Bad Luck Burlesque 11/4

Dear Constant Reader,

We brought Bad Luck Burlesque, a mix of the previous show of that name and some acts from Panties Inferno to The Strand Ballroom in Dover, NH. This was the troupe’s second appearance there, but my first, since I was in New Mexico.

The Strand is a vintage theatre that had been turned into a movie house, but now also hosts live entertainment and dancing. The first several rows of seats had been removed and a dance floor laid out. Although there is a low proscenium stage, we were performing on the dance floor, so as not to be miles from the audience.

If you are one of my Patrons, you can see a video I made from our dressing room in all my pre-show not-so-glamourous glory. I don’t remember the order of the acts, but here are a few snippets. Photos are by audience member Beth Wittenberg.

Our special guest was local blues singer Mike Breman. He accompanied Betty during her injury striptease to “That’s Life” and sang two other songs.

Betty reprised her injured striptease, as mentioned above. She also danced with the Devil in her signature piece, as seen in the photo. Betty is also expert with Wings of Isis. Sometimes she does a striptease, sometimes it’s a straight-up dance number, as it was this time. She included a special surprise for this performance — halfway through the dance, her wings lit up! I wish I had a good picture of the multicolored LED wings in action.

Devastasia’s disturbing bird tormented poor Nicole. She was also an adorable witch in the act she created for our Salem show.
 
 
 
 
 

Scratch mystified and horrified the audience with two dangerous pieces: “The Spike”, which involves attempting not to drive a three-inch steel spike through his hand and “Urban Legend” which involves an apple studded with double-edged razor blades and his mouth. There has never been an incident, but I still can’t watch them.
 

Once again Nicole played my naughty maid and I got to spank her in “Mistress & Maid”. Poor Nicole — first a bird, than a sadistic employer. I also presented my fan dance to “Moon Over Bourbon Street”. From where I was, the lighting for that was fabulous.

For the finale Nicole, Devastasia and I danced to “Booty Swing”, an act that involves picking up and setting down tall staves. That’s when we discovered the the floor was sloped toward the audience… Exciting. I recall Nicole daintily setting down her foot on an errant staff as it began rolling down into the audience.

After the show the good folks at the theatre took up on a tour of the place and insisted we take several large bags of delicious fresh popcorn. We’ll be back for New Year’s Tease on December 31st!

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 21 November 2017 at 3:25 am  Leave a Comment  
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Panties Inferno 10/28

Dear Constant Reader,

Most years for Halloween, we present our haunting cabaret, The Wrathskellar. This year, for various reasons, that just wasn’t going to happen. Scratch decided to present Panties Inferno, a cheery jaunt through Hell. Rather than a revue, the show had a plot and a script. Artemisia played the Dante-like character, while Scratch was not exactly her Virgil.

It was a nice change of pace to do a one-night show instead of a run that’s weeks long and also to do a show that was mostly comedic instead of angsty. From the audiences’ comments afterwards, it sounded like we achieved our goal: fun, funny, and entertaining.

And the show completely sold out.

I don’t think I can do the entire show justice, but I’ll do my best. It’s probably going to get long… I wish I had photos to merrily intersperse amongst the text, but we’re terrible about that. If you are or know a photographer or videographer who’d like to shoot a show, drop me a line!

Artemisia began the show, lost in the woods, where she encountered 3 ladies in gauzy draperies, dancing in the woods.

Devastasia, Gin-ni, Nicole: Virtuous Pagans (“Booty Swing”, Parov Stelar)
This is one of our staple group numbers. This time the dancers wore the aforementioned gauzy and sequined draperies and carried wooden staves, as befit bucolic virtuous pagans.

Artemisia: That’s Life
Resigned to her plight, Artemisia sang this old standard. Before she knew it, she had attracted a native guide willing to leader her through Hell. That would be Scratch (in his signature red zoot suit). The first denizen of the deep she spied was from her home state of Massachusetts!

Mina: Lizzie Borden (“Baby Did a Bad Bad Thing”, Chris Isaak)
This is an old, old number of mine — I created it for the second year we did Out for Blood. You can see some elements that I later used in my bathtub act.

Scratch: Magic
Scratch had Artemisia tie his thumbs together with Infernal Pipe Cleaners and proceeded to accidentally make the impossible happen. Unfortunately, his magic attracted a more powerful sorceress.

Devastasia: (“Ding, Dong The Witch is Dead”, Ella Fitzgerald)
This is an adorably perky number that Devastasia created for our show in Salem. She did most of the lovely costuming herself, from purple fringed gloves to illuminated spider panel skirt.

Mina, Gin-ni, Valerie: The Leopards of Lust (“Strip Blues”, Johnny Staccato)
Long time fans will have recognized this as the second half of an act we usually call “Factory Girls”. I had less time to get ready after my first act (because I had to dry off) than I though and was putting on my jewelry in the wings. I failed to properly clasp my necklace and realized as we were doing the bra remove, that it was sliding off. I admit I kinda screwed up the choreography (really noticeable in a number this tight) because I was trying to grab it before it fell off.

Betty: The Succubus (“Nightmare”, Artie Shaw)
This was the debut of this number. Betty, bathed in red light, dances and strips behind a door of jagged and broken slats. She’s partially visible, partially in shadow. It’s quite amazing. We’re hoping to get video of this one.

Artemisia: (“Everything Goes to Hell”, Tom Waits)
Seduced by the dance The Succubus, Artemisa performs her own striptease. Realizing what she’s done, she flees the stage.

INTERMISSION

Artemisia: Creep (PMJ arrangement)
Remorseful of her previous behavior, Artemisia tells us all how she feels about herself in a song, while showing off her impressive vocal range.

Gin-ni: (“I Want to Be Evil”, Eartha Kitt)
Gin-ni tries to convince Artemisia that being bad isn’t so, well, bad.

Devastasia: The Raven (“A Most Unpleasant Way, Sir”, Gordon Bok/ “Dark Eyes”)
Poor Artemisia, briefly abandoned by her guide, is set upon by a large and unpleasant bird. This was also an act debut and I just love it. The music selection, concept, and costume design were all Scratch, but Devastasia brought it to life. The first piece of music is a folk story-song about a man cursed with a vulture and Devastasia slowly transforms Artemisia into the bird.

Here it’s decided it would be better if they just took the Hellevator down to the bottom. This gag had Scratch & Artemisia just standing on stage in a rectangle of light for roughly an eternity while Muzak played. The audience couldn’t stop laughing.

Betty: Lilith (“You’re the Boss”, Brian Setzer)
This one of Betty’s first numbers and it’s only gotten better with time. Inspired by vintage performer Lorraine Lane, Betty dances with the Devil. I may be biased, but Betty is the best modern performer I’ve ever seen do this specialty style.

Mina, Nicole: Mistress and Maid (“Experiment in Terror/Stalkin'”, Impala)
This is second half of a number created for The Wrathskellar that I used to do with Brigitte. A naughty maid tries on one of my dresses and gets punished for it. I love this act because I get to spank someone with a hairbrush and I get to wear The Diva’s fabulous coat.

Scratch: Magic (“Sexe”)
At this point Artemisia is doubting everything Scratch has told her, even that he has magical powers. Using said magic, he conjures gifts and trinkets for her from thin air. She declares she’s not staying in Hell a minute longer. Of course, she’s about to be wrong about that, as demons flood the stage to tempt Artemisia to join them.

Artemisia, Betty, Devastasia, Mina, Valerie: Finale (“Hell”, Squirrel Nut Zippers)
This is really and truly our earliest group number. Betty created it for the opening of our very first full-length show. Over the years since then the costumes have improved and the choreography has become more complex. It was a bit of a brain twister for me because I’ve been playing Artemisia’s part for years, but I still had a little muscle memory of the original time I danced as a demon, twelve years ago. Needless to say, it’s not the same choreography at all.

After we swamped Artemisia and swept her off stage, Scratch gave an Epilogue to the audience. I have no idea what it was as we were getting dressed again for the curtain call.

The show was a lot of fun and some really good new acts came out of it. It was also kind of frantic, before and during. We had a limited time to rehearse, especially the group numbers, and there weren’t two rehearsals in a row with all the apprentices present. Everything was moving so quickly backstage that I didn’t even film my usual behind the scenes video for my Patrons. Scratch did post this video to Facebook, so you can get a taste.

Two more shows to write up!

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 20 November 2017 at 11:05 am  Leave a Comment  
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Friday Tip

Dear Constant Reader,

Happy Friday! Today’s tip comes to you verbatim from Mr. Scratch, who is so much better at the business side of burlesque than I’ll ever be.

Learn from your competition

Even if you’re friendly competitors, every burlesque performer in your market is looking to reach the same people. You can learn by keeping an eye on their social media (Facebook, Twitter, Instagram, etc. and don’t forget to get on their email lists!). Your competitors may be offering a variety of services that you haven’t considered. Getting out of your bubble and examining what others are doing can help you be more successful. Read their websites for a list of services or performance elements that they offer.

Read reviews of your competition on sites like Yelp or Goldstar to see if there is anything you could be doing differently. Reviews aren’t always criticism; often, people will mention their favorite parts of the show or the ways the producer went above and beyond to make the show special. Comments can tell you exactly what your potential clientele wants — and doesn’t want.

M2Like this tip? There are lots more in Miss Mina Murray’s Little Book of Better Burlesque.

These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 17 November 2017 at 11:28 am  Leave a Comment  
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Review: Mix-Your-Own Mask

Dear Constant Reader,

The other day I took my own advice and used a skin care mask. I’d done three weekends of shows, hadn’t been sleeping well, and winter is settling down here in New England. All this conspired to make my skin look very tired. I’m actually terrible about taking said advice because commercial face masks need to be refrigerated and I’d always use a mask once and then forget about it in the fridge until it dried up or got moldy.

Dr. Jen from Atomic Cosmetics had sent me a sample of her Mix-Your-Own Facial Mask. There’s a tube of wet ingredients and one of dry, that you store in the fridge until you’re ready to use them. Keeping the two parts separate means she doesn’t have to use serious preservatives. You combine the contents of the tubes in a bowl (I found a fork helpful to mix it smooth) and slather the results on. There’s enough in the tubes for a single generous use (you don’t want to save the leftovers because of the aforementioned lack of preservatives). I used the dry/aging skin mask, which has fabulous ingredients like coconut water, evening primrose oil, French green clay, and powdered goat’s milk.

The result is a greenish goo with a funky aroma — that’s the goat’s milk. It made more than enough for me to spread all over my face, neck and decolletage. That frightening image to the right is indeed me under a freshly-applied layer of this stuff. Don’t say I don’t show you the true glamour of being a burlesque performer. Then I relaxed in my boudoir whilst watching a couple of Ask a Mortician videos, staying far away from where ordinary people could see my swampy visage.

Then I washed the dried mask off with some warm water, which was more of a challenge that I anticipated, seeing as I had the stuff ALL OVER myself. Next time I’ll step into the shower instead of trying to do it over the sink. However, it was worth it. My skin felt smooth & soft and most importantly, no longer looked tired.

Dr. Jen has four formulations of this stuff — dry/aging, oily/combination, sensitive, and custom blended for your unique skin issues. I think $7 (for a standard mix) is reasonable for a once-in-a-while skin treat.

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 15 November 2017 at 2:43 pm  Leave a Comment  
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So Busy

Dear Constant Reader,

I’m so sorry for the lack of content. We’ve had a show every weekend for the past 3 weeks and that’s been keeping me busy. I should be able to get back to writing now, as we have several weeks before our next show (Brrrlesque, at The Thalia on Dec. 15 and Deacon Giles at Dec. 16).

Thanks for your patience!

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 13 November 2017 at 2:24 pm  Leave a Comment  

Friday Tip

Dear Constant Reader,

Happy Friday! Tomorrow I’m off to RuffleCon to teach my corsetry class and perform with The Boston BeauTease. If you’re an alternative fashion enthusiast, I hope to see you there!

If using a front-closing bra, replace the plastic closure with something sturdier.

At right, you can see a front-closing bra with its original closure. These are only made of plastic and many fastenings and unfastenings, as one would do in rehearsal and performance, can weaken them until they fail unexpectedly. Also, you have a contents-under-pressure situation with a lot of strain on that point, which is meant to separate. In a back-closing bra, you have a solid piece of fabric up front to take the stress.

Remove the plastic widget and replace it with a coat hook & eye, a whopper popper, or a ribbon tie. Any of these is much stronger that the original style of closure, easier to unfasten, and less likely to experience catastrophic failure.

M2Like this tip? There are lots more in Miss Mina Murray’s Little Book of Better Burlesque.

These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 10 November 2017 at 11:06 am  Leave a Comment  
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Friday Tip

Dear Constant Reader,

Happy Friday! It’s hard to believe it’s November already. I’ll be performing tomorrow in Bad Luck Burlesque at The Strand Ballroom and I’m teaching and performing next Saturday at RuffleCon. Hope to see you there! And now… here’s your tip!

80% of success is just showing up.
–Woody Allen (attributed)

This is one of those quotes that shows up in a bunch of different forms and can’t be positively traced back to the original source. I like this phraseology best.

It’s often hard to get motivated and sometimes we’d rather stay home, cuddle the cat, eat chips, and watch Netflix. Just by getting your ass in gear and showing up for whatever it is, a class, an audition, a rehearsal, an interview, &c., you’ve done most of the hard work.

I’m reminded of someone I knew, who like most of us, hated going to the gym. His deal with himself was that he could blow off a workout, IF he got dressed, drove to the gym, got out of the car and touched the gym’s doorknob. And most of the time, having gotten there, he figured he might as well go inside and work out.

And if you don’t show up, you’re pretty much guaranteed not to succeed.

M2Like this tip? There are lots more in Miss Mina Murray’s Little Book of Better Burlesque.

These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 3 November 2017 at 11:20 am  Leave a Comment  
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Book Review: April Unwrapped

Dear Constant Reader,

Every once in a while I receive a request to review a book or film. I’m always happy to do so!

April Unwrapped: My Naked Dreams Revealed by April Brucker (2017)

April Bucker is an actress and comedienne, not a burlesque performer, but her book addresses being naked in public. Everyone has had that dream of being naked in a public place, whether it’s in the classroom, the boardroom, or on the subway. In April’s case, her nightmare was being naked on the stand-up stage. In reaction to that bad dream, she created April Unwrapped, in which she faces her fear by being naked in the pages of a book.

In the tradition of the pin-up calendar, April presents more than a dozen photos of herself, naked, each one themed for a month. She’s not actually naked, but coyly covered with an item or two, appropriate to the theme. The effect is more cute and a touch campy than it is provocative (although the creamy “bikini” of August was more revealing than most of the other months).

Each photo is accompanied by a short message, relating her dream to the reader. In May, where she holds a vase of yellow roses in front of her crotch and a single rose across her breasts, she writes “I dreamed you planted my May flowers. Au Revoir! April”. It reminded me of the old ads — “I dreamed I argued before the Supreme Court… in my Maidenform bra!” only without the bra.

As I said above, April is not a burlesque performer, so taking off her clothes for an audience isn’t a common occurrence for her. She’s also not a pin up model and she employs none of the glamourous artifice of that profession. She’s truly unwrapped, naked and exposed before our eyes. This is art created to confront a fear and make a statement, not to seduce or entice.

As a book, it’s a little thing and I think it might have worked a little better as a calendar. I would have like to have seen more of April’s creative concepts, untethered by the constraint of the monthly theme. It’s a charming collection, nonetheless, and is both amusing and brave.

If you, Dear Reader, have a book, film, product or anything else you’d like me to review, please drop me a line.

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 2 November 2017 at 3:20 pm  Comments (2)  
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Happy Halloween!

Dear Constant Reader,

Wishing you a very happy and spooky Halloween!

Wrathskellar Babydolls-19 Diva

This is one of my favorite pictures of The Diva. I can’t remember the photographer, but it was opening night of The Wrathskellar 2012. I was utterly exhausted, physically and emotionally, but that’s a story for another time.

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 31 October 2017 at 11:01 am  Leave a Comment  
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Friday Tip

Dear Constant Reader,

It’s almost Halloween! Tomorrow we’ll be presenting Panties Inferno at The Thalia! This is a busy time of year for burlesque performers and often involves even more and heaver makeup than we usually wear. Here’s your tip:

After Halloween, treat yourself to a mask!

Not that kind of mask. A soothing facial mask. (If you want to see that kind of mask, you can check out Devastsia’s new number in Panties Inferno tomorrow.)

All that makeup is tough on your skin, so pamper yourself a bit. There are all sorts of masks available commercially, with ingredients like green tea, Dead Sea mud, or French clay. There are also some truly disturbing-looking sheet masks that are rather popular now. Or you can make one at home with kitchen ingredients like oatmeal or yogurt or mashed strawberries. Honey and ground almonds is a good one — you can put some on your face and the leftovers on your toast! You can find plenty of recipes on-line.

Start by steaming your face. Pour some boiling water into a bowl and hold your face over it for a few minutes. For extra steaminess, tent a towel over your head. Then smear or press or pat your mask in place. If you’re using something with crunchy bits, like sugar or the aforementioned almonds, make sure not to scrub it around; the roughness could make tiny tears in your skin. Leave the mask on for a little bit while you relax. Wash it off with warm water. Spritz with some toner and enjoy how fresh your face feels!

M2Like this tip? There are lots more in Miss Mina Murray’s Little Book of Better Burlesque.

These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 27 October 2017 at 12:36 pm  Leave a Comment  
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