BeauTeaseday 8/2/16

Dear Constant Reader,

It’s been quite a while since the BeauTease took the stage for a full show. I think the last one was R&J: A Shakespearean Burlesque all the way back in February. So when Scratch proposed a take-over of The Teaseday Club we were all pretty excited. Some of us decided to pull out some old favorite acts and some used the opportunity to create new numbers. And here’s how the show went…

  • Betty Blaize, Devora Darling, and I opened with a playful trio to “Stompin’ at the Savoy” by Benny Goodman.
  • Pearl Buttons did a sultry striptease to a pair of Nina Simone songs.
  • Because The Teaseday Club is usually a variety show, Brigitte and Scratch provided a vintage burlesque comedy bit.
  • Then Brigitte did a funny (and dirty) number about how she learned to love spinach. At least that’s what the song says. Brigitte might have been thinking of something else.
  • Devora presented our version of Gypsy Rose Lee’s The Stripteasers Education, which tonight was more tease (and talk) than strip.

Intermission

  • Betty debuted a new act with a flame-themed costume and a fiery attitude.
  • Brigitte showed off her tap dancing skills (and crystal-encrusted tap shoes) to Glenn Miller’s “In the Mood”.
  • Pearl Buttons and Scratch did another comedy bit.
  • Pearl Buttons presented a brand new act. All the BeauTease have a number to something on the Shim Sham Revue album and Pearl chose “Last Call” for hers.
  • For a change of pace, Betty Blaize danced with Wings of Isis. She has two versions on this number and everyone was reminding her backstage that this was the non-stripping version.
  • I took advantage of the fact that this wasn’t technically a BeauTease show, to do something a little different. I presented the act created for Peepshow Menagerie’s David Bowie tribute show in February and never performed on this coast. It’s an impressionistic piece with a swirly veil to my favorite Bowie song: “Life on Mars”.

Intermission

  • Last year we all participated in The Mystery Box Challenge and some acts were more successful that others. Devora liked her song, but really nothing else about the resulting number. She started all over again and became a sweet clown with misbehaving hands. Tonight was its first time on stage.
  • Brigitte and I did one of my favorite duets: Mistress and Maid. Originally created for The Wrathskellar, it’s a little more humorous than you might expect for that dark abode. Although I do get to spank Brigitte with a hairbrush.
  • Scratch performed a minor miracle with a deck of cards.
  • Betty, Devora, Pearl, and Scratch did another comedy bit.
  • Betty, Devora, and Pearl closed out the show with a jewel box number.

Normally at The Teaseday Club, the performer who has the support of the most audience members gets The Great Teaseday Cookie, but we weren’t going to compete amongst ourselves, so voting was disabled for the month. Instead Scratch awarded us all cookies!

Big thanks to Hunter on tech and Jeannie Martini the stage kitten and everyone who came out to the show! It was fantastic to have such a big and enthusiastic audience! And it was wonderful to see so many B.A.B.E. students!

Teaseday will return to normal next month.

M2

Published in: on 4 August 2016 at 3:18 pm  Leave a Comment  
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Spring SPECTACULAR Showcase 5/21/16

Dear Constant Reader,

This weekend was the spring B.A.B.E. student showcase. We ended up calling it “Spectacular” instead of “Student” because we had a couple of instructors on stage too. We hold these recitals twice a year so our Burlesque Your Way students can show off their new creations, but also to give our alumnae a performance opportunity.

Scratch hosted the first part of the show — distinguish alums and instructors.

First up was Sadie Hunter, bringing back her first Burlesque Your Way creation, a fierce chair dance to Beyoncé’s version of “Fever”.

Kitty Levesque brought a touch of glamour with her Marilyn-style “Diamonds are a Girl’s Best Friend”.

Elsa Riot reprised the fire-themed act she had debuted at The Teaseday Club. And despite her fears, her merkin stayed on again!

I was sorry I couldn’t see Alice Azul‘s new number since I was fussing backstage. The bit I saw in rehearsal looked super-sultry and she had a lovely feather-trimmed robe (that she made herself).

Lucie Luxe, our alumna-turned-instructor has been away from the stage earning another Master’s degree. Her return was heralded by a re-work of one of her Teaseday Club favorites, to “Toxic” from Melanie Martinez.

Devora Darling demonstrated her boundless energy and dance skills to The Puppini Sister’s “It Don’t Mean a Thing”. It was a great advertisement for her class next month where she’ll teach a complete burlesque routine of her own creation.

Mina Murray: That’s me! I presented my revamped version of The Faerie Queene. This is the third iteration, and I hope it’s finally the one! The evolution deserves a post of its very own.

The second half, which I hosted, was devoted Burlesque Your Way students.

This is Honey Bee‘s third creation with a B.A.B.E. program (she took Burlesque Your Way once before and the Mystery Box class). She stripped out of a peacock-feathered costume to Amy Winehouse’s “Love is Blind” and ended by pulling off a scarf that was draped atop her corset and wrapping it around her eyes like a blindfold in her final pose.

Lucky Penny presented her very first burlesque routine! She was a jewel thief who distracted a hapless guard by taking off her clothes. Her friend playing the guard really hammed it up and made a great foil to her naughtiness. The song was, appropriately, “Wikked Lil’ Grrrls” by Esthero.

Pearl Buttons has been working really hard! She created two numbers for her debut at The Teaseday Club plus her class assignment. This was a high-energy dance-intensive striptease to Big Bad Voodoo Daddy’s “The Boogie Bumper”.

Devastasia, who made her debut last fall in the Mystery Box class, went classic with Frank Sinatra singing “Mack the Knife”. She played it up as a hit-woman who removes concealed weapons as well as her clothes and packed them all neatly into a suitcase. Then she put on a totally different outfit and got out of town.

We closed the show with Jeannie Martini, also a Mystery Box veteran. She brought down the house with her fan dance to Doris Day’s “I Only Have Eyes for You.” I don’t want to give away the punchline, but it was hilarious and clever!


And here’s almost everyone! From L to R: Lucky Penny, Mina Murray, Lolita the Stage Kitten, Pearl Buttons, Devora Darling, Devastasia, Jeannie Martini, Kitty Levesque, Alice Azul, Sadie Hunter, and Elsa Riot. (missing: Honey Bee, Lucie Luxe and Scratch). Photo courtesy of Elsa Riot.

Big thanks to Allison in the tech booth and Lolita the Stage Kitten! And of course, Scratch who produced the show and handled the box office, as well as hosting.

B.A.B.E. students will be back in the Fall for the next showcase!

M2

Published in: on 25 May 2016 at 4:05 pm  Leave a Comment  
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Expo 2016: The Main Event

Dear Constant Reader,

I know this is the missive you’re eagerly awaiting. Who were The Howard Award Winners?

First, I want to tell you about the opening number. Scratch had this idea… and he got Willy Barrett to make it reality. Scratch sang (yes, he actually sang) “Pure Imagination” from Willy Wonka and the Chocolate Factory with new lyrics, of course. Whilst he did so, Willy Barrett led a bevy of beauties around the stage in a Follies-style parade with them first displaying and then discarding banners with the numbers 1 through 9. Then Betty and I came out to either side of Scratch and displayed “1” and “0”.

I try to keep my involvement in The Expo low-profile. From year one I’ve said “I’m not in charge of anything!” So, I didn’t really want to be so prominently featured in the “Parade of Years”, but Willy insisted and I can’t say no to him. As I stood in the wings, watching the showgirls (and boy) swoop and prance, I actually got a bit teary-eyed. I’ll chalk it up a little to stress and lack of sleep, but mostly it was seeing our very own Follies number live on The Expo stage.

And then I raced to the Green Room to put on something more appropriate for judging than a bra, panel skirt, and feathered hair ornament. On to The Main Event!

Allow me draw attention to a couple of acts I particularly liked:

  • Maggie McMuffin‘s hot strip to Pink Floyd’s “Have a Cigar” in which she demonstrated her mastery of the eye-fucking techniques she had taught earlier that day. I did not expect the ending. Also, I love her 70’s aesthetic.
  • Shimmy LaRoux as a booty-ful mermaid. Not only was her act adorable and funny, her music mash-up was *perfect*.
  • Delilah as “Annie White”. Due to my particular cultural illiteracy someone had to explain part of this to me later, but I still enjoyed the half-and-half act, even if I didn’t recognize the Jack White half.
  • Although this was a tough slate to judge, I have to say that my fellow judges made this a delightfully easy deliberation experience. We were done in twenty minutes! (I timed it.) In fact, there was still business happening on stage when we got back.

    And that was when I got blindsided. Scratch began calling up people who had worked on The Expo for the past 10 years. First Hunter, our long-time tech director. He and Scratch have been working together since before The Expo was even an idea. Then Willy Barrett, who was at the first Expo because Betty took a workshop with him in New York, thought he was amazing, heard he used to do burlesque, and invited him. And the rest is, as they say, history. Betty Blaize, of course, who was the original Conference Coordinator, became Queen of Registration, and has been in charge of making the new website happen (you have no idea how hard she’s been working on that, non-stop, for at least two years). And me. I almost did cry then. So much for keeping a low profile…

    And now the awards!

    Honored by Gabriella Maze: Jacqueline Boxx*
    Honored by Matt Finish: Private Tails
    Honored by Dangrrr Doll: Sunny Sighed & Bal’d Lightning

    The Howard Award Winners
    Judges’ Choice: Mimi MaShuga
    Best Hybrid: Sunny Sighed & Bal’d Lightning
    Most Comedic: Ruby Spruce
    Most Beautiful: Freaky Candy
    Most Classic: Red Velvet**
    Best Group: The Duet That Do It (aka Scarlett O’Hairdye & Bolt Action)
    Best Solo Performer: Egypt Blaque Knyle

    And then it was definitely time to party!

    M2
    * Jacqueline was appearing as a special guest, rather than a competitor, but a Legend gets to give her personal award to whoever the hell she wants.
    ** Red Velvet joins the small club of those who have won two Howard Awards.

    Published in: on 1 March 2016 at 3:27 pm  Leave a Comment  
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    Expo 2016: The Bordello

    Dear Constant Reader,

    After The Rhinestone Revue, the action moved next door to the Exhibit Hall for The Bordello, a little late-night entertainment and dessert. The show was hosted by Sailor St. Claire. Yes, she closed out the Rhinestone Review and then hopped into her gold jumpsuit and ran over next door to welcome the guests.

    There was a terrific dessert buffet (I should have grabbed another one of those brownies when I had the chance…) and three sets of burlesque acts.

    Set One

  • Elsa Riot with her award-winning act to “Everybody Loves My Baby”. This gets better everything I see it.
  • Ginge O’Lolly as Medusa. Really disturbing, especially after she got off stage because she wore the costume (including the snakes in her hair and the contacts) for the rest of the night.
  • Scarlett O’Hairdye with her “Meteor” act to “Don’t Stop Me Now” was blazingly fabulous, especially the silk veil fans.
  • Red Hot Annie lived up to her name. That act was gorgeous, so sexy, and red hot! (and very purple too).
  • Elsa Riot

    Ginge O’Lolly

    Scarlett O’Hairdye

    Red Hot Annie

    Set Two

  • I adored Raven Gemini‘s space strip, as her costume pieces came off and drifted away into space (with Shimmy LaRoux playing the part of Space). It was the tassels pointing straight up that really made it perfect.
  • Ruby Solitaire had an absolutely beautiful costume for “La Vie en Rose”, including a hand-made vegan boa.
  • It was delightful to see Vita Lightly on stage again. She first performed this act when she was with The Boston Babydolls, before being on America’s Next Top Model took her away from burlesque for a while. It was great to see how it has evolved.
  • Alice Azul was simply stunning in a sensual striptease that was new to me. It was clear she had taken her Delsarte lessons from Willy Barrett to heart!
  • Doctor Vu tricked us all when she took the stage as Loki.
  • Raven Gemini

    Ruby Solitaire

    Vita Lightly

    Alice Azul

    Doctor Vu

    Set Three

  • Corinne Southern sang “Moonage Daydream” as she stripped.
  • Sara Dipity also sang and stripped, but in a Broadway style with “Life of the Party”.
  • I always manage to miss an act and unfortunately, it was Whiskey Joy. Can someone tell me what she did?
  • Trixie Paprika was an adorably mischievous jewel thief with a terrific mask.
  • Alexa Luthor cranked up Awesome Mix Vol. 1 to strip as Groot. Yes, you heard me correctly. Groot. Strip.
  • Corinne Southern

    Sara Dipity

    Whiskey Joy

    Trixie Paprika

    Alexa Luthor

    You can see the photos from George Ross in all their full-sized glory in this Facebook album

    M2

    Published in: on 16 February 2016 at 1:07 pm  Leave a Comment  
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    Expo 2016: The Rhinestone Revue

    Dear Constant Reader,

    The Expo kicks off with the glittering Rhinestone Revue featuring past winners, special guests, and a star turn for the current title holders.

    This year, the performances went something like this…

    The Expositionettes
    This was the opening number for the show. Betty took a dozen volunteers (several of whom were B.A.B.E. students) and in a mere 4 rehearsals taught them a group striptease to a jazzy version of “Happy Birthday”, it being The Expo’s 10th year.

    Scandal from Bohemia (Most Humorous 2010)
    Our Hard-working Conference coordinator stripped out of a satin evening gown/straitjacket to Patsy Cline’s “Crazy”. Of course. Before the show I said to her “I don’t know what you’re going to do, but it’s bound to be preposterous”. And I was right.

     

     

      

    Kibry LaBrea (Mr. Hollywood Burlesque 2015)
    The Hollywood Burlesque Festival is our sister show and we exchange winners each year. We were so glad they sent us Kirby LaBrea and his energetic dance to “Ladies’ Choice”. He certainly was. And the gentlemen’s choice too. He did pander to the hometown audience a bit with his Red Sox costuming, but I don’t think anyone minded.

     

     

    BettySioux Tailor (Most Beautiful 2010)
    The Blue-haired Beauty and our Costume Exhibit creator dazzled us all with a gorgeous routine in her signature shade. I’m a sucker for fan dances. I particularly loved her use of the Isis wings that had been disguised as part of her skirts. It was a lovely surprise.

     

    Donna Denise (Most Classic 2013)
    Donna Denise brought us a sultry striptease which concluded with her signature mammary manipulation. I could watch those pectoral pops all night long…

    Matt Finish (Reigning King of Burlesque)
    Matt has been to the Expo a couple of time before, but now he’s royalty! We were delighted to have him as one of our special guest this year! He gave us one of the most achingly slow teases I have ever seen.

    The Boston BeauTease
    Hey, it’s us! We presented an act we call “The Duel” from our upcoming show R & J: A Shakespearean Burlesque. It’s not our usual style, but it was so much fun. Betty did the dance choreography and Scratch did the fight choreography. For those of you who saw it, Devora’s sword was *not* supposed to shatter like that! I’m so glad we were all so familiar with the choreography and trust one another such that we could keep going with faith that no one would get hurt.

     

    Dangrrr Doll (Most Humorous 2013)
    Our special guest, The Twisted Beauty of Burlesque, brought her “Classic Metal” act, fusing a classic look with, well, metal music. I particularly loved the reveal when she whipped off her long blonde wig to show her actual short ebony hair.

     

    Mika Romantic (Most Classic 2015)
    Fittingly, our Most Classic winner paraded and peeled from a stunning gown to “More Bumps & Grinds”. Classic from head to toe with the gown, the boa, the music, the moves, everything.

     

    Gala Delicious (Most Beautiful 2015)
    I must confess, Constant Reader, that I missed almost all of this act. I realized I was standing around in next to nothing and needed to put something on for the curtain call. I know it was fire-themed and she had a gorgeous costume (of course!) that included a ruffled and ribbonned robe and a candelabra headpiece. I guess I have to wait for video!

    Cheri Nuit (Most Humorous 2015)
    Cheri was just freakin’ hysterical last year and she was again. This time she was a rat. Yes, a rat, dancing to “Uptown Funk”. And just when I thought she had revealed her final punch-line with her pasties, there was yet another, even funnier reveal!

    Kiki Allure (Best Hybrid 2015)
    This was a literally hot number as Kiki, as the sexiest welder ever, struck sparks with the audience. Well, actually with a piece of metal and then with her costume! Her song was “Girl on Fire” and so she was.

     

    Sailor St. Claire (Best Solo 2015)
    In a stunning contrast to her tightly controlled and sensual act last year, Sailor busted out the Vegas glamour in a J. von Stratton gown. Note: there are four suits in a deck of cards. Her pasties represented two of them, so guess where she put the other two…

    (All Photos by George Ross)

    And then it was time for The Bordello!

    M2

    Published in: on 15 February 2016 at 2:01 pm  Leave a Comment  
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    Audiences Behaving Badly

    Dear Constant Reader,

    Theatre etiquette is fairly simple: shut off your phones and don’t talk loudly during the show. Don’t do anything to distract the performers or annoy the other audience members. A burlesque show has slightly different rules, in that you’re supposed to cheer and make other appreciative noises during the performance, but, really, the other rules apply too. Common courtesies will make sure the experience is enjoyable for everyone, fellow audience members and perfomers.

    You know the saying about a few rotten apples? We had that experience at The Wrathskellar on Saturday with some disruptive audience members. I wish I could say it was an isolated incident, but we also had similar problems the previous Saturday. The Wrathskellar is a particularly atmospheric show and boorish behavior can shatter the mood.

    It was mostly people at the expensive cabaret tables up front. Maybe they felt they were special. Maybe they couldn’t see the other audience members in the dark. Perhaps they confused the theatre with their living room. I’m sure the woman who kept putting her feet up on the footlights was under that delusion.

    We had people having conversations at speaking volume throughout the show. We had people shouting their “witty” comments at the performers almost continuously, especially during the particularly dramatic or tense moments.

    We even had one person on her phone. Despite the signs in the lobby and on the theatre doors and the preshow announcement asking people to shut off their phones, she just had to make a call during the show. Scratch, in character as Bücher, had to ask “Is our show interrupting your PHONE CONVERSATION?”, to cheers from the rest of the audience. Later, at intermission the offender complained that Scratch had “embarrassed me while I was on the phone”. Seriously?

    When we’re putting on one of our usual revues, the MC or even the dancers can shut down an obnoxious audience member if necessary. In The Wrathskellar we are hobbled by the fact that we are playing characters and following a script. It’s really hard to get an audience member to just shut up and let everyone else enjoy the show when you’re in character and performing a choreographed routine. We tried. You would think someone would get the hint if a performer shushes them during a dance or the host bluntly tells them to shut up. And even more so when the rest of the audience applauds that action. Unfortunately some people are beyond oblivious.

    If one would like a private performance at which one could shout, chatter, or ignore the performers as much as one liked, we would be happy to oblige for a mere several thousand dollars. Please contact our management for details.

    We had audience members who were upset that these selfish idiots were ruining their experience. I am truly sorry and wish there was more we could have done. I wish we had security or bouncers, but the theatre doesn’t supply any and we don’t have the staff — our ushers are also performers. Please, if you’re at one of our shows and people are talking or being inappropriate, you as a ticket holder are fully empowered to tell these jerks to shut up. You have every right to enjoy the show.

    Now, behaving appropriately doesn’t mean that you have to sit in silence while you watch the performance. You can cheer, applaud, ooh and aah, sing along during the audience participation section (you’ll know when it is; it’s really obvious), laugh at the funny bits (there are funny bits), gasp in horror, gasp in awe, sob quietly, &c. That sort of thing.

    We want *everyone* to enjoy the show, not just a few assholes at the expense of everyone else.

    M2

    Published in: on 26 October 2015 at 4:47 pm  Leave a Comment  
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    Striptober!

    Dear Constant Reader,

    Monday night The Boston Academy of Burlesque Education had its fall student showcase and what an amazing show it was. All the students absolutely rocked it!

    First up we had the B.A.B.E alumnae*, strutting their stuff. Some of the acts I’d seen before, some were brand new, and they were all crowd-pleasers.

    Sadie Hunter started things off with a smoldering classic-style strip with a boa to “Nasty Naughty Boy”.

    Trixie Santiago brought in some humor with a “fan” dance in honor of Ivar Haglund, the clam king of Seattle. Yes, her fans were over-sized clam shells.

    The luscious Viva Le Reve performed a sultry down-and-up strip to “Feelin’ Good”, starting in a robe and ending barely covered by a beaded evening gown.

    Silki Velour presented a more traditional fan dance. If you missed it, I believe she’s bring it to The Teaseday Club in November.

    Teaseday Cookie Queen Elsa Riot teased us with a glittering red cape that she used to reveal and conceal.

    Scratch awarded them all cutesy, kitschy, back-to-school themed certificates, like “The Girl Most Likely To…” and “Class Clown”.


    From left to right: Elsa Riot, Trixie Santiago, Via Le Reve, Sadie Hunter, and Shirley Rockafella (I’m not sure where Silki went…)

    Then it was time to reveal what had been in the Mystery Boxes. I was dying to find out. This was the first advanced routine creation class that I hadn’t taught, so I had no idea what was coming!

    This was day one:

    Six of the eight students brought their act all the way from box to stage. Each box contained elements that the dancer had to incorporate into the act, including small props, costuming decorations, dance moves, costume items, a mood, and a piece of music.

    The first three performers made their burlesque debuts!

    Devastasia was a slightly gothy baker who proceeded to sensually frost a cupcake on stage (and present it to me. I’m so lucky!). I though the bejeweled spatula was an item from her box, but it was the cupcake! Her sequin-swirled bra was gorgeous. (By the way, she’s the artist who made The Lost Girl’s dollhouse so beautiful. Come to The Wrathskellar and see…)

    Dimples DeVil was a slinky cat burglar with a thing for jewelry. She worked with Brigitte to up the “dirty” factor of her act and it showed. I loved her opening leg tease.

    Jeanie Martini started out cute, then next thing I knew there was a shower of dozens of flowers — from her crotch! Totally unexpected and marvelous. One of her box items were jingle bells and her (very lovely) underthings were covered with them.

    Honey Bee is a veteran of Burlesque Your Way and I was looking forward to seeing what she created this time. She was a bartender with a box full of props, including one of her requirements — a bottle, which she envisioned as a bottle of Jameson. My favorite moment was when she put a cocktail shaker between her thighs and pulled out a boa. One of her required items was a shimmy belt and she attached cocktail strainers to her hips!

    Villa Lobos was the only student I didn’t know. I believe this was her first burlesque class, although she’s clearly a performer. She performed a dance routine with sheer wings and a hula hoop which looked unearthly under the strobe light. I know that one of her items was a turkey baster, which she transformed into a black rose.

    Shirley Rockafella is the most experienced student of the batch, having performed all over the place this past year. She closed the show out with an adorable strip, starting as a cleaning lady and ending up in a corset and ruffled skirt. She rhinestoned the crotch of her panties!

    I’m so proud of each and everyone of them for taking on such a challenging class and acquitting themselves so well. Scratch had “Super Star” blue ribbons for each of them and they all totally deserved it! I just wish I’d gotten a class picture…

    Our next student showcase won’t be until the spring, but I’m sure some B.A.B.E. students will be gracing the stage at The Great Burlesque Exposition in February!

    M2
    *It’s not that they’ve graduated from B.A.B.E., since most of them still take lessons with us, but that they’ve graduated to the professional/semi-professional stage

    Published in: on 21 October 2015 at 4:36 pm  Leave a Comment  
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    The Wrathskellar Preview 10/8

    Dear Constant Reader,

    Last night The Wrathskellar opened with a preview. I think I speak for all the BeauTease when I say that we’d been waiting for this moment for years. We’ve really missed our decrepit cabaret.

    I will admit to being more nervous than usual. We hadn’t yet had a complete rehearsal with all costumes, all props, all lighting, and all of Bücher’s interstitial bits. But that’s why our first show is a preview. We open for real tonight.

    I thought the show was a little rocky here and there as we figured some things out. I discovered that in full blackout, after just being in bright light, I can’t see the edge of the stage. Thank goodness Alice was there to grab my arm! There were a few other issues, but I’m sure they will all get smoothed out.

    The audience seemed to like the show. Sometimes it’s hard to tell because this isn’t your usual burlesque show with lots of audience hooting & hollering. And more than liking it, they seemed to *get* it. We’re telling a story, a rather dark one. Hint: keep an eye on the footlights — they illuminate (pun intended) whether things are going well or awry for our characters.

    Here’s a little backstage peek: that’s me as The Diva in my private dressing room. And just to keep this all glamourous… the door to my dressing room (the tech closet 11 months out of the year) won’t stay open by itself. I’d rather not be cut off from the rest of the world until it’s absolutely necessary, so I wedged the door open with something from the closet — a rusty curtain counterweight. No one warned me that the theatre was open to patrons until it suddenly was. In my haste to move the extremely heavy thing and stash it behind the draperies in the room, I slashed my finger open. Yay! At least it was my ring finger, one of the fingers Willy Barrett used to say that you could live without. And I avoided bleeding onto my ivory ostrich boa.

    Tonight we don’t go on until 10pm. See, there are actually THREE* shows using the theatre this month. The Woman in Black is Mondays through Wednesdays and The Wrathskellar is Fridays through Sundays. However, on Fridays and Saturdays Shit-Faced Shakespeare is on before us.

    So, that’s three shows worth of props, costumes, and set pieces, mostly ours. Just to give you an idea of how much that is, The Wrathskellar has a dozen performers, many of whom average four costume changes, and several very big, awkward, and somewhat delicate set pieces, like a chaise, a dressing table with mirror, and a dollhouse. The Woman in Black also has a couple of large set pieces. I don’t know if you’ve ever been backstage at the Davis Square Theatre, but it is not a large space. I hope this works out for all concerned, especially since one of Shakespeare‘s actors will be drunk.

    I hope to see all of you Constant Readers in the audience this month! And don’t forget to read Bücher’s note before you arrive!

    M2

    *really more than that but we won’t count The Teaseday Club, the B.A.B.E. Striptober Showcase or the two other shows that Scratch isn’t producing, because they’re all one-night stands.

    Published in: on 9 October 2015 at 2:47 pm  Leave a Comment  
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    An Exhausting Weekend

    Dear Constant Reader,

    It has taken me this long to report on my weekend as I was completely wiped out! It was a great weekend, but a strenuous one.

    Friday night The Boston BeauTease were engaged to perform at Rufflecon. I knew it was an “alternative fashion” event, but that did not prepare me for the acres of ruffles, lace, and petticoats worn by the attendees. It was predominantly Lolita fashions with a smattering of goth, steampunk, and Victoriana styles. I wish I had taken pictures to share with you the remarkable confections I saw walking around. To the right is a random photo from their fashion show, just to give a small idea.

    We had been asked for a show that was a little Halloween-ish, for elaborate costumes, and for a male stripteaser. So, we brought along a couple of numbers from The Wrathskellar (preview tomorrow!), some of our finest costumes, and the performer who plays Klaus in The Wrathskellar, under the nom de strip of “Charles River”.

    The audience was marvelous! We had a wonderful time performing for them. In particular, they went completely berserk over “Charles”. To no one’s surprise they loved Devora’s “Creepy Doll”. It was a perfect choice for this ruffle & doll-loving crowd. Betty & I got a lot of appreciation for our costumes (made by her, by me, and by Catherine D’Lish). You can see Betty’s new Theda Bara-inspired costume at The Wrathskellar. It’s quite remarkable.

    It was a midnight show, so morning came very early. After a delightful breakfast, we took a turn through the vendors’ room, where I felt rather underdressed with only my single modest crinoline. I might have acquired a new tea wallet…

    As much as we might have liked to stay in the fantasyland of ruffles and frills, we had to head back to Boston to get ready for load-in for The Wrathskellar first thing Sunday morning.

    My day started with a private fan dance lesson with Elsa Riot at B.A.B.E. and then Eva (aka Blanche) arrived to help me pack up all the costumes & props and load up the car.

    So much work had to be done, like building and painting stage platforms, hanging lights, making new curtains &c. It was all hands on deck and all the cast & crew pitched in. I’m not entirely certain what all was going on in the theatre as I had my own little project.

    The tech closet had to be magically transformed into The Diva’s dressing room. I opened the door and my heart sank. It was full of boxes, lighting and sound gear, and all sorts of junk. I metaphorically rolled up my sleeves and got to work. I only thought to take a picture *after* I moved the boxes of our lighting gear out, cleared a shelf, and removed some of the 50 or so microphone stands.

    You aren’t going to believe the transformation. That is, if you’re one of the lucky guests invite into my dressing room for a chat…

    And after all that hard physical labor, we still had to have rehearsal. Well, that’s why they call it “hell week”. Ah, well, as they say, I can sleep when I’m dead.

    I hope to see you in the audience. It makes all the work worthwhile.

    M2

    Published in: on 7 October 2015 at 4:00 pm  Comments (2)  
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    Alleluia

    Dear Constant Reader,

    A couple of years ago we were asked to open for The Devil’s Carnival movie. You can read all about it here. At that time we knew next to nothing about the movie, but tried to pick an act with the right feel. After a few minutes into the movie, I said to Scratch “‘Creepy Doll’ would have been perfect.” So, I was delighted when we learned the second movie, Alleluia! The Devil’s Carnival, was coming to The Coolidge Corner Theatre and their tour manager contacted us to open again and specifically requested “Creepy Doll”.

    Last night, Scratch & Devora packed up the creepy dollhouse and headed over to The Coolidge. I was tagging along as stage kitten/Wrathskeller promoter/person who really wanted to see the movie.

    We thought we were in Theatre 2 upstairs, where there are wings, which were kind of necessary for the act. Turns out the movie was massively oversold and they moved it into the much larger Theatre 1 downstairs. The staff were fabulous and found us a three-panel screen to make a temporary wing, as well as helping to heft the dollhouse up onto stage (there’s a ramp to the stage in the Theatre 2…).

    The performance was a little rocky on the tech side. We had to make some last minute adjustments with the dollhouse and the wrong song briefly got played at the wrong time, but Scratch & D.D. took it in stride. I thought they did a great job and so did the audience, judging from the number of compliments in person and on-line.

    Here’s the first picture I found of Herr Bücher and The Lost Girl, snagged from Broke Horror Fan

    The movie itself was quite good, even better than the first one. I’d recommend seeing it, especially if you’re a fan of disturbing musicals. This episode, as you might expect from the title, mostly takes place in Heaven. I just loved the look of it. It had a very 1940’s Hollywood feel, but there were these unsettling, but terrifically designed, totalitarian posters all over. I felt like the slinky black dress I was wearing for the evening, while not so Carnivalesque, fit in pretty well with Heaven’s nightclub. I think my favorite song was “Hoof and Lap” (I’m a sucker for German cabaret), but there several very good ones. After the movie, there was a brief Q&A with the creators and it was disconcerting to hear Lucifer’s voice come from Terrance Zdunich’s completely human face.

    Totally worth not getting to bed until 2AM. Even if it does mean a less than coherent missive today.

    M2

    Published in: on 10 September 2015 at 12:16 pm  Leave a Comment  
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