to Biff in the wings reacting to whatever is happening on stage. Later she does a little chest shimmy; apparently that was acceptable, where bumps weren’t. The Princess does have the outer layer of her costume removed in pieces with a whip. Maybe that was all right because she’s not doing the stripping.

The plot change that I liked best was that when Biff races in to save Dixie from the g-string strangler, she informs him that she had set a trap to catch the murderer and her friend Gee Gee Graham (based on Georgia Sothern) was waiting for her signal. Still, once the murderer is caught we go straight for the romance with Dixie and Biff rushing off to get married. Happy ending!

It’s light-weight fun. I wasn’t so interested in the murder mystery. Both of the murder victims are so unlikeable that it’s hard to care about their deaths and there’s little tension around the police accusations.

However, the on-stage bits are quite entertaining. We get some dance numbers and a bit of comedy, which was just a touch racier than I expected — they did the “pickle persuader” bit and a court room scene. And Pinky Lee, an actual burlesque comic, plays one of the comics. Dixie and the comics perform an “impromptu” dance to cover the sounds of LaVerne and her gangster boyfriend having a noisy fight backstage. There’s also an opening number with chorus girls (fulfilling all the tropes — the bored one, the clumsy one, the show-off, &c.) parading around the stage, to the melody provided by a tit singer, although they never call him that.

It’s nice to see burlesque treated positively and even somewhat accurately, if cleaned up, by Hollywood during the Hays Code years.

Available on DVD, Prime Video, and the Internet Archive.

Affiliate links in this post benefit the American Burlesque Collection, a 501(c)(3) non-profit.

M2These writings and other creative projects are supported by my 11 Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 25 January 2021 at 11:33 am  Leave a Comment  
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