Review: Exotic World & the Burlesque Revival

Dear Constant Reader,

While the rest of the burlesque world was in Las Vegas at the Burlesque Hall of Fame Weekend, I stayed home and watched this documentary. It’s become an annual ritual for me.

Exotic World and the Burlesque Revival by Red Tremmel (2012)

Quick explanation for my non-burlesque readers: Exotic World was founded by Jennie Lee, The Bazoom Girl, as a burlesque museum and retirement home for former strippers. The museum was originally a goat farm in the Mojave Desert and as you might imagine, it was not over-run with visitors. After Jennie Lee’s death, Dixie Evans (The Marilyn Monroe of Burlesque) took over the place and then created the Miss Exotic World pageant to bring more people in.

The film chronicles Exotic World’s struggle to stay afloat and its rise as a place of pilgrimage for neo-burlesque performers. It’s full of interviews with Legends, more precious now that some of them have since left us, and with some of the pioneers of the burlesque revival. The documentary was shot over the course of several years, so you see the how the pageant grows, but also how the museum decays. It ends as Exotic World is packed up for the move to Las Vegas and the gates are closed.

It’s always a bittersweet experience watching it. The clips of the pageant are a delight to watch. There’s so much energy and excitement amongst the performers. It’s marvelous to watch the early days of some icons of the modern burlesque scene, like Dirty Martini and Kitten De Ville. Then there are the scenes in the museum itself. The newer performers treat it with reverence and awe. The Legends are more nostalgic: these were their friends, their youth, a lost past.

It’s hard seeing this amazing collection in the crumbling surroundings. There was something wonderful about this gem in the desert, but it was also delapidated, leaking, and insect-infested. Dixie tried her best, but there’s only so much that can be done on volunteers and hope. It did my museum-trained heart good to see the collection being packed up in acid-free tissue by white-gloved workers, even as I got weepy seeing the end of an era. Someday those treasures will see the light of day again.

Occasionally in watching the documentary I would pull back and try to watch it as someone from outside our Glitter Tribe and think “who are these half-naked freaks in the desert?” But for the most part the love from the young performers and the filmmakers comes through.

Exotic World is an important part of our history and we can never again visit that old goat farm in Helendale (I missed it by a year). The film immortalizes the words of Legends now gone (including our beloved Dixie) and the leaders of our current revival. A taste of what Exotic World once was is preserved. It is so, so important that all modern burlesquers see this documentary.

To that end, I’m going to give away a copy of the documentary. Just leave a comment here naming your favorite Legend of burlesque (living or not) and a short explanation of why. You can leave a comment here (not on Facebook or any of the other places I post this link) up until 9AM on June 14, I’ll pick a commenter at random and the DVD is yours!

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Update: The above site appears to be gone. You can still watch the movie through Amazon here

Published in: on 7 June 2017 at 2:32 pm  Comments (5)  
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In Memoriam: Blaze Starr

Dear Constant Reader,

The world has lost a burlesque legend. Blaze Starr, famed for her flaming couch, black panther, affair with the governor of Louisiana, and unrepentant attitude, died last week. You can read her obituary in the New York Times, if you like.

I’m not going to recap her fascinating life story here, for that you should read Blaze Starr: My Life as Told to Huey Perry, which I reviewed here some years ago.

At that time The Boston Babydolls were creating Madame Burlesque: An Evening of Tributes, a show inspired by the stars of burlesque’s Golden Age. For the most part, we weren’t doing tributes as most burlesquers use the term, meaning a re-creation of a legend’s signature act, but new acts that were inspired by those legendary performers.

Betty Blaize was creating a Blaze Starr-inspired act for one of her numbers and Scratch wanted permission before bringing it to the stage. Miss Starr generously granted it, via email, requesting that the act be “in good taste”. Betty performed a slinky, sultry striptease climaxing with the famed flames.

I was told that when Blaze’s couch burst into flames, sometimes she would holler “barbecue tonight, boys!”. Every time Betty’s flames ignited, she really, really wanted to follow suit, but it would have wrecked the mood she was creating and therfore violated the good taste request.

We’re really honored that we were allowed to present a piece in Miss Starr’s name and with her blessing.

Recently Scratch acquired this fabulous piece of Blaze Starr memorabilia:

It means a lot to us because of the Boston connection. The Pilgrim Theater was in the Combat Zone, where burlesque fled after the redevelopment of Scollay Square, and was probably the last true burlesque house in Boston. A number of big names performed there in the mid 1970’s and I suspect this handbill was from 1974.

Bold, brash, larger than life, and a good businesswoman, Blaze Starr made a huge impact on the world of burlesque (and politics!). She will not be forgotten.

M2

Published in: on 22 June 2015 at 9:33 am  Leave a Comment  
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