Friday Tip!

Dear Constant Reader,

A couple of notes before we get to your tip.

First, between the Boston Babydolls’ show and the B.A.B.E. workshop we raised $550 for Dixie Evans Week. Thank you to everyone who participated!

Next, Tuesday is Teaseday! Get your tickets in advance and save! Support your favorite performer and she might get The Great Teaseday Cookie! Last I heard Vikki Likkerish was in the lead.

Now for that tip!

Make your act the same length as your music.

I’ve seen too many performers walk off stage while their music is still playing or have the music end before the act is over. The key is to know your music, know your choreography, and know where the 2 intersect.

You should have milestones in the music and in your choreography, so even if you get a little off-track, you can find your place again. You might have to briefly vamp or speed up, but it shouldn’t be too noticeable, if you are confident in what you do.

If you’re still always coming up short, edit the music or adjust your choreography.

M2

Published in: on 6 September 2013 at 12:44 pm  Leave a Comment  
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Dixie Evans Week in Boston

Dear Constant Reader,

B.A.B.E. and The Boston Babydolls were proud to be a part of Dixie Evans Week. We held 2 events, both to to raise money for Dixie’s memorial fund.

B.A.B.E was part of the 100 Classes for Dixie with “Blonde Bombshell”, a 3-hour workshop in which we taught an entire, brand-new routine to “Diamonds Are a Girl’s best Friend”, in honor of The Marilyn Monroe of Burlesque.

It was an experiment of sorts. Now, any new choreography is a bit of an experiment — you never know if it’s going to survive contact with dancers — but we’d never created or taught a class in this way before. Brigitte, Stella, and I each choreographed 1/3 of the song, checking, of course, to make sure everything was compatible. And then we team taught it, which was an awful lot of fun.

The students were great! Everyone was really enthusiastic, including the bride-to-be who was using this as a kick-off for her bachelorette celebration. We started off the class by talking about Dixie and then showing “The Casting Couch”. Everybody was inspired by it, even the teachers.

It turned out that the only issue with the joint choreography was that both Brigitte and Stella used a step-touch, but Brigitte started with the touch and Stella with the step. The students were getting confused as when to use which, so Brigitte declared that she would change to start with the step instead. And everyone was happy.

And here are our glamourous students!
Bombshell Students

But we weren’t done yet! Right after class, we all headed over to Davis Square for
Dixie sign

Big thanks to everyone who came out, despite it being Labor Day weekend. (For those of you who are not Bostonians, that’s the weekend when thousands and thousands of students descend upon the Boston area to move into their dorms or out of their summer sublets. The sidewalks of Allston are filled with discarded belongings and moving vans get stuck under bridges on Storrow Drive.)

Bigger thanks to those of you who chose to pay more than the lowest ticket price or made an additional donation.

And biggest thanks to the Davis Square Theatre for giving us a very reduced rate and to the performers and crew for donating their time.

The show went a little something like this:

Scratch opened with a speech about Dixie Evans, who she was and why she’s important.

Stella started with her “Date Night” number to “Moonglow”. We thought this was a good first act since it’s got some similar elements to “Casting Couch” — Stella is seduced by a man who isn’t really there, just his jacket.

For a little variety we turned to Betty in her fast-paced bellydance-inspired number to “Airmail Special”.

Next up was Brigitte with a dirty striptease to “Tombstone Blues”.

Devora presented a dance en pointe with just a hint of striptease (she took off gloves and a scarf, but left her filmy tunic in place). This is usually done with a balloon, a la Sally Rand’s bubble dance, but the ceilings at the theatre were too low.

And then I did my fan dance to “Harlem Nocturne”.

Stella sang “Always be True to You”. Unfortunately, there was a problem with the microphone, so she could barely be heard over the backing track.

Betty closed out the first half with an act we like to call Geek Love. Betty, dressed in jeans, sneakers, a flannel, and a t-shirt, gets really hot & bothered by her laptop. The costume may not be sexy, but Betty is as she bumps & grinds to “Night Train”.

And then we took a little intermission.

To make up for the previous audio problem, Stella came back and sang “I Hate Men”. She hadn’t planned on singing twice, but she’s just that good.

Next up, I preformed “Champagne on Ice”, a moody striptease with some ice. Again, we picked it because there’s an invisible partner. When I finished, there was dead silence. It stretched long enough that I was wondering how to get off the stage with any dignity when a woman’s voice drifted down from the back of the house: “Wow…” Thunderous applause. Thank goodness.

Brigitte brightened things up with a tap dance to “In the Mood”.

Devora had a little surprise for the audience during her can-can striptease to “Love Me Or Leave Me” — assels!

We had given the Blonde Bombshell students the option to perform the routine they had just learned in the show and one of them was brave enough to do it! Trixie Santiago made her burlesque debut right on our stage with a choreography she hadn’t known mere hours before. Brigitte performed it alongside her, but Trixie did great!

Then, with the help of a volunteer from the audience, Scratch performed a card trick which didn’t quite go as planned…

Betty, Devora, Stella, and I closed out the show with “Leap Frog”, the number we presented at the Ohio Burlesque Festival.

And Scratch ended by once again talking about Dixie and how the funds raised were going to be used.

It was a fun show, but bitter-sweet. I hope we did Dixie proud.

M2

Published in: on 5 September 2013 at 9:48 am  Leave a Comment  
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Friday Tip!

Dear Constant Reader,

I know some showgirls have been spending this week out in the desert*. This tip is for them (and anyone else who finds themselves with a similar hair emergency):

For hair that is dry, dusty, and in need of a refresher: wrap a natural bristle brush with cheesecloth (so the bristles poke through) and spritz with rose water. Brush your hair. Change the cheesecloth as it gets dirty.

Of course, you can use any flower water with a scent you like, or even plain water in a pinch (preferably bottled or filtered).

M2

*Burning Man is so not my thing, but if it’s yours, I hope you’ve been having fun!

Published in: on 30 August 2013 at 12:03 pm  Leave a Comment  
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Dixie Evans Week

Dear Constant Reader,

It’s Dixie Evans Week! You can read all about it and Dixie Evans herself here on the official page.

What are we doing to celebrate this amazing woman in Boston? I’m so glad you asked!

On Saturday The Boston Academy of Burlesque Education is offing “Blonde Bombshell” a 3-hour workshop in which we will teach an entire (and brand-new) burlesque routine to “Diamonds Are a Girl’s Best Friend”, in honor of The Marilyn Monroe of Burlesque. No experience necessary! And the money goes to Dixie’s memorial fund. Brigitte, Stella, and I are going to be tag-team teaching this, so it’s going to be a *lot* of fun. Come join us!

And that evening, The Boston Babydolls present “Boston Loves Dixie” with all the burlesque you love. Tickets are Pay-What-You-Can with a suggested donation of $25. Students from the afternoon workshop get to show off what they learned at the show!

I hope you’ll join us for one or both events and celebrate The Godmother of Modern Burlesque.

M2

Published in: on 28 August 2013 at 11:37 am  Leave a Comment  
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Friday Tip!

Dear Constant Reader,

Happy Friday! How about a tip?

Get permission before leaving stuff all over the stage, like glitter, water, confetti, torn-up paper, broken glass, &c.

It’s just polite to your fellow performers and producers. You certainly don’t want to be the reason burlesque is banned from a venue. Or piss someone off because your residue got all over their costume or made the stage slippery.

A good way to get permission to make your mess is to prove you’ll disrupt the show as little as possible while still returning the venue to its original state. Have a plan in advance for your clean-up. That may mean bringing a vacuum cleaner or performing on a tarp. Request to perform right before intermission, if possible, so your clean-up doesn’t slow down the show.

I practice what I preach. Or at least I try. “Lizzie Borden” uses water, so I perform it on a faux Oriental rug. Once I forgot the carpet, realized it on the way to the venue, and bought a plastic drop cloth. It should have been fine, if not as aesthetically pleasing. There was this stagehand, who I think really didn’t want to be working this show. I asked him to lay out the plastic near my water bucket and he just sort of tossed the folded-up packet randomly on stage… after my music had started. I tried to go light on the water and still do a good act, but I was cringing every time a splash hit the stage. I felt terrible, especially when the hosts ran out with paper towels afterwards.

M2

Published in: on 23 August 2013 at 12:35 pm  Leave a Comment  
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Friday Tip!

Dear Constant Reader,

I just realized that last Friday was a momentous occasion — the 100th Friday Tip!

Here’s the start of the second century…

Rehearse with your costume as soon as possible.

Burlesque is *so* costume-dependent. Your choreography may have to change because of your costume or vice versa. It might turn out to be completely impossible to unzip your dress in the time you allotted when you first created the dance.

“Air clothing” comes off so much more easily and smoothly than the real thing. If your costume isn’t ready for rehearsal, it’s better to use a substitute garment that’s going to behave similarly (“stunt clothing”, we call it) than pantomime.

And rehearse with as much of the costume as you can. If the sequins on your skirt keep getting caught on your fishnets, you’ll have time to make adjustments, instead of finding out there’s a problem when you’re on stage.

M2

Published in: on 16 August 2013 at 10:06 am  Leave a Comment  
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Friday Tip: In Memoriam

Dear Constant Reader,

This is a special Friday Tip, laden with sorrow.

Always remember those who came before.

Saturday night at the Ohio Burlesque Festival, shortly before the headliners started, Scratch came over to me and said simply, “Dixie died.”

Dixie Evans, The Marilyn Monroe of Burlesque, was the godmother of modern burlesque. She took dreams of a burlesque museum and made them reality. She created the Miss Exotic World pageant. In some way or another every current burlesque performer can trace their heritage back to Dixie and her work to keep burlesque alive. At the end of this month, performers around the world planned classes and shows to celebrate her 87th birthday and raise money for her care.

While I stood there, stunned and sad, Bella Sin began talking to Scratch. I knew what she was asking. It was a heavy request, but we all knew he was the right person.

When the show was over, and the stage was filled with energized performers having just taken their final curtain call, Scratch took the stage to announce our loss.

He spoke eloquently about Dixie’s life and legacy. About her importance to the burlesque world and her connection to all of us. And then he began to choke up: “I think you know where I’m going with this. (Fuck!) Dixie died this afternoon.” It was that muffled profanity that made me begin to weep again — seeing our silver-tongued Scratch, usually never at a loss for words, being almost unable to speak.

It breaks my heart that I can’t share his moving, extemporaneous speech with you. I was too overcome with emotion to even think of taking a crummy cellphone video. And the videographer had stopped filming. You just had to have been there.

He ended by asking everyone to light a candle, raise a glass, whatever was meaningful to you, to celebrate the life of this great Legend. And she was sent off with thunderous applause.

Every time we lose a Legend the connection to our past and our history becomes ever more tenuous. Always remember them and what they did to make what we do possible. We stand on the shoulders of giants.

April March, The First Lady of Burlesque; Dixie Evans, The Marilyn Monroe of Burlesque; Lily Ann Rose, Banned in Boston

Sorrowfully,
M2

Published in: on 9 August 2013 at 10:30 am  Comments (1)  
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Ohio Burlesque Festival: Saturday, August 3

Dear Constant Reader,

(If you’re just joining me, read about Thursday here and Friday here.)

Saturday came way too soon for the weary Boston Babydolls because The Buckeye Burlesque Academy was in session and we were the professors. Scratch started things off with “Who’s Who in Classic Burlesque”, a talk about our glorious predecessors, and “This IS My Day Job”, on making burlesque your career.

Then it was my turn with “Classic Boa Technique”. I was surprised and delighted to see a familiar face — Ava, who played Blanche in The Wrathskellar last year. Her family lives about an hour away and she was home for the summer. The class was fun and we left feathers ALL over the stage.

I was really disappointed in the low number of students. I know at least one who couldn’t get to the venue because there really wasn’t any good transportation from the hotel. But it seemed like there wasn’t much interest in classes. I guess I’m more used to events like The Expo and BurlyCon where people attend because they want to improve their skills and take advantage of having teachers from outside their area.

Stella taught “Vocal Skills for Burlesquers” and then Devora & Betty arrived to teach “Warm-up…or DIE!” and “Choreography for One”, respectively. Scratch, Stella, and I slipped out for some lunch & sightseeing.

The one thing we really wanted to see was The Rock & Roll Hall of Fame.

It was simply awesome. We were there for about 2 hours and only barely managed to see the ground floor. So many wonderful things, so much history! I think we were all struck most by the personal items, like hand-written lyrics or sketches. I mean Elvis’s gem-encrusted jumpsuit was amazing, but seeing Bruce Springsteen’s thought process as he jotted down ideas for an album title was mind-blowing.

As a trained museum person (really, I have the piece of paper from Harvard and everything), I was so impressed. The items were arranged so well in the cases. The labels were clear and the text was easy to read and informative. Occasionally I questioned their logic (why was Joy Division/New Order in the middle of an unrelated room?), but mostly it was a delight. I really liked the “Cities & Sounds” exhibit, highlighting the regional origins of musical styles.

We were running out of time, but we couldn’t leave without visiting The Wall.
Scratch at The Wall

Racing back to our hotel, we got ready for the night’s show. The theme this time was black and red.
Red and black
Then we picked up the lovely Donna Denise and went to a soul food restaurant for dinner. It’s too bad we had a late lunch because that smothered pork chop was good, but I could only manage a taste.

Off to the Beachland Ballroom for a *long*, *long* show. Remember how I said yesterday that Scratch kept things moving along? That was not the case with the Saturday MC’s. They were really chatty. There were about the same number of performers, but the show was a least a hour longer. And we stood the entire time. In fact, many of The Babydolls were ready to call it quits if intermission ever happened.

Fortunately the last act before intermission was Red Rum’s spectacular mummy number, which energized us enough to stay through the rest of the show. I also want to mention Hazel Honeysuckle’s fabulous Cookie Monster and Chakra Tease’s impressive chair work as stand-outs. And of course, Coco Lectric was worth the wait.

There was one more thing that happened before we finally tumbled into bed, but that deserves a post of its own.

M2

Published in: on 8 August 2013 at 11:04 am  Leave a Comment  
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Friday Tip

Dear Constant Reader,

As you read this we are on our way to Cleveland for the Ohio Burlesque Festival! We’re looking forward to headlining tonight with 2013 Howard Award* winners Peggy de Lune and Donna Denise, and boylesque sensation Bazooka Joe.

Despite the excitement, I wouldn’t forget your Friday tip!

Rehearse stocking removes with “stunt” stockings (i.e. ones that already have runs in them). Save your good stockings for performance.

Tip of the hat to Red Snapper for reminding me of this one.

M2

*That’s the official name of the awards given out at The Great Burlesque Exposition. They’re named after the notorious Old Howard theatre, late of Scollay Square.

Published in: on 2 August 2013 at 11:00 am  Leave a Comment  
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Friday Tip!

Dear Constant Reader,


Polls close at midnight tonight! This is your last chance to vote for The Boston Babydolls for “Best Theatre Group” and B.A.B.E. for “Best Dance Classes“!


Here’s your Friday tip, everyone!

Do what you say you’re going to do.

It’s just that simple.

M2

Published in: on 26 July 2013 at 10:50 am  Leave a Comment  
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