Show on the Road: Friday 8/1

Dear Constant Reader,

On Friday Brigitte, Stella, Scratch, and I hit the road for our latest touring venture. It was with a little trepidation, since our final stop was Pittsburgh and we had an interesting (in the Chinese curse sense) trip home from that city last year.

First things first, the annual picture of me looking like I’ve been run over while attaching the cargo carrier. We all met at the studio to load up and head off for our first destination: The Courtyard Theatre in Sellinsgrove, PA.

It was a little fussy loading up the car with all our crap. Although the plan was to have all 3 pink boxes (that’s one of them to the right) that we use in “Factory Girls” (and contain all our costumes) in the car, our Tetris failed and one had to ride on the cargo carrier. And my rice-paper silhouette screen got wrapped in a tarp and rode on the roof. (The reason I mention all these dull details will become clear later). The packing logistics plus some ugly traffic on 93 made for us being a bit behind schedule to start off.

The drive was fairly uneventful for a while and we even made up a little lost time. Then we hit the inevitable Pennsylvania roadwork… and traffic came to a dead stop. Now sooner did we finally start moving than the clouds began gathering and the skies opened up. Torrential rain! Like, Scratch stepped outside for about 75 seconds and was soaked to the skin. That kind of rain.

Remember the pink box and the screen on the outside of the car? I don’t know about anyone else in the car but I was now stressing about being way behind schedule and potentially having ruined a box of costumes (and the box itself) and my major set piece. I could see, when we stopped, that the wind had peeled the end of the tarp on the screen back.

We finally arrived at the theatre. Which is in a mall. Like, turn left at the JC Penney’s to get to the stage door, in a mall.

Two hours late, we began frantically racing to get set up. Fearing for the worst, we unpacked. The bottom of Stella’s trunk had gotten wet and a few items were damp, but nothing too bad. Whew! My screen on the other hand, looked pretty sad. Fortunately, a little packing tape (plus a little pastie tape) got everything back into usable condition.

It’s a pretty nice theatre: large stage, decent lighting, helpful staff, good dressing room with clothing racks, big well-lit mirrors, and a bathroom. And no microphones. We travel with a vintage-style microphone and had requested a stand and cables in our tech rider, but they had none of that. That is, not at the theatre. Someone had the audio equipment at home and forgot to bring it.

It’s not a big theatre and someone with a big voice could easily be heard in the back without amplification, but Stella really needed that microphone for her song. And Scratch had been sick for most of the week and was on the verge of losing his voice. Nothing to do but power through it and hope for the best.

Our special guest performer, Private Tails, arrived, as did Isaac and two kittens from Billtown Burlesque who were helping us out. And we all got ready to go on.

I wish I had thought to take some backstage pictures, but we were in such a rush from the minute we got in the door. The house was packed and the merch was selling fast before the show even started! The acts were all very well received. Stella solved her volume problem by wandering into the audience during the song and then dancing with one particular gentleman. They ate it up.

We got so many nice compliments afterwards. Much of the audience had never seen burlesque before and were just delighted by the show. Yay! That’s what we like to hear. Some of the more amusing comments we got included someone asking if Stella & Brigitte were twins and the fellow who chatted me up for a while about my perfect Irish looks.

Here’s a post-show shot of the cast and some of the folks from the Courtyard theatre on stage:

While packing up, the venue kindly gave us several large trash bags and some packing tape. We bagged & taped up the pink boxes and securely lashed all 3 to the cargo carrier (where they fit very nicely), then swaddled my screen and rewrapped the tarp in a more secure configuration.

Too tired to join the rest of the cast at Applebee’s, we drove down the street to our lovely hotel and passed the heck out.

M2

Published in: on 11 August 2014 at 12:36 pm  Leave a Comment  
Tags: ,

Costume-Con 32

Dear Constant Reader,

So, what went on at this Costume-Con I keep speaking of?

This is going to be a long one…

On Friday, I flew to Toronto with my biggest suitcase crammed full of costumes. As soon as I had checked into my hotel, I ran right over to the convention hotel and checked in for my competition (before I even checked in for the convention itself). I gave them my documentation and music and picked times for my pre-judging appointment and tech rehearsal. Then I could actually relax and head back to get ready for the Friday Night Social.

The theme of this year’s convention was Myths, Monsters, and Legends, so it was a Monster Club Social. I wore The Diva’s Coat over a slinky black dress. Not exactly thematic, but at least it was appropriately Gothic.

SnacksThe refreshments were all appropriately themed with bloody beverages and amusing refreshments like popcorn seasoned with aged unicorn tears (cheddar). Adorable Lolita vampire maids were walking around enticing guests to play biting games with the prize of a badge ribbon (not that the maids were biting; you’d alternate sticking your hands in the mouth of a toothy toy and see who got bit). The centerpiece of the evening was the Single Pattern Contest. “Single Pattern” was appropriate, as almost all of the contestants chose the mermaid pattern. (Pix here.)

I couldn’t leaving without posing by the hotel’s grand staircase!
Friday night look
I’m totally lying. There was a photographer with a green screen and a variety of backgrounds on his computer. I’m delighted with how it came out.

Saturday day lookSaturday I went retro with a 1940’s styled dress (yes, I made it) and seamed stockings. Although I attended a workshop and a meet-up, my real focus of the day was the pre-judging. You get to show the judges your costume close-up (and off your body), answer questions, and point out the good stuff. My appointment time neared… and passed… and passed… Although each entry was allotted 15 minutes, the group before me had *eleven* entrants and I guess the judges wanted to see everything. Finally, it was my turn. Only an hour late.

After that I was more than happy to hang out with some friends and plot our costume presentation for next year in South Carolina until it was time for me to head out for Bosoms and Blossoms. By doing so I missed the Fantasy & Sci-Fi Masquerade (aka SF&F), which is the high point of most people’s weekend (Pix here). I heard there were 88 entries and the poor judges weren’t done until about the same time I got back from my gig in the wee hours. I can’t say I totally regret having other plans.

Sunday day lookSunday I slept in and skipped the Future Fashion Show. I wore the same costume I had performed in the night before* (with the corset this time), in a slightly different configuration, since I was definitely not stripping.

Although I had strolled the dealers’ room several times, I was restrained in my purchases. Partially because I didn’t have much Canadian money (at first) and partially because I had no room in my suitcase. I did buy a break-down wig stand, which was much better than the ice bucket I had been using in my room. And my eye kept getting caught by a 1931 dress clip at Ceilidh Creations. Finally I gave in because I was sure it would go nicely with some Deco shoe clips Betty had given me. What do you think?
dress and shoe clips

At last I had my tech rehearsal and then it was time to prepare for the Historical Masquerade. Fortunately, my friend Rae had a room in the convention hotel and let me get ready there. I know she was really nervous, but I was having a great time, dancing around to Weird Al (thanks Bill!).

That’s not to say I wan’t nervous about the competition. I had to show a burlesque costume to its best advantage in an interesting, yet family-friendly way, in under a minute. Also, this was my first time competing in the Master division in the Historical.
Mina at CC32Photo by Terri Meyer Boake

I think it went very well. At least the audience sounded like they liked it. While the judges were deliberating, the entrants went out on stage one by one for the audience to photograph. It felt like I was on stage forever — so many people wanted a shot, especially a rear view. : )

RibbonsI guess the judges thought it went well too. I was awarded Best Documentation in my category and division. I was grinning like a maniac when I went up on stage to get my ribbon. I *sweated* over that documentation. I also received the “Minsky Award” for my presentation (the judges have discretion to give out whatever additional honors they like).

And now I have just over a year to get ready for the next one!

I didn’t take a lot of pictures (and less and less as the weekend wore on), but you can see them here.

M2 *Best Presentation, Master division, Arisia 2008. Just mentioning…

Published in: on 1 May 2014 at 1:51 pm  Leave a Comment  
Tags: , ,

Bosoms & Blossoms, 4/26

Dear Constant Reader,

Bosoms and BlossomsAlthough my whole reason for being in Toronto was to attend Costume-Con, I was hoping to perform as well. Scratch connected me to Esther De Ville who booked me into Fionna Flaunit’s show Bosoms and Blossoms at the Oasis Aqualounge. I was delighted to see that I knew two of the other performers, Cerise Noir and Ava Noir (no relation), both of whom I had met at the Expo (from which I also knew Esther & Fionna).

I’ll admit that I was nervous about traveling in an unfamiliar city by public transportation for a late-night gig. Fortunately, Cerise was willing to be my native guide. Although it was a long trek for me (2 buses and 2 subways) the TTC is pretty easy to navigate and most of the subway trip was with my native guide.

We arrived a couple hours before call and had a drink and relaxed in the hot tub with Fionna. The club is very nice, with an outdoor pool, a sauna, and the hot tub. Early on I was introduced to a distingushed-looking gentleman who said “I have the perfect thing for you.” Fionna explained that he was a regular who would bring a big suitcase full of lingerie and hand it out to the ladies. He’s usually dead accurate on size and style. More on that later.

When it was actually time to get ready, we headed up to the 4th floor. I am a veteran of changing in bathrooms, closets, and other inadequate spaces, so I was delighted to enter our dressing room. We had a private, secure space with our own bathroom and several mirrors lining the well-lit hallway. By then Ava and GiGi had arrived, but there was plenty of room for everyone.

In honor of the floral motif for the show, Esther had asked me to do “By Any Other Name”, my rose-themed act. Unfortunately, I discovered that I had left my ribbon corset back at my hotel. Since it doesn’t come off and is just pretty, if I had to forget part of my costume, this was the best item.

The performance was on the small dance floor, next to the bar. By show time, people were crowding in on three sides. We all lined up on the stairs for our entrance. Unfortunately that meant I couldn’t see Ava’s fan dance to a Goldfrapp song. Next up was Cerise doing a slinky number with a chair to “House of the Rising Sun”. Then GiGi performed a classic-style act with a cherry blossom-theme and pink silk veil fans. And I closed out the show.

The performance area was small and there was a pole in the center, but it turned out to be less of a hindrance than I feared. Fionna was right there as a catcher, grabbing each garment as I removed it, so I didn’t have to worry about cluttering up my dance space. The audience was very enthusiastic, and even more so when I began plucking my rose petals. By the way, thanks to the Babydolls for all the feedback in rehearsal — it really improved the number.

After our little show, we made some vague noises about going in the pool, but had a drink instead and went to collect our gifts. Mine was a one-shouldered bustier decorated with cloth roses wandering from one hip up to the shoulder. And yes, it fit just right. He’s got a good eye. No photo because cameras are forbidden in the club. Wait a sec… Hey, look, I found one just like it on-line! I’ll probably bling it up and use it in an act.

Before it got too late, Cerise, Fionna, and I got on the subway. Unlike Boston (or unlike Boston used to be), the public transit runs pretty late. And the bus to the airport runs all night. I even caught a break when the nice bus driver was willing to make an unofficial stop and drop me a couple of blocks from my hotel, so I didn’t have to go all the way to the airport and wait for the hotel shuttle.

It was a lot of fun and I’m so glad I had the opportunity to perform. It was terrific to see those ladies again (and meet GiGi). I hope next time I’m in Toronto to get to see a little more of the city (Cerise was playing tour guide as best she could on the subway: “Now we’re under Chinatown…”). Thank you everyone for making me feel so welcome!

M2

Published in: on 30 April 2014 at 12:39 pm  Comments (1)  

Home Again

Dear Constant Reader,

I had a wonderful time in Toronto and I’ll tell you all about it, I promise. I am sorry that I missed Babydoll rehearsal on Sunday and the Argentine tango lesson, but that was the trade-off.

Short report: I performed burlesque at a ritzy sex club, experienced the TTC, ate peameal bacon, saw old friends, made new ones, had my picture taken a lot, and worked on plans for a presentation at next year’s Costume-Con.

Details soon.

M2

Published in: on 29 April 2014 at 12:42 pm  Leave a Comment  

On To Toronto!

Dear Constant Reader,

Tomorrow I leave for Toronto for a long weekend. My real purpose in going is to attend Costume-Con, an annual international costuming convention. I haven’t been to one in a very long time, as I’ve been to busy with other interests (Oh, like maybe burlesque) to be involved in costuming of this sort.

However, I have a costume (yes, it’s a burlesque costume) I think worthy of a Costume-Con Masquerade (that’s what the competitions are called) and I’ll be presenting it Sunday night. Wish me luck!

As long as I was going to be traveling, of course I was looking for performance opportunities. Happily Esther De Ville was able to connect me with Fionna Flauntit and got me a gig for Saturday night. I’ll be performing in “Bosoms & Blossoms” at Oasis Aqualounge along with Cerise Noir, GiGi Vanilla, and Ava Noir!

M2

Published in: on 24 April 2014 at 11:51 am  Leave a Comment  

Vermont Burlesque Festival, Saturday part 2

Dear Constant Reader,

For the first two parts of this account, go here and here.

I think we arrived at Higher Ground before the show actually started, checked in with Kyla, and headed to the Chinese restaurant next door. A chicken and vegetable stir-fry is one of my favorite pre-show meals, so that was perfect. The photo is kind of dark, but we’re all wearing LBDs and the matching jackets Betty made for us, plus our rhinestone name necklaces from Scratch. The other 4 Babydolls have incorporated their demon horns for our number into their hairstyles.

After a relaxing dinner, we headed into the venue, which was completely sold out. We found a place to stand, way in the back, and watched some of the first set. After a while, my feet started to hurt and I went to the “Big Room” where the groups were set up. Betty and I sat under the warm lights on the stage and stretched. Just after the first intermission was over, Scratch came and got us because he had procured seats up front.

We got to see the second set of the show from the luxury of the second row and then we scampered off to the Big Room to get dressed and warm up for our number.

The show was unusual for a festival in that many of the performers from the previous night performed again. And a couple of the headliners performed twice. It made for a very long show. A few highlights from the bits I did get to see:

  • Miss Astrid: she’s one of the best MC’s in the business. A pleasure to watch her rip people up one side and down the other.
  • Jonathan Bitchman and Quechee George: a burlesque of burlesque to “Maple Syrup Time/Pour Some Sugar on Me”. So funny. So local. Nice scarf work.
  • Everybody who sang. Especially those who sang and stripped. That’s a challenge!
  • Scarlet James: So beautiful.
  • Lili Von Schtupp: Dirty and oh so funny. And she used a song from The Wet Spots which would have won my heart if she hadn’t already done so years ago. You can see her performing at The Expo in less than 2 weeks!
  • Cha Cha Velour: Her Bearded Lady number was quite touching.
  • Alexa Luthor: She performed a charity strip for a local cancer center. She tossed her gloves and hat into the audience and they came back full of money.

    And then there was Ray Gunn. My God. Of the three Stage Door Johnnies, he was the one I had not seen perform before, so I’ve been eagerly awaiting this show. He did “Trust Me”, the act that won at BHoF. I was stunned into silence. Later I was able to see how the snakey movements initiated in the core, like he’d shown us in class, and really appreciate what an excellent dancer he is. However, at the time all that was on my mind was that I had never seen anything so sexy on stage.

    And on that note, we all scrambled off to the Big Room to get into our costumes, touch up our makeup, and warm up. We were presenting “Hell”, our very first ever group number, although it has improved vastly in terms of dance and costume, it’s still the story of a sweet young thing (me) seduced by demons (everyone else).

    There wasn’t a lot of communication between the crew and the performers and it was impossible to hear the stage from the dressing room, so I was getting really anxious about getting to places on time and staying warm. Finally, we stepped out on stage and started.

    Scratch later said that it was as well-executed as he’d ever seen us do it, which is high praise from him. But I could tell we just didn’t have the audience. The lights came up on us in position before our music started and those few seconds of dead air just sucked the audience’s energy. There was a lot of energy on stage, so I hope we won them back. Also, it was *very* late at this point and a lot of the audience had left at the previous intermission and I could tell that many of those that were left were just tired. Frustrating.

    Still, we were happy with our performance when we came off stage and wriggled into our Babydolls t-shirts (our standard attire for curtain call) and rushed out into the house to see Ray Gunn again. We all perched on the back bar, which was a great vantage point. He premiered his Dandy act, which just blew me away. His musicality was stunning (I believe I said something unfit for delicate ears). He’s one of those rare dancers who looks like his movement is creating the music*. And the music itself was terrific: strong and powerful.

    Then we heeded the pleas of the stage crew and took our places for curtain call. It was kind of a cluster with so many performers cramming in the back hall. I managed to get separated from my fellow Babydolls and had to sneak on with Green Mountain Cabaret.

    And here’s absolutely everybody:
    (Photo by Michael Z. Rork at Zinfandel Photography)

    And that was the Festival!

    The recap of Sunday is: we drove to Boston, we went straight to the studio, we rehearsed, I went home, I slept.

    M2

    * My former bellydance teacher Taj is another one. Her dance “War Drums” has the same effect.

  • Published in: on 30 January 2014 at 11:55 am  Leave a Comment  
    Tags: ,

    Vermont Burlesque Festival, Saturday

    Dear Constant Reader,

    If you’re just joining me, read about our Friday here.

    We began our Saturday with Bloody Marys and bacon at the Performer Brunch. There are so many Babydolls that we filled a whole table, but we managed to find a little room for Ray Gunn to join us. I just loved Lili Von Schtupp’s classy breakfast attire — a union suit, complete with butt-flap. Miss Astrid was in her Kate Valentine guise and I didn’t recognize her at first.

    Then off we went to the Burlesque Bowling charity tournament. We discovered that as bowlers we are excellent burlesque dancers, but we had a lot of fun. This was the first time Betty experienced “real bowling” instead of candlepin (Massachusetts born and bred!), but she turned out to be one of the best bowlers on our team. Betty won the first game and Brigitte the second (with a last minute strike!), coming ahead of Scratch, which was unexpected. I wasn’t half bad myself. I got a spare in each game — the first I’ve ever scored. Still, the absolute highest total score was 84, so “best” was completely relative.

    You can read local news coverage of the tournament here.

    Our proudest moment was winning the world’s most unprestigious trophy for “Best Dressed”. And this is why!

    And from the back:
    (Photos taken by Cha Cha Velour)
    It’s not so clear in the photo, but the shirts say “Dolls with Balls” and have huge rhinestone bowling balls. Scratch, not being a Doll, has the devil on his shirt, of course, also enhanced with some rhinestones.

    Then back to the hotel. Stella and I opted for naps. Betty headed off to take class with Lili Von Schtupp. Scratch, Brigitte, and Devora went downtown to go shopping and came back with some great finds.

    Then it was time for tech. Higher Ground, that night’s venue, is practically next door to the hotel and a really easy walk if it wasn’t ridiculously cold. Thank goodness for the Tassel Taxi. No surprise, but tech was running late. They were trying to move it along with “tops & bottoms” — just the beginning and endings of each act. Scratch pulled rank as headliner and had us not only jump the queue, but run the entire act. I felt like a diva going ahead of other performers. I hope no one was too resentful.

    Then Betty and I rushed off to Ray Gunn’s class which was supposed to be starting right that minute. The Tassel Taxi wasn’t going to be coming for half an hour, but we fortunately managed to catch a lift (but I’ve been sworn to secrecy as to with whom). Class had not yet started when we got there. The first class had started late and everything dominoed from there, getting later and later.

    Soul Fire Studio is lovely with mirrors and a wooden dance floor, but I wish the classes had been held in a conference room at the hotel, just for logistical purposes. One less place to travel to might have been easier on everyone.

    Eventually Scratch caught up with us. He’d been ferrying the other Babydolls back to the hotel. Class started with a light warm-up, then moved into some Bartimieff exercises (no, I’d never heard of it before either), which were awesome in their evil focus on the core. We were split into 2 groups for this and I will point out that our instructor did everything with each group plus the demonstration, which means he did something like 5 or 6 sets of ratcheted push-ups to the students’ two (that is, if we could manage even two sets).

    This was followed with some across-the-floor exercises to practice walking like a man. A bunch of the women had trouble, but so did some of the men. We ended with a short combination. I knew I was in over my head dance-wise, but if you play it safe, you’ll never learn anything.

    Then we took Ray back to the hotel and began getting ready for the show. Again, Scratch had okayed it with Kayla that we were going to miss call, but we would absolutely be ready well before our number. Considering that the show was going to last many hours and we were 4th from the end, that was an easy promise to make.

    I think I’ll save the show itself for my next missive.

    M2

    Published in: on 29 January 2014 at 11:17 am  Leave a Comment  
    Tags: ,

    Vermont Burlesque Festival, Friday

    Dear Constant Reader,

    Friday morning Scratch, Betty, and I piled into the Babydoll-mobile and headed for the frozen North. And I’m not kidding — it was well below zero in Burlington. We arrived with just enough time to have a little rest before our tech rehearsal at the evening’s venue, a nightclub creatively called Venue.

    I know you were all worried about the whole decency ordinance and my g-string. When we checked in, they summed it up as “No penis, no vagina, no sex on stage”. No problem.

    Performers all got goodie bags — these chic Monday Night Tease packs filled with useful items for keeping warm, like books of matches and snazzy Vermont Burlesque Festival scarves.

    Tech was running late and there were some lighting issues that slowed things down further. As it was approaching 6 o’clock, I was getting worried about getting into hair & makeup (my April March transformation takes a lot longer than my usual face & ‘do) and getting something to eat and getting back in time for call at 7. Scratch squared it with Kyla, the stage manager, that we would be there by 8pm, without fail. That extra hour was a godsend.

    Back at the hotel, while Betty and I got ready, Scratch ran out to get us dinner. He is so good to us. By now the 2nd shift of Babydolls had arrived in Brigitte’s zippy little car and got ready to head over to the venue (Venue) and get their drink on.

    A brief digression: One of the things I love about The Expo and BurlyCon is that they all happen under one roof. This festival, like most I’ve been to, was in multiple locations. Granted the evening venues were walking distance from the hotel — if it had been June (remember the negative temperatures?). So it was lovely that the event eased the burden of transportation with the “Tassel Taxi”, a couple of large vehicles shuttling between the hotel and other sites. It really made things easier. Especially if you wanted to get your drink on.

    We arrived a hair before 8, as promised, and headed backstage. There was a small but toasty warm dressing room and a spacious green room with a huge spread of performer snacks: a vast variety of cut fresh veggies and fruit and a little candy. Just about perfect.

    First up was the short film “It’s All That Glitters”, which is a companion to the book of the same name. The performers who were photographed were also asked, on camera, to define burlesque, in their opinion. I was rather disappointed. I know there were about 100 interviews but only tiny number made in into the film. And there was a *lot* from the same few performers. Not that they didn’t have valid and interesting things to say, but I would have liked to have seen more breadth.

    I’m not going to recap the entire show, because that’s boring and I spent a lot of time in the dressing room or green room getting focused and ready, so I missed a whole bunch of acts.

    Some memorable moments:

  • Vera Wylde: Great physicality and awesome cane work.
  • Kitty Kin-Evil: She did a very classic number and totally owned it.
  • Ellie Quinn: Very creative use of assels.
  • Lili Von Schtupp: Great shoes! A very good host and truly foul-mouthed. I was wishing Klaus from The Wrathskellar was there because the jokes were right up his alley. Turned out Scratch was texting him some of the better ones.
  • Caramel Knowledge: Nice pastie-punchline.
  • Cha Cha Velour: I love her Gypsy Valentine number. It’s so high energy. And I enjoyed chatting with her in the dressing room.
  • Betty closed out the first act of the show with “Betty, It’s Cold Outside” and she just killed it. I’m not sure I’ve ever seen her and Dino do it better. The audience was going absolutely nuts!

    Scratch performed in the middle of the second act with his “Martini Time” magic trick. Again, it was as good as I’ve ever seen him do it.

    I was starting to get nervous about living up to the expectations my troupe-mates were setting. And I was starting to wonder, given the large number of neo-burlesque acts, how well a Legend Tribute was going to go over with this audience.

    I was 3rd from the end. So, when the performer before me (I think it was Merrique Hysteric) started, I headed for the icy-cold waiting room. Kyla came in on her way to the dressing room to get me and realized that I, like my comrades before, was at places. We’ve been trained well. She brought me into the wing (such as it was) to wait, which was so much warmer, thank goodness.

    Lili gave me a very nice (and serious) intro. My music started, I channeled The First Lady of Burlesque, and stepped out on stage. I know I had fun. I hope the audience did too.

    Afterwards, Scratch said “You looked like a headliner.” And that was all I needed to hear.

    And here we all are:
    (Photo by Greg Gouwens @ G-2 Photography)

    It took me a little while to strike my prop and pack everything up. Although there was an after-party, we were pretty beat and headed back to the hotel. No rest for Babydolls yet! Despite it being 1AM, we had a little rhinestone party to give the costumes for our group number a little more sparkle.

    And I’m awfully grateful to the hotel for having hot beverages available in the lobby round the clock. That hot cocoa was just what I needed.

    Still to come: brunch, bowling, classes, and another show!

    M2

    Published in: on 28 January 2014 at 9:50 am  Comments (5)  
    Tags: ,

    BurlyCon: Shopping

    Dear Constant Reader,

    And here is the last of my BurlyCon reports, all about the shopping!

    This was my haul:

    Going roughly clockwise:

  • A vintage beaded purse from Lux Mystica Beadworks. This wasn’t actually her work, but something she found at an estate sale.
  • A hair flower from Amber Ray because I can’t pass her beautiful table without getting *something*. Besides, my original pansy ornament has vanished. : (
  • A Diva set from Beauty Butler. I can’t wait to organize my makeup!
  • A corsage from Cristal Blu Creations, being a gift from Scratch. It has a wrist loop under the flowers, but also a heavy duty bobby pin, so I could have worn it on my décolletage. It’ll be appearing as a fascinator in the future.
  • The latest issue of Zelda from The Burlesque Boutique, just because.
  • Tea from the Jacqueline Hyde Emporium. I love Bad Things (a peach oolong) and I was down to my last teabag at home. When I expressed my disappointment to Miss China Doll, who was minding the store, that there was no Bad Things for sale, she promised to tell Jacqueline to bring some over. And she did. I also picked up some Valentease. Chocolate tea? I just had to try it.
  • Pasty magnets from Rowdy Baubles. There’s an unattractive filing cabinet in the B.A.B.E. studio and I’m beautifying it by covering it with magnets and these were perfect.
  • And last, my spree at Atomic Cosmetics. I’m grateful Dr. Jen does mail order, so I can get my skin care fix, but it does make things difficult when it comes to selecting cosmetic colors. Finally able to try them in person, I ended up with a Lana lipstick and L’amour lip liner.

    And she had so many products not yet available on line, like Sugar Kisses, a lip exfoliator, and Working Girl, a hand sanitizer. The several pots of red glitter were gifts for the Babydolls. I wear Summer Lovin’ (sun screen) all the time and I love its subtle shimmer on my body, but this was made without the glitter so I could wear it as my everyday SPF on my face. Scratch liked the scent of Leather Daddy (who doesn’t), so I got him some skin care.

    Most exciting was the custom foundation. I jumped on the chance and took the first appointment possible. Dr. Jen tested a different foundation on each of my hands to check my undertone, but it was really a formality. She was pretty confident as to which color was right for me. Once applied to my jawline, it was virtually invisible. In fact, I ended up with foundation on half my face, but you couldn’t really tell where the line was at all. Then the most fun was watching her mix up the magic ingredients and fill the container. Now all I need to do to get more is give her my number and I’ll get the same perfect shade.

    This I didn’t buy, but it’s too cool to ignore. Lili von Schtupp gave me my very own Hollywood Burlesque Festival bag. I feel like such a cutting edge rockstar, because only a handful of people currently have one. You should totally go to the festival; it sounds really amazing and a bunch of fabulous people are working really hard to make it so. I wish I could be there, but we’re preparing for Brrrlesque the following weekend.

    And that wraps up BurlyCon 2013. It doesn’t look like I’ll be at BurlyCon 2014 (it’s scheduled for October and you know that I’m usually very busy in October), but I’ll be back when I can!

    M2

    Published in: on 21 November 2013 at 10:32 am  Leave a Comment  
    Tags: ,

    BurlyCon: Sunday 11/10/13

    Dear Constant Reader,

    Last day at BurlyCon!

    After a quick yogurt, I went to my first class.

    Gloves, Arms & Hands (Willy Barrett): I never pass up an opportunity to take a class with Willy (aka Delsarte Master Joe Paul Williams). He’s been a staple at The Expo since the very first year, and you can thank Betty Blaize for luring him into the world of burlesque! His teachings have strongly influenced The Boston Babydolls and I would encourage any performer to take one of his workshops.

    This class was packed! I think someone said it was the second-largest class all weekend. There was one marvelous moment when the entire class audibly had their minds blown (it was the wrist-throat connection, for those who know). I heard a rumor he’ll be offering “Legs and Feet” at the upcoming Expo in February…

    Power in Simplicity (Perle Noir): Well, I planned to attend. The class was crowded and I realized I didn’t have much concentration at the moment. After the warm up and watching the choreography demonstration I left.

    Instead, Scratch and I checked out of our room, put our bags in the holding pen, and had a pleasant brunch with Jonny Porkpie, Jo Weldon, Kristina Nekyia, and some other folks that I can’t quite remember at the moment. The conversation turned to flexibility (as Porkpie showed a photo of his recreation of a vintage Hustler cover involving a bit of contortion). Kristina, a professional contortionist, mentioned that she had an instructional DVD on splits and backbends. I’ve always wanted to be able to do a split and have been unable to find a good training program, so I ordered it as soon as I got home. We shall see how that goes…

    And then back to class.

    Merkins (Lola Love): For my non-burlesque readers, a merkin is basically a g-string without the string — a little patch that covers the bits that must remain hidden. It’s unlikely that I’ll ever wear one, Boston decency laws being what they are, but I still want to know how to make one. They are really quite simple to construct. Keeping one in place is the challenge.

    Then there was a little more shopping before my last class of the weekend.

    Dances of the Roaring 20’s (Gin Minsky): So much fun! We learned the Charleston and the Black Bottom and then spent most of the class putting everything together into a choreography. Exhausting! A great way to end the convention.

    Then I wrestled my suitcase out of luggage jail, changed into travel clothes, and had a spot of bother returning said bag. But it was okay because I got to hang with Lili von Schtupp while she tried to rescue her bag out.

    Then we went out for some dinner with Scandal, Hoi Polloi, Dahlia Fatale, and a brand new burlesquer named Pepper before it was time to head to the airport.

    We had an overnight flight, so I was beyond grateful that whoever was supposed to sit between us failed to show up and I could stretch out a little and sleep. We arrived in Boston a bit earlier than scheduled and watched the sun come up as we were chauffeured back to Stately Babydoll Manor. There to be met by a large white cat who missed Scratch terribly.

    Next time, it’s all about the shopping!

    M2

    Published in: on 20 November 2013 at 12:44 pm  Leave a Comment  
    Tags: , ,