Friday Tip

Dear Constant Reader,

Happy Friday! I’m back from BurlyCon where I learned a lot and hopefully imparted some knowledge as well. Here’s your tip!

Be kind to your knees.

I’ve already talked about wearing knee pads for practice. I wanted to gently remind you that knees are delicate parts of our bodies and should be treated accordingly.

In particular I want to caution you about the knee drop. It’s a dramatic way to get down to the floor, but if it’s done wrong you can cause yourself some serious damage. Unless you know how to do it safely, every time, consider a different method for getting down to the floor. There are other exciting ways that don’t risk your precious knees.

If there is interest, I’ll do a short video of some of them. Please comment here if you’d like that.

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 15 November 2019 at 3:24 pm  Comments (1)  
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Friday Tip

Dear Constant reader,

Happy Friday! This is coming to you from BurlyCon in Seattle where I’m teaching today. Here’s your tip!

When traveling, bring more than one pair of shoes.

As performers we often spend a lot of time on our feet and often in shoes that look great but aren’t so comfortable. Soothe your feet by changing your shoes. A different heel height and sole shape will feel good on your feet and give you spring in your step again.

Pictured above, my shoes for BurlyCon: character shoes for daytime classes, heels for the dance, comfy flats for the plane and venturing out of the hotel, mules for relaxing.

M2Like this tip? There are lots more in Miss Mina Murray’s Little Book of Better Burlesque.

These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 8 November 2019 at 11:00 am  Leave a Comment  
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BurlyCon Bound

Dear Constant Reader,

In just a few days I shall be winging my way to BurlyCon!

I was so disappointed to miss last year, but I was so wretchedly sick that there was no way that I should have been allowed around other human beings.

This year I will be teaching two classes, both on Friday — Caring for Your Costumes at 10:15am and Achieving Closure at 5:30pm. I hope to see you there!

I’ll also have copies of my Little Books for sale! I’m almost out of the Book of Better Burlesque, so this may be your last chance to get a copy.

There are so many people I’m looking forward to seeing! I hope we can find a little time out of the busy schedule to catch up.

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 4 November 2019 at 2:57 pm  Leave a Comment  
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Friday Tip

Dear Constant Reader,

Happy Friday! It’s the day after Halloween and that means your tip is…

Go shopping today!

It’s a great time to buy all sorts of burlesque accessories. Stores that carried Halloween supplies are now desperate to get rid of them to make room for the next wave of holiday items. You can usually pick up useful staples like gloves, stockings, boas, eyelashes, makeup, and the like at deep discounts. They’re only costume pieces, so don’t expect high quality. Go today because tomorrow they’ll probably be replaced with Christmas stuff. Not that that’s such a bad thing

M2Like this tip? There are lots more in Miss Mina Murray’s Little Book of Better Burlesque.

These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 1 November 2019 at 11:10 am  Leave a Comment  
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Happy Halloween!

Dear Constant Reader,

It’s my favorite holiday of the year and I have a very special treat for you!

I am a champion storyteller — that’s not bragging, just the truth. I won a major storytelling telling competition… twice. And I love to read aloud. I miss it, so I thought I’d read you a little something seasonal. Here, for you, is my first time recording a story.

The Tell-Tale Heart by Edgar Allan Poe.

I recorded this on my iPhone and learned the rudiments of Audacity to edit it. I’m a little nervous about releasing my amateurish first attempt into the wild, but a wise man often says to me “Never let the best be the enemy of the good” and if I waited for it to be perfect, I’d never do it. So here goes.

If you want to hear it without the interruptions, you can become a Patron. If enough people like it, perhaps I can invest in some better audio equipment. I’m looking for some burlesque-related material to read next. Any suggestions?

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 31 October 2019 at 4:05 pm  Leave a Comment  
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Burlesque Macabre 10/25/19

Dear Constant Reader,

October was a busy month. We had three shows in three different styles, with almost no overlap in acts, which is a *lot* of rehearsing and some lightning fast act creation and teaching. First, the superhero sexiness of Batwoman Burlesque, then the cute and campy horror of It Came from Beneath the Tease, and lastly the dark and disturbing Burlesque Macabre.

We weren’t presenting The Wrathskellar this year (someday, it will reopen!) and we were itching to do something similar. October is the only month we get to go dark on stage. I may look oh-so-elegant and glamorous most of the time, but I LOVE the creepy stuff. The Manor skews more Addams Family than Old Hollywood most of the time. It’s such a treat to break out of our usual aesthetic and use music that wouldn’t ordinarily make the cut.

We had two late night shows at Deacon Giles and I’m pleased to say the first show sold out and the second was even better attended than I expected for an 11PM show on a Friday night. Unfortunately no pictures from the show, but we did get video. And might even let you see it someday…

Big thanks to Hunter for lights and video, English Sarah for working the merch table, and Pirate Jenny for kittening. It was her first time and she did a great job!

Mina Murray: Sex Spider (Gogol Bordello)
This new act was an excuse to bring out The Diva’s Coat, probably my favorite costume that I’ve ever made. Someday (if I get enough Patrons) I’ll tell its story.

Ava Fox: Dead and Lovely (Tom Waites)
Another new act! And the first time someone else in the troupe did a fan dance! Admittedly they were my fans (a gift from Scratch), but they’d been a pile of components for years. Ava did all the assembly herself (and did a much better job than I could have).

Devastasia and Electrix: A Most Unpleasant Way/Dark Eyes (Gordon Bok/Devochka)
Scratch has always loved the first song in this set and envisioned an act to it. Devastasia was the right person to give it eerie reality. And the bird costume she made is amazing. The painting on the mask is so detailed!

Scratch: Magic
I didn’t see this but I know it involved a playing card and a lighter.

Betty Blaize: Farewell Magyar (G-String Orchestra)
A classic! Betty cuts off her costume with a very real knife. She created this act for the very first Wrathskellar and has been performing it ever since. If I remember correctly, the music comes from a band Scratch heard playing on the street in New Orleans.

Mina Murray: Nightmare (Mac Gollehon, et al.)
Earlier this year I created an act with the guidance of Egypt Blaque Knyle to “Whole Lotta Love”, which I adore. However, I have very few opportunities to perform it because of our usual aesthetic. So I took the costume and choreography and adapted it to a more appropriate song. And thus “NightMina” was born…

Devastasia: Moon Over Soho (The Tiger Lilies)
This creepy clown number was created by Stella Diamond and Scratch, but it never got the stage time it deserved. Devastasia brought it back to life in a disturbing way. You can be assured Devastasia was smiling almost as widely as her mask from behind it…

Betty Blaize: Me and My Shadow (Peggy Lee — Wrathskellar remix)
Betty, undressing after a show, can’t shake the feeling that she’s being watched… In one rehearsal she actually gave herself goosebumps. Scratch engineered this haunting version of the song for The Lost Girl in Wrathskellar Tales.

Scratch: Urban Legend
A terrifying trick with an apple and razor blades. I can never watch it.

Ava Fox, Electrix, Mina Murray: Herr Drosselmeyer’s Doll (Abney Park)
Betty created this for The Wrathskellar in 2011. I was concerned when I was cast because it involves some partner balancing, which I’ve never done before and the original trio involved some very flexible and/or strong people. But I had nothing to be afraid of. The audience on the other hand… there are some quite unsettling moments.

And we bid our creepy cabaret adieu for another year!

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 29 October 2019 at 12:16 pm  Leave a Comment  
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Friday Tip

Dear Constant Reader,

Happy Friday! We’re appearing tonight in Burlesque Macabre and I am incredibly excited to be doing a darkly seasonal show. This is the only time of year we get to do anything like this.

Here’s your tip!

Stage kittens have a very important job.
(Photo of stage kitten extraordinaire Guilted Lilly by Bruce Davis)

A “stage kitten”* for the non-burlesque folks are the crew members who clean the stage of discarded costume pieces and props. They also set up and remove any set pieces and sometimes interact with the performers, maybe to hand them an item. Backstage, they are there to support the performers and the best ones always seem to have that thing you need right now, like a safety pin. They are a vital part of the show.

A great stage kitten is an amazing asset to a show and makes performances run smoothly. It’s also a good way to get your feet wet in the world of burlesque.

However, I don’t love the idea that being a stage kitten is a required stepping stone to performing and that one has to pay one’s dues by being a stage kitten before performing. Like I said, I think it’s a fine way to start out, but it’s not required. Not everyone is cut out to be a stage kitten. It requires a certain focus and attention to detail.

I do think every performer should try their hand at it at least once, because it will give you an appreciation for the job and those who do it. It’s absolute nonsense that performers are somehow a step up from kittens (yes, I’ve heard people refuse a kittening job as though it were an insult to be asked). You’re all necessary for a good show!

In the world of theatre, there are performers and there are crew. Stage kittens straddle that line, since they are meant to be a visible part of the show, but also help keep it moving smoothly.

*Also called a stage panther, pickup artist, and other cute names. Let me know your favorites in the comments!

M2Like this tip? There are lots more in Miss Mina Murray’s Little Book of Better Burlesque.

These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 25 October 2019 at 3:19 pm  Leave a Comment  
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What’s in the Box?

Dear Constant Reader,

A huge, mysterious parcel arrived at The Manor.

It barely fit though the door of The Manor!

The contents were so special I thought I’d try an unboxing video.

How did I end up with this magnificent piece? Christine McConnell has a YouTube series, From the Mind of Christine McConnell. Each month she makes something fabulous and selects one of her supporters on Patreon to receive it. This month she asked a trivia question during a livestream and the first person to answer correctly would get the cage. And that person was me!

This was on October first. I had been having such a terrible September. Certain events made me full of doubt about myself and I had lost my desire to do anything creative. Winning the cage was a jolt of positivity and I’ve been much better this month. It could not have come at a more perfect time. Thank you so much, Christine!

The trivia question, by the way, was “In the movie Addams Family Values, what is the name of the baby?” (which is the name of the bat). I still can’t believe that out of the hundreds of people responding, I answered first.

I love everything about it! The Victorian birdcage is the perfect aesthetic for The Manor. There’s so many fabulous details, like the handmade spiders and the fairy lights. And of course the Bat himself and his glowing eyes. The purple accents are just marvelous — there’s even a chunk of amethyst (my birthstone!). I could just go on about how incredible this is! I don’t know where exactly in The Manor Pubert is going to live, but he’ll be the star of that room for sure.

To see more about the creation of the Bat-Cage, here’s the video:

Thanks to…
…Christine McConnell for making this whole experience possible.
…Georgia Dunn for permission to include a panel from her wonderful comic strip, Breaking Cat News in my video. See the rest of that particular strip here.
…Scratch for filming, video editing assistance, and helping to clean up packing peanuts. In case you were wondering, a “metric fuckton” of packing peanuts is five garbage bags full.

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 23 October 2019 at 9:58 am  Leave a Comment  
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In the Kitchen: Tomato-Parmesan Scones

Dear Constant Reader,

On Saturday I threw a little tea party at The Manor. It had been a while since my last one, but I hadn’t been feeling up to an elaborate to-do. I hadn’t been in a good place recently and I was badly missing my friends. So, I sent an invitation to a “low-key tea party”, promising only tea, scones and jam, and maybe cake.

And then something exciting happened (more on that later) which got me feeling motivated again. While I still didn’t make any tea sandwiches, I ended up baking two kinds of scones and two types of cake. And, it being October, I had a spooky theme going with the cakes and serving ware. I served…

Coffin brownies filled with Nutella and raspberries, served on a spirit board tray. I used the recipe for Supernatural Brownies from the NY Times and they were, in fact, scary good!

Spice cake tombstones, served on a skull cake stand.

Scones with currants and dried sour cherries (from our tree) from my favorite scone recipe. The heap of scones obscures the charming Victorian skeleton decoration on the bowl.

And these scones were accompanied by sour cherry jam and blood orange marmalade (both homemade) and butter. Please note the skull spoons and skeleton knife (the blade says “poison”).

Also, I made these savory scones as an experiment and I was very happy with the results. The recipe comes from Tea Fit for a Queen: Recipes & Drinks for Afternoon Tea and I’ve converted it from metric. I think the recipe could easily be doubled (and you want to).

Sun-Dried Tomato and Parmesan Scones
8 oz. self-rising flour (or about 1 1/4 cup flour, heaping 1 3/4 teaspoon baking powder, 3/4 teaspoon salt)
1 3/4 oz. unsalted butter (3 Tablespoons plus a little)
1 1/2 oz. grated Parmesan
3-4 sprigs fresh thyme
1 1/2 oz. chopped sun-dried tomatoes
1/2 cup milk

Preheat oven to 425F. Line a baking sheet with parchment (I use a Silpat).

Sift flour into a large bowl. Rub the butter into the flour until it looks like breadcrumbs. Stir in the Parmesan, thyme leaves, and sun-dried tomatoes.

Pour in the milk. Gently stir until the dough just comes together. Knead lightly until the dough is smooth.

Pat dough into a round about an inch thick. Cut out scones. I got about 16 2″ round scones, but you could make them bigger. Bake about 10-15 minutes until barely browned.

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 21 October 2019 at 3:02 pm  Comments (2)  
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Friday Tip

Dear Constant Reader,

Happy Friday! Here’s your tip!

Feathers are happiest in a moderate environment.

Optimally feathers should be kept between 60 and 75 degrees F and at 45-55% relative humidity (these are museum guidelines). Now, most of us don’t live in places that are that rigidly climate controlled, but there are still things we can do to keep our feathers at their best.

Avoid storing them near bathrooms, laundry areas and other places with high humidity as too much moisture can encourage mold. Also, keep them away from radiators, direct sunlight, and other sources of heat. If the feathers get too dry, they can crumble.

Don’t worry too much. Like I said, most of us don’t have perfectly climate controlled places to store our fans and boas and headdresses, but we can be aware of the issues.

I’ll be talking more about caring for feathers and other costume items at BurlyCon next month!

M2Like this tip? There are lots more in Miss Mina Murray’s Little Book of Better Burlesque.

These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 18 October 2019 at 3:20 pm  Leave a Comment  
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