Review: Stripping Gypsy

Dear Constant Reader,

After reviewing Gypsy last week, I thought I would continue the theme and review a book about Gypsy.

Stripping Gypsy: The Life of Gypsy Rose Lee by Noralee Frankel (2010).

Ms. Frankel want to strip away (pun intended) the fictions Gypsy created and find the real woman under all the layers. One of her strong interests is Gypsy’s politics, although that’s not the bulk of the book. A lot of Gypsy’s childhood (which can be found in Gypsy) is skipped to concentrate on the events that shaped her personality. This biography has a fair amount of information about Gypsy’s husbands and lovers (she ends her memoir before her first marriage). She longed to be a legitimate entertainer, but Hollywood feared the wrath of the censors and wasted her talents on screen. Because of her left-leaning views she was labeled a Communist and advertisers were urged to drop their sponsorship of her radio programs. She wanted to be taken seriously as an author, but was constantly overshadowed by her history as a stripper. There’s a constant feeling of desperation for success. The author states that the more she learned about Gypsy “she came to interest me more and I came to like her less.” It’s about accurate.

Published in: on 26 April 2012 at 12:28 pm  Leave a Comment  
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We Glitter

Dear Constant Reader,

My copy of It’s All That Glitters: Portraits of Burlesque Performers in Their Homes arrived!

Why am I so excited? Because I’m in it, along with Scratch & Betty Blaize. And a whole lot of other fabulous performers.

Brian C. Janes took pictures of performers in costume, but in our natural habitats, as it were. So not only do you get to see us in all our finery (in my case, that’s a pair of fans and not much else), you get a sneak peak into our homes. Scratch was photographed in his office at Babydoll HQ and I was in my sewing room at Stately Babydoll Manor (I’m just sorry this was before I made my fabulous new curtains). Betty’s portrait is in her living room. Her dance room would have been more appropriate, but apparently too much of a challenge to photograph with the wall of mirrors.

The book should be available any day now on Amazon and in fine bookstores everywhere.

Published in: on 24 April 2012 at 10:15 am  Comments (2)  
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Review: Gypsy

Dear Constant Reader,

Our readings at Naked Girls Reading at the Expo made me realize that I have several books on Gypsy Rose Lee that I still need to review.

Gypsy: Memoirs of America’s Most Celebrated Stripper by Gypsy Rose Lee (1957).

Most people are at least a little familiar with Gypsy’s story: her childhood in vaudeville where she was ignored in favor of her more talented younger sister, her ambitious mother, and her success in burlesque. Her own account is a must read for any burlesque performer or fan. There have been several biographies of her written since (some of which I’ll review) and to truly appreciate them, her words should be read first.

Gypsy is a very funny lady. She often writes about things in a humorous way so that it’s not immediately apparent how awful they are. She doesn’t judge, just lays the facts out in a way that you can’t help but see how crazy her mother was. She only recounts her story until she went off to Hollywood, but her son picks up her story in his book Gypsy and Me: At Home and on the Road With Gypsy Rose Lee.

The play based on this book was subtitled “A Musical Fable” and in many ways the book is a fable too. This was Gypsy’s chance to rewrite history a little and make sure she was the star. Research shows she downplayed some incidents and omitted others entirely. It may not be entirely how it happened, but she felt it made for a better story and is therefore more true.

Published in: on 17 April 2012 at 3:44 pm  Leave a Comment  
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Review: Woman to Woman

Dear Constant Reader,

I’ve just acquired some new books, so I have to step up the reviewing. At the moment I have more than a dozen books to review — and some of them are the ones that have been in the library the longest!

“Woman to Woman: Ann Corio and the Rehabilitation of American Burlesque.” by Julie N. Vogt, PhD (2010).

I met Julie Uberblonde at the Great Burlesque Exposition of 2010 and we chatted about her doctoral dissertation about Ann Corio. She had some strong opinions about some popularly held beliefs of burlesque history. I was hopeful that she would eventually publish her dissertation as a book for more general audiences. It was a shock to learn that she died this past December. So, it was a little bittersweet to read her dissertation, knowing that there are so few academically researched books on burlesque.

Her main topic is on the creation of Ann Corio’s style of burlesque as a brand and marketing it to women. However, she also uses Ann Corio as a focus to delve into a critical study of burlesque, as a performance art and as a business. Along the way, she provides a review of the existing literature and she dispels some burlesque myths, a number of which Ann Corio appears to have created.

There’s a lot of information and some excellent research, but I’ll be honest — despite the topic, it’s still a doctoral dissertation and parts of it get a bit thick with academese. I’m pretty fluent in academese, so I was able to mine the gold. And there’s a lot of it.

Dr. Vogt’s death was a terrible loss for her family, friends, and students, and also for the study of burlesque.

Published in: on 5 April 2012 at 1:41 pm  Leave a Comment  
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Review: This Was Burlesque

Dear Constant Reader,

The highlight of the costume exhibit I’m curating at the West End Museum is several costumes worn by Ann Corio in her show This Was Burlesque, courtesy of her niece. In preparation for creating wall text, I’ve been rereading the book that accompanied the show. It seemed like high time to review it. A special thanks to my friends Teresa & Jeff who gave us this autographed copy one New Year’s Eve.

This Was Burlesque by Ann Corio (1968).

Ann Corio was one of the biggest burlesque stars in the Golden Age of Burlesque, especially in Boston. She played the Old Howard frequently and was much beloved of Harvard students. She claimed other colleges referred to her as “Harvard’s baby”, but she was definitely known as “Her Majesty, The Queen”. After her career in burlesque she turned to acting on stage and in B-movies, but just couldn’t forget about burlesque.

In 1962 she and her partner Michael Iannucci opened This Was Burlesque in New York City. A retrospective of comedy, striptease, and chorus girls, it ultimately played all over the country for almost 30 years. It was filmed by HBO in the 70’s, but the VHS tapes are hard to find.

Fortunately, we have Miss Corio’s book. She writes a light history of burlesque as one who was there through most of it. She perpetuates some burlesque myths and creates some new ones, but this is hardly an academic tome. She presented burlesque as cleanly and gently as possible to an audience who wanted something a little naughty, but not too threatening.

The book is illustrated with photographs from her show and as well as historical burlesque performances. There’s a strong emphasis on comics, especially ones who started in burlesque and went on to fame in film and television. She includes a number of scripts for comic sketches.

The book is out of print, but can be found at used book dealers without too much difficulty.

Published in: on 28 March 2012 at 2:37 pm  Leave a Comment  
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Review: The Happy Stripper

Dear Constant Reader,


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The Happy Stripper: Pleasures and Politics of the New Burlesque by Jacki Willson.

I think I met the author at the after-party for The Immodest Tease Show in London back in 2006, but I’m not 100% sure — there were a lot of people there. But that’s neither here nor there.

Ms. Willson became interested in exploring the display of women’s bodies in a post-feminist world after seeing a piece of performance art involving striptease. She wonders if burlesque can be both sexy and subversive. Although the performers are putting their bodies on display, are they also fully empowered? Her focus is the examples of Ursula Martinez (performance artist), Immodesty Blaize (UK burlesque superstar), and Dita von Teese (no introduction necessary).

The book is quite academic and densely informative. I suspect it’s was originally the author’s dissertation. It’s not so much about burlesque as an art form but as the background for discussing the social implication and political ramifications of stripping. To really get the most out of this book, it’s helpful to know something of the different waves of feminism and the major players in each.

The focus is predominantly UK-centric, although she does use some US and Australian sources. The bibliography is exhaustive. If you’re looking for a light read on neo-burlesque, this isn’t it. If you’re interested in delving into the philosophies of stripping and feminism, this is your book.

Published in: on 14 March 2012 at 12:12 pm  Leave a Comment  
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Review: A History of Burlesque

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A History of Burlesque by Ettore Rella (1940).

During the Great Depression, the Work Projects Administration put many unemployed people to work. The common image is of hard physicval labor, like roadwork, but the WPA employed artists and writers as well. One such WPA sponsored project was the San Fransico Theatre Research monograph series. There were at least 15 manuscripts published on the history of theatre in San Francisco, specific theatres, performers, and theatircal genres, including burlesque.

Mr. Rella looks at burlesque from 1850 until the present day, that being 1940. His focus is obviously on appearances of burlesque in San Francisco, but it’s still a good overview of the evolution of burlesque over almost a century. He studies individual shows as well as performers and frequently quotes from the scripts.

If you’re interested in early burlesque, this is a great resource.

Published in: on 13 March 2012 at 10:44 am  Leave a Comment  
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Review: Weeki Wachee, City of Mermaids

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Weeki Wachee, City of Mermaids: A History of One of Florida’s Oldest Roadside Attractions by Lu Vickers (2007).

You might remember that I spent a little time learning to swim like a mermaid. For my birthday my mother gave me this history of Weeki Wachee Springs and their famous mermaids. And it’s even signed by the author to “Mermaid Mina”!

It covers the history of this unique attraction from underwater entertainment before Weeki Wachee opened, through the glory years of the City of Live Mermaids, to the decline into kitch, and the recent (successful) Save Our Tails campaign. Many mermaids and others intimately involved with Weeki Wachee contributed interviews as well as memorabilia.

Hardly a page goes by that doesn’t have photographs, postcards, or ads from all eras of Weeki Wachee’s history. I was particularly thrilled to see some of the Former Performing Mermaids and pick out the wonderful women who trained us to swim and pose in a tail.

I know I said I had a lot of burlesque books to review before moving on to other topics. This book does have pictures of Bambi the Mermaid and Julie Atlas Muz in a tail. Does that count?

It’s obvious from this book that those who worked at Weeki Wachee, especially those who have swum in its crystal-clear waters, consider it a magical place. I have to agree — sometimes I still dream of the spring and my short time as a mermaid.

Published in: on 29 February 2012 at 11:46 am  Leave a Comment  
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Naked Girls Reading Salon: Literary Boston

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The Boston chapter of Naked Girls Reading (of which I am the hostess) held a salon on Saturday with the theme “Literary Boston”. If you’d like to see what we read, go to the NGR Boston blog. You can always see everything we’ve ever read in the Naked Girls Reading Boston Book Club, linked in the sidebar of this blog.

Published in: on 27 February 2012 at 9:54 am  Leave a Comment  
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Review: Burlesque: Legendary Stars of the Stage

Dear Constant Reader,


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Burlesque: Legendary Stars of the Stage by Jane Briggeman (2004).

Jane Briggeman founded the Golden Days of Burlesque Historical Society to find retired burlesque dancers and let them reconnect. The result of these contacts was this book of profiles of dancers (and a couple of comics). The profiles are often verbatim from interviews with the dancers themselves. The book is also full of photographs, magazine covers, and other ephemera.

There is no doubt that the subjects of this book are very close to Ms. Briggeman’s heart. In fact, it’s a little too personal from time to time. In most of the performer essays, she specifies the extent of her relationship — did they meet, just write letters, talk on the phone, or have no contact at all.

There’s now a second edition available. I’m interested to see how it differs from the first.

Published in: on 8 February 2012 at 11:16 am  Leave a Comment  
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