In the Kitchen: Zuppa Inglese

Dear Constant Reader,

Last month we celebrated both Scratch’s & Devora’s birthdays and I made zuppa inglese for our little party. What?, you may ask.

True Italian zuppa inglese (“English soup”) is sponge cake soaked in alkermes and layered with pastry cream. There’s great debate as to the age and origins of the dish. One theory is that it’s an Italian take on English trifle, hence the name. As much as I want to, I’m not going to take you down a rabbit hole of culinary history. Not now, any way.

Alkermes (also spelled “alchermes”), since I know you’re going to ask, is a liqueur flavored with spices and colored a gorgeous red with dried cochineal insects (also known as kermes, hence the name of the liqueur). Do not be repulsed by the inclusion of bugs. They’re totally harmless and frequently used to color food and cosmetics as “carmine”. I’ve made alkermes and it’s such a beautiful color. That, however, is a story for another time.

Now, the zuppa inglese I made is not the authentic Italian version, but more of an American adaptation. I got the recipe from Angie Pontani via her Go-Go-Robics II DVD (yes, she provides recipes on a exercise video).

This zuppa inglese is the style of dessert known as “icebox cake”, since, after layering cake or cookies, pudding or whipped cream, and perhaps fruit, you chill it in your fancy new-fangled icebox. During the 1920s it was also known as “flapper pudding” because it was so quick and easy even a flighty modern gal could throw it together. Icebox cakes of many different styles have been popular throughout the 20th century. You might remember one made of chocolate wafer cookies layered with whipped cream.

For this recipe start with sponge cake or lady fingers. Some say you can use pound cake, but I think it’s too heavy. If you don’t have time to make cake, you can certainly buy it. I baked a sponge cake of the sort the Brits call a “fatless sponge”. It has no butter and is lightened with well-beaten eggs.


You’ll need flour, sugar, baking powder, salt, hot water, vinegar, and eggs.

Separate the eggs. Sift together flour, baking powder, and salt.

Beat the egg whites until stiff. Beat the yolks until thick and lemon-colored. Gradually beat in sugar.

Add flour mixture, hot water, and vinegar to egg yolks. Fold in egg whites.

Bake in a greased and floured pan and let cool completely. You can make this a day ahead.

When you’re ready to make your zuppa inglese, you’ll need the cake, a big can of crushed pineapple, a jar of maraschino cherries, amaretto, a box of French vanilla pudding, milk, heavy cream, sugar, and vanilla extract.

Cut the sponge cake into 1/2″ thick slices. Drain pineapple and reserve the juice. Drain maraschino cherries and reserve the juice. Make the pudding, but use one cup less milk, so it’s thick & spreadable, and chill it.

Lay half of the sponge cake slices side by side in a large dish. I was transporting this to rehearsal, so I used a 13″x9″ baking dish, which was perfect.

Drizzle half the pineapple juice over the cake. Do the same for the cherry juice. Then repeat with some amaretto (or rum).

Spread the pineapple over the cake. Get it right to the edge!

Cover the pineapple with another layer of cake slices. Sprinkle with the remaining pineapple juice, cherry juice, and amaretto.

Spread the pudding on top of the cake.

Make whipped cream with heavy cream, sugar, and vanilla. Spread over the top of the cake. Decorate with the cherries and chill for a couple of hours in the fridge.


Isn’t it pretty!


You can sort of see the layers and attractive colors here.

You want to serve this the same day you make it or the cake gets very soggy. It’s still delicious, just wet and easier to scoop than slice.

If you want the actual recipe, you’ll need to get a copy of Go-Go-Robics II or perhaps Angie will post it on her new blog.

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 20 December 2017 at 2:12 pm  Leave a Comment  
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Brrrlesque

Dear Constant Reader,

It had been years since we presented a winter holiday show and we weren’t really planning on doing so. We were hired for a New Year’s Eve show at The Strand Ballroom and that was enough. And yet, somehow, we found ourselves booked at Deacon Giles (hint: it was Brigitte’s doing) and as long as we were doing that show, why not put it on at The Thalia as well.

All three shows (we do two at Deacon Giles) sold out completely and people were pleading for tickets. That was really nice, since, to be completely honest, Dear Reader, our shows did not do so well earlier the year.

Since timing is tight and the stage is small at Deacon Giles, the show is pretty streamlined. Since we had more space and a more flexible schedule, The Thalia show had a larger cast and a couple more acts.

It went a little something like this:

Betty Blaize: Betty, It’s Cold Outside
A classic. One of Betty’s signature numbers, with her puppet-partner, Dino Martini.

Mina Murray: Three for the Show
This is a brand-new number than I debuted on Friday. I wanted something winter-inspired, rather than something so strongly themed that I could only do it at the holidays. An ice-blue gown and white fur wrap did the trick. It’s very classic in style and a bit raunchier than my usual.

Brigitte Bisoux: The Nutrocker
Brigitte is a talented tap dancer and she loves the stages at both venues because they show off the sound really well. With her sparkling costume and feathered headdress, you’d never know she was too short for The Rockettes.

Devora Darling: Snowfall
D.D. dances en pointe in this beautiful striptease. She also throws around some tissue paper snow, which is beautiful. It’s also gets everywhere. EVERYWHERE. Someday I should tell you about the first time we used fake snow. Please enjoy this photo of Devora and Devastasia, who also used some of the snow in her act, cleaning up after the show.

Devastasia: Warm in December
Also a new number for Devastasia. She has professed a strong dislike of Christmas, so it was winter-themed for her. She made a lovely blue and silver dress which was over a flame panel skirt and bra.

Scratch: Magic
I think it was a card trick, but I’m not sure of the details. At Deacon Giles it’s very hard to hear what’s happening on stage from the backstage area (the actual distillery and warehouse).

Betty Blaize: Blue Christmas
Betty is a disillusioned Mrs. Claus, who once she’s alone, prefers to celebrate Hanukkah.

Brigitte Bisoux: Perfect Christmas
Brigitte starts out nice, dancing to “Perfect Christmas Night”, a sweet jazzy tune, and then gets naughty to a version of “You’re a Mean One, Mr. Grinch”. You’ll look at Christmas decorations in a new way…

Devora Darling: Christmas Elf
This is a super-adorable dance with Devora as a cute little elf handing out candy canes. And when she runs out of candy, she has clothing to give out.

Mina Murray: Sugar Rum Cherry
This my holiday fan dance and one of my favorites. At Deacon Giles I performed it solo, but at The Thalia I had Ingride and Gin-ni to open it with a graceful dance with snow-white fans to the traditional Dance of the Sugar Plum Fairy music.

At The Thalia we also had Devastasia, Gin-ni, and Ingride performing “Booty Swing” with oversized peppermint sticks and Gin-ni sang.

All the shows went well and we had great time, for the most part. And there were delicious cocktails at both venues. The early show at Deacon Giles had one rude audience member sitting right up front who was talking with his seat mate through most of the show. It kind of brought the audience’s energy down. However, the second show was just fantastic. The audience was terrific and I think our performances were excellent.

As is my custom, I made a backstage video only for my Patrons. You however can get a brief taste of the show in these video clips Scratch took during the show.

Next up we’ll be at The Strand Ballroom on New Year’s Eve and then The Great Burlesque Expo!

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 19 December 2017 at 4:23 pm  Leave a Comment  
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Friday Tip

Dear Constant Reader,

Happy Friday! Tonight The Boston BeauTease are presenting Brrrlesque at The Thalia and it’s sold out! We’re bringing the show to Salem tomorrow and the early show is also sold out! Last I heard there were still some tickets available for the 9:30pm show, but I don’t expect they’re going to last very long.

And now, your tip!

When performing on a particularly small or unusually-shaped stage, mark the same size or shape on your rehearsal space floor.

By having a clear delineation of the performance area, you can see if your act needs to be modified (“if I do that, I’m going to smash into a wall”) and you get used to performing within the constraints of the space.

We have a wooden dance floor in our studio, so we use painter’s tape to mark the area. Make sure it’s tape that can be peeled up without damaging the floor. If tape isn’t an option, you could use string or perhaps chalk.

M2Like this tip? There are lots more in Miss Mina Murray’s Little Book of Better Burlesque.

These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 15 December 2017 at 11:27 am  Leave a Comment  
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Being Patronized, Again

Dear Constant Reader,

I just spent a few relaxing (and unplugged) days in Florida and returned to Boston to discover snow and that Patreon has changed their fee structure.

For those of you who haven’t noticed the little note I put at the end of every missive, people who like my writings can support me for a few dollars a month through Patreon. It’s not a life-changing amount of money, but it lets me know that people care. I recycle some of that money back into being a patron myself for a couple of other artists.

Until now Patreon took a bite out of the pledges, as you might expect — they are a business, after all — so creators, like me, got a little less than the total pledged. I knew that when I signed on and I’m okay with that. The new system is still going to take a bite out of creators’ funding, but they’ve shifted part of the fees onto the patrons. So if you pledge me $1 a month, you’ll actually get charged $1.38.

I’m not okay with this and as far as I can tell no creator is.

BREAKING NEWS:
While I was writing this I learned that Patreon apologized and won’t be changing anything right now, presumably due to overwhelmingly negative response from just about everyone. There will be changes coming, but they plan to work with Creators to solve the issues.

More news as I get it.

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 13 December 2017 at 2:53 pm  Leave a Comment  
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Friday Tip

Dear Constant Reader,

Happy Friday! Here’s your tip!

After wearing heels, stretch your calves.

We burlesque performers love our high heels, but wearing them can cause tight muscles. My favorite stretch is to grab a chair back, a barre, or press your palms into a wall. Step one leg back, bend your front leg, keeping both heels on the ground. Tilt your hips up and press your chest forward. Repeat on the other leg. Sweet relief!

What’s your favorite for high-heel recovery?

M2Like this tip? There are lots more in Miss Mina Murray’s Little Book of Better Burlesque.

These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 8 December 2017 at 11:00 am  Leave a Comment  
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Gift Suggestions

Dear Constant Reader,

It’s the gift-giving time of year and once again I’d like to suggest some small businesses from which to purchase gifts. You can see some of my previous suggestions here and here.

Deacon Giles is a distillery in Salem, MA with a small line of spirits that is constantly expanding. Try the coffee rum or absinthe! If you make it to the Speakeasy Lab (say for Brrrlesque on the 16th…), sample their creative and delicious cocktails.

Emporium 32, also in Salem, sells beautiful, macabre, creative, and unusual accoutrements for adorning yourself and your home. They’ve got curios and art from local artisans as well as a large selection of jewelry and leather goods made right in the shop!

FinTail Fusions is the brainchild of Master costumer, Rae Bradbury-Enslin. Disappointed in the look of fabric mermaid tails and the price of silicon ones, Rae developed a customizable fabric tail with a cast-silicon fluke. They’re all hand-made in her New Hampshire studio.

International burlesque superstar and Great Burlesque Expo Special Guest Angie Pontani is selling hand-made crocheted hats so you can stay fashionable while you keep warm this winter. She has many different designs, including cloches, turbans, and headbands. Each one is a unique design created by the Italian Stallionette herself!

Cherry Dollface, pin-up, hair & makeup artist, and vintage aficionado, has published her first book, Dollface Vintage: An Everyday Gal’s Guide to a Vintage Lifestyle, a guide to all things vintage, like clothing, hairstyle, makeup, and entertaining. You can’t get this book at Amazon, only through the link above!

I would be remiss if I didn’t recommend my little book as a great stocking stuffer for the burlesquer in your life. It’s full of great ideas for improving your life on-, off- and back stage!

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 4 December 2017 at 11:40 am  Leave a Comment  
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Friday Tip

Dear Constant Reader,

Happy Friday! Happy December! Here’s your tip:

Problem solve out loud.

This tip was inspired by this piece from Siderea, author of excellent, insightful essays. If you like it, consider supporting her on Patreon — I do.

When you’re trying to work something out, work through it out loud. I often talk to myself, or these days, to Albert A. Cat (he’s a great listener), when I’m trying to figure out a problem or a plan. You might see your issue from another perspective or realize the solution when you’re trying to explain it to yourself or someone else (or your cat) in a way you can’t when you’re just mulling it over in your head.

M2Like this tip? There are lots more in Miss Mina Murray’s Little Book of Better Burlesque.

These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 1 December 2017 at 3:29 pm  Leave a Comment  
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Welcome Artemisia

Dear Constant Reader,

I mentioned in a previous missive that Scratch asked someone something. That is, after the show at Rufflecon, we invited Artemisia to officially join the troupe. She said yes!

Artemisia Vulgaris joined our summer crop of interns in May. Of those three (dubbed “The Axis of Evil” for some reason), she was the only one who continued on into the fall. She started out as backstage help on The Big Time, but once we got to know her, we realized she was going to shine on stage. And so she has.

She made her striptease debut in a group number at a private event up in Maine this summer and shortly thereafter made her official public debut on stage at The Mini Burlesque Expo in the Opening Number and with the Axis of Evil. Soon she was creating and performing her own solos and was cast as the main character in Panties Inferno. We definitely wanted to keep working with her.

She’s multi-talented artist — dancer, singer, actor, and costumer. If that’s not enough, she’s enthusiastic and has a great (if dorky) sense of humor — in short, a joy to work with. We were all so delighted when she decided to become an official BeauTeaser.

In addition to performing with us, she can often been seen around Massachusetts singing with her band. You can see her next in December at New Year’s Tease!

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 29 November 2017 at 3:03 pm  Leave a Comment  
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Friday Tip

Dear Constant Reader,

I hope everyone (in the U.S., that is) had a pleasant Thanksgiving holiday. This is the time of year when we’re told be be grateful, but many of us, your Humble Correspondent included, find it to be an incredibly busy and stressful season. Today’s tip is a little exercise to help you appreciate what you have.

Make a list of five things that make you happy.

First, actually write these down. Whether that’s on paper or electronically, doesn’t matter, but you should be able to look at your list when it’s completed. Pick any five things that genuinely make you happy right now. They don’t have to be grand or lofty – things like “flannel sheets” or “that perfect red lipstick” or “my roommate who washed all the dishes” are fine. You can write out an explanation of why this thing makes you happy, if you like.

I find this little exercise lifts my mood and make me appreciate what I have. And one of those things that makes me happy is you, Constant Reader, and all the support you’ve given me over the years. Thank you.

M2Like this tip? There are lots more in Miss Mina Murray’s Little Book of Better Burlesque.

These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 24 November 2017 at 11:27 am  Leave a Comment  
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RuffleCon 11/11

Dear Constant Reader,

For third year we were hired to perform at RuffleCon, an alternative fashion event in Stamford, CT. It’s always such a good time, but I think this year was the best. In the past the convention has been in October, so we were crazed with Wrathskellar preparations. They’ve moved the dates into November, which was saner for us, but it meant I missed BurlyCon for the first time in about 5 years. We were also moved to Saturday night rather than Friday, which gave us a bigger audience.

Everyone headed down pretty early to enjoy the convention offerings. In the late afternoon I taught my corsetry class. Sadly, I was opposite one of the many fashion shows, but most of the ladies I was traveling with came to class, eager to learn about corsets.

Before the show, we had a lovely, relaxed dinner at a near-by Mexican restaurant. Scratch has an excellent restaurant sense and once again picked out a terrific place. After a stop at a liquor store to gather post-show wine, we returned to the hotel to get ready.

The show was a lot of fun and the audience was amazing. They were yelling, screaming, and cheering so loudly. We had a few technical issues, to be honest. There were constant problems with the music (songs starting early or late or just wrong or once two songs playing simultaneously), but they were resolved quickly every time. And we had to reconfigure most of our acts to the runway stage, which was really set up for fashion shows (narrow stage with a long runway), but we made it work.

I’m not going to do a blow by blow of the show because I couldn’t see anything from backstage. Here are a few notes.

Nicole and I opened the show with “Mistress & Maid”. When I snuck onto stage, an audience member yelled “someone’s going to get a spanking!” How did they know?

No surprise, but they loved Artemisia, especially her singing voice. They went absolutely berserk when she hit those long high notes in “Creep”.

Our special guest Mister Twister from Chicago was extremely popular with the ladies.

Betty did a striking striptease with her new LED Wings of Isis to great acclaim.

My costume for “Moon Over Bourbon Street” was further decorated and I made a new pair of strappy undies just for this show (with lots of patient help from Scratch — I can’t pin elastic over my butt by myself.) At one point I was covering myself with the fans and someone yelled “Stop teasing me!”

We closed out with “Booty Swing” which had brand-new sparkly jackets and light-up staves with LEDs and fiber optics! We try to go all out on the costumes and props for these folks.

After the show, we all went back to our hotel room for wine and snacks and decompressing. I made a post-show video for my Patrons, as it was too dark and too noisy backstage. Scratch asked someone an important question, which will be the topic of another missive.

I admit that I was sinking lower and lower into bed as the merriment went on, but everyone else was still energetic and went to the dance party. I heard that Betty absolutely broke the dance floor with her all-out Old School Goth moves and she had a devoted ring of admirers dancing around her.

The next morning we had a fabulous brunch and then most of us went shopping and spent a lot of time thanking audience members who telling us how much they enjoyed the show. Several of the ladies hit the consignment shop and found all sorts of treasures including Devastasia’s first corset. Scratch taught a class on Victorian Parlor Magic which was remarkably well attended for so early in the morning. Perhaps because he plugged it at the show and promised to reveal the secrets of how he pulled so many items from thin air. And then we hit the road to be back in MA in time for rehearsal!

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 22 November 2017 at 1:00 pm  Leave a Comment  
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