Vermont Burlesque Festival, Saturday

Dear Constant Reader,

If you’re just joining me, read about our Friday here.

We began our Saturday with Bloody Marys and bacon at the Performer Brunch. There are so many Babydolls that we filled a whole table, but we managed to find a little room for Ray Gunn to join us. I just loved Lili Von Schtupp’s classy breakfast attire — a union suit, complete with butt-flap. Miss Astrid was in her Kate Valentine guise and I didn’t recognize her at first.

Then off we went to the Burlesque Bowling charity tournament. We discovered that as bowlers we are excellent burlesque dancers, but we had a lot of fun. This was the first time Betty experienced “real bowling” instead of candlepin (Massachusetts born and bred!), but she turned out to be one of the best bowlers on our team. Betty won the first game and Brigitte the second (with a last minute strike!), coming ahead of Scratch, which was unexpected. I wasn’t half bad myself. I got a spare in each game — the first I’ve ever scored. Still, the absolute highest total score was 84, so “best” was completely relative.

You can read local news coverage of the tournament here.

Our proudest moment was winning the world’s most unprestigious trophy for “Best Dressed”. And this is why!

And from the back:
(Photos taken by Cha Cha Velour)
It’s not so clear in the photo, but the shirts say “Dolls with Balls” and have huge rhinestone bowling balls. Scratch, not being a Doll, has the devil on his shirt, of course, also enhanced with some rhinestones.

Then back to the hotel. Stella and I opted for naps. Betty headed off to take class with Lili Von Schtupp. Scratch, Brigitte, and Devora went downtown to go shopping and came back with some great finds.

Then it was time for tech. Higher Ground, that night’s venue, is practically next door to the hotel and a really easy walk if it wasn’t ridiculously cold. Thank goodness for the Tassel Taxi. No surprise, but tech was running late. They were trying to move it along with “tops & bottoms” — just the beginning and endings of each act. Scratch pulled rank as headliner and had us not only jump the queue, but run the entire act. I felt like a diva going ahead of other performers. I hope no one was too resentful.

Then Betty and I rushed off to Ray Gunn’s class which was supposed to be starting right that minute. The Tassel Taxi wasn’t going to be coming for half an hour, but we fortunately managed to catch a lift (but I’ve been sworn to secrecy as to with whom). Class had not yet started when we got there. The first class had started late and everything dominoed from there, getting later and later.

Soul Fire Studio is lovely with mirrors and a wooden dance floor, but I wish the classes had been held in a conference room at the hotel, just for logistical purposes. One less place to travel to might have been easier on everyone.

Eventually Scratch caught up with us. He’d been ferrying the other Babydolls back to the hotel. Class started with a light warm-up, then moved into some Bartimieff exercises (no, I’d never heard of it before either), which were awesome in their evil focus on the core. We were split into 2 groups for this and I will point out that our instructor did everything with each group plus the demonstration, which means he did something like 5 or 6 sets of ratcheted push-ups to the students’ two (that is, if we could manage even two sets).

This was followed with some across-the-floor exercises to practice walking like a man. A bunch of the women had trouble, but so did some of the men. We ended with a short combination. I knew I was in over my head dance-wise, but if you play it safe, you’ll never learn anything.

Then we took Ray back to the hotel and began getting ready for the show. Again, Scratch had okayed it with Kayla that we were going to miss call, but we would absolutely be ready well before our number. Considering that the show was going to last many hours and we were 4th from the end, that was an easy promise to make.

I think I’ll save the show itself for my next missive.

M2

Published in: on 29 January 2014 at 11:17 am  Leave a Comment  
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Vermont Burlesque Festival, Friday

Dear Constant Reader,

Friday morning Scratch, Betty, and I piled into the Babydoll-mobile and headed for the frozen North. And I’m not kidding — it was well below zero in Burlington. We arrived with just enough time to have a little rest before our tech rehearsal at the evening’s venue, a nightclub creatively called Venue.

I know you were all worried about the whole decency ordinance and my g-string. When we checked in, they summed it up as “No penis, no vagina, no sex on stage”. No problem.

Performers all got goodie bags — these chic Monday Night Tease packs filled with useful items for keeping warm, like books of matches and snazzy Vermont Burlesque Festival scarves.

Tech was running late and there were some lighting issues that slowed things down further. As it was approaching 6 o’clock, I was getting worried about getting into hair & makeup (my April March transformation takes a lot longer than my usual face & ‘do) and getting something to eat and getting back in time for call at 7. Scratch squared it with Kyla, the stage manager, that we would be there by 8pm, without fail. That extra hour was a godsend.

Back at the hotel, while Betty and I got ready, Scratch ran out to get us dinner. He is so good to us. By now the 2nd shift of Babydolls had arrived in Brigitte’s zippy little car and got ready to head over to the venue (Venue) and get their drink on.

A brief digression: One of the things I love about The Expo and BurlyCon is that they all happen under one roof. This festival, like most I’ve been to, was in multiple locations. Granted the evening venues were walking distance from the hotel — if it had been June (remember the negative temperatures?). So it was lovely that the event eased the burden of transportation with the “Tassel Taxi”, a couple of large vehicles shuttling between the hotel and other sites. It really made things easier. Especially if you wanted to get your drink on.

We arrived a hair before 8, as promised, and headed backstage. There was a small but toasty warm dressing room and a spacious green room with a huge spread of performer snacks: a vast variety of cut fresh veggies and fruit and a little candy. Just about perfect.

First up was the short film “It’s All That Glitters”, which is a companion to the book of the same name. The performers who were photographed were also asked, on camera, to define burlesque, in their opinion. I was rather disappointed. I know there were about 100 interviews but only tiny number made in into the film. And there was a *lot* from the same few performers. Not that they didn’t have valid and interesting things to say, but I would have liked to have seen more breadth.

I’m not going to recap the entire show, because that’s boring and I spent a lot of time in the dressing room or green room getting focused and ready, so I missed a whole bunch of acts.

Some memorable moments:

  • Vera Wylde: Great physicality and awesome cane work.
  • Kitty Kin-Evil: She did a very classic number and totally owned it.
  • Ellie Quinn: Very creative use of assels.
  • Lili Von Schtupp: Great shoes! A very good host and truly foul-mouthed. I was wishing Klaus from The Wrathskellar was there because the jokes were right up his alley. Turned out Scratch was texting him some of the better ones.
  • Caramel Knowledge: Nice pastie-punchline.
  • Cha Cha Velour: I love her Gypsy Valentine number. It’s so high energy. And I enjoyed chatting with her in the dressing room.
  • Betty closed out the first act of the show with “Betty, It’s Cold Outside” and she just killed it. I’m not sure I’ve ever seen her and Dino do it better. The audience was going absolutely nuts!

    Scratch performed in the middle of the second act with his “Martini Time” magic trick. Again, it was as good as I’ve ever seen him do it.

    I was starting to get nervous about living up to the expectations my troupe-mates were setting. And I was starting to wonder, given the large number of neo-burlesque acts, how well a Legend Tribute was going to go over with this audience.

    I was 3rd from the end. So, when the performer before me (I think it was Merrique Hysteric) started, I headed for the icy-cold waiting room. Kyla came in on her way to the dressing room to get me and realized that I, like my comrades before, was at places. We’ve been trained well. She brought me into the wing (such as it was) to wait, which was so much warmer, thank goodness.

    Lili gave me a very nice (and serious) intro. My music started, I channeled The First Lady of Burlesque, and stepped out on stage. I know I had fun. I hope the audience did too.

    Afterwards, Scratch said “You looked like a headliner.” And that was all I needed to hear.

    And here we all are:
    (Photo by Greg Gouwens @ G-2 Photography)

    It took me a little while to strike my prop and pack everything up. Although there was an after-party, we were pretty beat and headed back to the hotel. No rest for Babydolls yet! Despite it being 1AM, we had a little rhinestone party to give the costumes for our group number a little more sparkle.

    And I’m awfully grateful to the hotel for having hot beverages available in the lobby round the clock. That hot cocoa was just what I needed.

    Still to come: brunch, bowling, classes, and another show!

    M2

    Published in: on 28 January 2014 at 9:50 am  Comments (5)  
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    The Boston Ruby Besler Twisted Holiday Cabaret

    Dear Constant Reader,

    Last night The Boston Babydolls were delighted to appear in Ruby Besler’s Twisted Holiday Cabaret. I think this was Ruby’s first East Coast appearance. Well, first & second, as there were two shows, early & late.

    We were in the back room at The Burren in Davis Square, which is an interesting place to perform. The ceiling over the stage is a little low and there were Christmas decorations hanging from it. We had to be careful, especially Brigitte with her cane, me with my fans, and Betty with, well, her amazonian stature. The dressing room scored high marks, especially for one in a bar.

    Ruby is a very funny, proper, and dirty lady from 1947. She has a great deal of advice to impart to the audience, done in part by song. I particularly enjoyed her method for getting a fella. Very simple — sit with good posture, then uncross and recross your legs. Easy to remember with Ruby’s little ditty: “tummy in, neck long, shoulders back, here’s my beaver.”

    It was like that all night long — advice on the advanced techniques of fellatio (“tap, tap, tap”), the best way to “jig the fig” (to a rhythm that suits your purpose), &c.

    We Boston Babydolls performed one solo each between Ruby’s lessons and Brigitte doubled as stage kitten.

    Betty started things off with “Blue Christmas”, which we call Mrs. Clausawitz. I think your imagination can take it from there. If not, you should be able to see her performing it on the Ali@Night show on YouTube soon.

    Brigitte took a break from kittening for a high-energy tap dance to “Nut Rocker” with a spiffy light-up cane (from the workshop of Scratch).

    Devora frolicked en pointe to “Snowfall”. Sexiest snow angels ever.

    Scratch did a brand new magic trick in which vermouth bottles kept appearing, to his surprise, all to the tune of “It’s Martini Time”.

    Stella tried to hitchhike home for the holidays to “Burlecue”. Observant fans will note that she was carrying The Innocent’s suitcase with “Fame or Bust” replaced with “North Pole or Bust”. No comment about Stella’s bust.

    I closed out the burlesque with my fan dance to “Sugar Rum Cherry”. It’s one of my favorites and a crowd pleaser too. If you missed it, you can see a video here from the first time I ever performed it.

    And that was the last Boston Babydolls show of 2013!

    M2

    Published in: on 31 December 2013 at 1:17 pm  Leave a Comment  
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    Brrrrlesque

    Dear Constant Reader,

    Friday night we took our winter show, Brrrrlesque to Laugh Boston, a brand new comedy club in the Westin Waterfront hotel. It’s a pretty sweet venue — cushy green room with direct access to the stage (you’d be surprised how often that doesn’t happen) and super helpful staff.

    The only drawback is the stage itself. Like I mentioned, the venue is a comedy club, so the stage is perfect for stand up. Not so much for dancing en pointe, walking on chairs, or 5 dancers flourishing silk veils. And the lighting is kind of dim, despite the spotlight we brought in. But we managed.

    I promise you a look behind the curtain of my glamourous burlesque life and here’s a peek. I had a couple of bad moments on stage. The key is not to let the audience know that something is amiss. Or as best as one can.

    Our opening number is “Factory Elves” (it’s “Factory Girls” from Madame Burlesque with some Christmas touches) and I walk down a series of chairs. Twice. Normally I’m pretty confident, but that night the chairs were wobbling all over the place. The second time through I do a little butt bump as I step each chair. I knew that was a bad idea, so instead, I grabbed the back of each chair and stuck my butt up in the air. Brigitte said it looked like a sexy crawl and not like a panicked attempt to keep my balance.

    My next appearance was with a hula hoop. I was very aware of the size of the stage and I was using my LED hoop which is the smallest in my collection. Still, I would occasionally hit the curtains behind me and I was very aware of the lighting bar just overhead. And the audience was at tables quite close to the stage. Although when the mishap finally occurred, it wasn’t because the size of the stage screwed me up. I just missed a catch, but before I could grab the hoop again, it went right off the stage and into the audience. Thankfully it was returned to me and I went on with the routine, not even having missed too much of the next verse.

    The rest of the show went more smoothly for me. Thank goodness. I think “Sugar Rum Cherry” was a high point of the 2nd act.

    Back to the good stuff. We had a special surprise guest in the audience. After the show, Evie Sphinx revealed herself to the Babydolls. She’s been out of state doing school stuff so there was much squealing & hugging.

    The very next day Brigitte and I were supposed to open the showing of Bettie Page Reveals All at the Coolidge Corner Theatre at midnight. Because of low ticket sales due to the snow storm, the theatre canceled the movie, so we didn’t get to present “Mistress & Maid” (which was inspired by Bettie Page and Tempest Storm). I was already beautifully made up when we got the call and it seemed a shame not to put that face to good use. Perhaps tomorrow I’ll show you what I did.

    M2

    Published in: on 16 December 2013 at 2:14 pm  Leave a Comment  
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    The Teaseday Club 12/3/13

    Dear Constant Reader,

    The Teaseday Club opened for members on December 3rd. Sadly, there were only about half the number of guests as in previous months. The late Thanksgiving really messed with everyone’s schedule, but those who were there got a real treat! Once again I was in the box office, so my reporting is a little spotty.

    Scratch hosted the show. Our stage kitten was Naughtia the Elf. Photos were taken by Aaron Macks.

    Set 1
    Lucie Luxe, reigning Cookie Queen, reprised her chair dance to “Toxic”.

    Rory Raven brought up an audience member and showed her his long Christmas wish list. She was asked to choose where he should cut it and then read off the item at the top of the new shorter list. Another audience member was summoned to whom Rory had given a sealed envelope before the show started. She opened the envelope and read off the very same item from the list. Amazing!

    Vikki Likkerish performed an act I haven’t seen in a long time. She danced out to “Almost Like Being in Love” wearing pajamas & slippers and carrying a toaster (what the heck?). After stripping to a more showgirlish outfit (including heels!), she gleefully climbed into a bathtub and dropped in the toaster. And shimmied and shook as she was “electrocuted”.

    James Earl Bones appeared at The Teaseday Club for the first time. He performed in the second year of “The Boston Babydolls’ Out for Blood” and boy, has his act become even more polished and impressive. I couldn’t do it justice. Let’s just say it involved comedy, stripping, feats of flexibility (he passed his body through unstrung rackets of increasingly smaller sizes) and balance, and tasticle* twirling.

    Set 2
    Peril S. Curves opened up the second set in one of her elaborate costumes. I only caught a glimpse because someone wanted a ticket.

    Scratch did a little bit of the impossible by making a bottle of booze vanish. Not the contents — the whole bottle.

    Lucie Luxe performed a humorous striptease to the old classic “The Stripper”.

    Alissa Coates sang “How High The Moon”.

    Vikki Likkerish performed her crowd-pleasing Muff ‘N Mix.

    Set 3
    Rory Raven returned and I think did something miraculous with a deck of cards. Once again, someone had the impeccable timing to need a ticket right at the start of a set.

    James Earl Bones astounded and appalled the audience with some contortion. This was not pretty, I-can’t-believe-she-can-sit-on-her-own-head, Cirque de Soleil contortion. This was freakish, painful-looking contortion that made you wince. And hearing him calmly announce, in his Australian accent, that is was going to dislocate his shoulders now, made it even worse. Yet, no one could look away.

    Alissa Coates, seasonally appropriate, sang “Have Yourself a Merry Little Christmas”.

    Peril S. Curves closed out the show to her gloriously showy Fan(ny) Dance. I think this was the first time a merkin** graced the stage at The Teaseday Club. Well, graced a performer on the stage. It stayed where it was supposed to.

    And who won The Great Teaseday Cookie?

    For the first time in the history of The Teaseday Club we had a tie! The cookie was shared by Lucie Luxe and Peril S. Curves! You’ll see them both on January 7th.

    M2
    *It’s a thing. Just ask Jonny Porkpie. And yes, the tassel was exactly where you think it was.
    **Think g-string without the string. Now stop thinking about how it stays in place.

    Published in: on 5 December 2013 at 11:47 am  Leave a Comment  
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    UConn Post Script

    Dear Constant Reader,

    I know I was a tease yesterday by mentioning that we learned from the source why there is a tap dance prohibition at UConn, but not sharing that information with you.

    We originally thought it had to do with marring the stage surface and suggested bringing a tap board for Brigitte, but nope, no tapping allowed.

    The culprits told Scratch that they were members of the college Tap Team and last year a dancer fell on stage and split her chin open. After that, all tap dancing was banned as too dangerous. And the irony of it all is that at the time of the accident the wounded dancer wasn’t even tapping!

    Also, I forgot to mention that a reporter for the campus paper was at the show and raced home to get this story into the next day’s paper.

    M2

    Published in: on 4 December 2013 at 9:40 am  Leave a Comment  
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    The Boston Babydolls at UConn

    Dear Constant Reader,

    The Boston Babydolls were invited by the frightening sounding SUBOG* to perform at the University of Connecticut yesterday. I was excited because we’ve never managed to have a show in Connecticut, my home state, although we have performed in all the other New England states.

    We knew this show was going to be a challenge from the beginning:
    1. Betty and Stella would still be away for Thanksgiving. Fortunately, Brigitte, Devora, Scratch, and I were available. And Corinne Southern was able to be our Special Guest.

    2. We had to keep our bras on. That required some re-choreographing of every striptease.

    3. The theatre had hardly any lighting, so we had to bring down our own, plus a tech crew.

    We dealt will all those issues. No problem. Then about a week and a half before the show, the school asked if we were doing anything dangerous, like pyrotechnics, knife throwing, or tap dancing. Tap dancing? Umm, like Brigitte’s tap piece to “Nut Rocker”? Not something she could just do as a soft shoe, so she rechoreographed the whole thing as quickly as possible.

    Then we got a request for a private show. It happens a lot at the holidays. But this party was on the very same night at the college show. Scratch summoned the Legion of Substitute Babydolls and arranged what I’m sure was a fine show from Dagny Vanderlust, Ginny Nightshade, and BettySioux Tailor.

    We arrived on campus. There were thousands of people eager to cheer and holler. But not for us. Did you know that UConn has a basketball team? Yeah, The Huskies. They’re kinda popular. And they had a game exactly during our show. So, our audience was the tiny percentage of students who would rather see boobs (albeit in bras) than basketballs.

    Still, it was a fine show. We each did two holiday-themed acts, one strip and one variety, plus two group numbers. Scratch did some magic, of course. And we all did some classic (that means corny) burlesque comedy bits. The audience, small but mighty, appeared to be having a great time.

    Two of the gals in the audience explained that the no-tap-dancing was their fault. No one would take credit for the no-pasties rule.

    If you’d like to see what the show looks like with 5 dancers, pasties, and tap dancing, we’ll be presenting it at Laugh, the comedy club at the Westin Waterfront on Friday, December 13th and the House of Mood in Rhode Island on Saturday, December 21st.

    Just before we got on the road I learned that an article I wrote will be published in volume II of “Berlesker: Handcrafted Literary Journal”. I’m so excited!

    M2
    *Student Union Board of Governors

    Published in: on 3 December 2013 at 12:34 pm  Leave a Comment  

    Busy Boston Babydolls

    Dear Constant Reader,

    I just wanted to take a minute to let you know what was going on with your favorite burlesque troupe in December.

    On December 2nd, Brigitte, Devora, Scratch, special guest Corinne Southern, and I will be at UConn, entertaining the students before the dark pre-finals days. I’m irrationally excited about this show because Connecticut is the only New England state in which we have *not* performed. And my home state.

    The very next day, December 3rd is Teaseday! Come on down to The Teaseday Club at The Davis Square Theatre. It’s likely I will be in the box office.

    December 13th, all The Boston Babydolls will be at Laugh, the comedy club at the Westin Waterfront with Brrrlesque.

    The next night, December 14th, Brigitte and I will be doing a little pre-show entertainment at the midnight showing of Bettie Page Reveals All at the Coolidge Corner Theatre.

    The following Saturday, December 21st, we’ll be down in Rhode Island at the House of Mood for another performance of Brrrlesque with special guest Dagny Vanderlust. In fact, will we giving *two* performances, one early, one late.

    We’re back with our last performance of 2013 (maybe, there’s always a chance to squeeze in one more) on December 30th in The Ruby Besler TWISTED Holiday Cabaret at The Burren. Two shows, so you have no excuse.

    M2

    Published in: on 1 December 2013 at 10:00 am  Leave a Comment  
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    Mama Toma’s Burlesque Show

    Dear Constant Reader,

    Every once in a while I get to attend a burlesque show as a member of the audience. Almost all the Babydolls went to the debut performance of Mama Toma’s Burlesque show in part because 4 of the dancers, Dagny Vanderlust, Delilah Spring, Ginny Nightshade, and Amber BuTáne, are B.A.B.E. alumnae and most of them have also performed in a couple of Boston Babydolls’ shows and we wanted to support them. And as it turned out, Molotov Maybelle (in The Wrathskellar with Dagny & Ginny) was the stage kitten.

    The show was at “The Space”, a newish art venue in reclaimed industrial space — I think it was once a garage. It was BYOB and had kind of an illicit houseparty vibe. We had been warned that seating was limited and the layout was a little weird. Both statements were accurate. There were a couple of couches, chairs and coffee tables hither and yon (contributing to the feeling this was a party in someone’s large living room). Brigitte got there early and staked out a patch for us with, as it turned out, a pretty good view of the performances. Before we knew it, the place was packed and the audience was definitely encroaching on the dancers’ space…

    The opening act was a harpist who played some original music and sang. It was decidedly non-traditional harp music, tending toward the experimental. On the first song she used a bow on the strings as well as her fingers, just to give you an idea. It was certainly interesting and different, but I’d say the set was was maybe a song or two too long for this audience.

    Then the main set began. Mama Toma is a drummer and the burlesque dancers were backed by her band — 2 vocalists and, I think, 5 musicians. Although it was advertised as a steampunk show, they’re really a rock & blues band. In fact, Betty, in the audience, was the most steampunk-attired person there. I was expecting original music, but I believe it was all covers.

    I admire the dancers for doing their best in a smallish, crowded space with an uneven floor. Dagny’s first number was a chair dance and my heart was in my throat watching her. Remember that uneven floor I just mentioned… her otherwise very sturdy and stable chair (I know, because we generally use the same model) was rocking and tipping all over the place. She handled it, but it made for a more exciting act than I’m sure she intended.

    Dancing to live music is awesome. There’s an energy that’s impossible to replicate with recorded music and it was a lot of fun to watch. All the dancers were clearly having a great time. I do wish the drums hadn’t been miked so aggressively — I spent much of the evening with my fingers in my ears. So glamourous.

    A few of my favorite moments:

  • Delilah’s final tease with her feathered hipbelt.
  • Dagny in rare classic style — gloves, gown, and fur wrap.
  • Amber’s complete confidence and coy flirting.
  • Ginny’s dance to “Paris”. It was the best act I’ve seen her do to date and a real stand-out.
  • The encore song had all 5 dancers in robes, posing and teasing, then grabbing audience members and pulling them up on “stage”. Betty was one of the ones chosen and she never turns down an opportunity to dance.

    And here’s a picture of the whole crew from Betty:
    Mama Toma cast

    I especially want to give credit to Dagny, who was lead choreographer, costumer, and did a lot of management work.

    After we dropped Brigitte off, Scratch & I realized we were starving and happened to be in the neighborhood of Myers + Chang. There was parking right there. Score. Vikki Likkerish was behind the bar. Double score. And the kitchen technically closed 10 minutes before we walked in… However, we were told if we ordered quickly, it would be okay, and it was. More than okay. The food there is always fabulous and the staff is wonderful. An excellent end to the evening.

    M2

    Published in: on 26 November 2013 at 12:57 pm  Leave a Comment  
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    The Teaseday Club 11/5/13

    Dear Constant Reader,

    The Teaseday Club has moved to the *first* Tuesday of every month. Mr. Scratch once again hosted the show, Brigitte Bisoux was stage kitten and yours truly was in the box office.

       

    (All photos from Mystic River Studios by Rich Jarvis Photography)

    Set 1
    Matt Donaher opened the show with a little stand-up. He’s a very funny guy and I’m glad he returned to the Teaseday Club stage.
     
     
     
     
     
     
     
    Corinne Southern brought us a classic balloon pop act to the classic song “Bumps and Grinds”. And some lucky guy in the front row got to pop a few of her balloons!
     
     
     
     
     
     
    Sally the Altar Boy presented a beautiful glow-poi spinning act. It was one of those cases where the audience sat in an appreciative silence at the loveliness. He later told me it had been created for Zehara Nachash’s show Animus where he took the role of fireflies.
     
     
     

    I was particularly excited to see this act. Lucie Luxe is an instructor at B.A.B.E. and this was her burlesque debut! She had a lot of friends in the audience and they were loudly approving for her first strip on stage.
     
     
     
     

    Set 2
    Sally the Altar Boy, in honor of the day (it was Election Day), campaigned and spun poi to Elected. Bigitte and Stella wiggled, held up signs, and passed out American flags. The audience cheered and waved their little flags. I’m a big Alice Cooper fan, so it was extra fun for me.
     
     
     

    Lucie Luxe returned with a chair dance. I recognized most of those moves from the chair dance course at B.A.B.E. and I was delighted to see how she put them all together.
     
     
     
     

    Scratch performed a scientific experiment involving heat and a deck of cards. The audience was supposed to be able to make the chosen card rise to the top of deck through the thermal powers of thought alone. Not surprisingly, it didn’t work. However, I can’t tell you what the pay-off for the act was as someone arrived very late and wanted to buy a ticket.

    Corinne Southern, dressed as Eve and adorned with a snake, tempted the audience in all sorts of ways before succumbing to the apple. Corinne has some mighty slinky floor moves.

    Matt Donaher returned for another stand-up set.
     
     

    Set 3
    Samantha Farrell, last month’s winner of The Great Teaseday Cookie, performed the entire last set with her band and a little burlesque from The Boston Babydolls.

    She opened with an original song “Trouble You Need”, which she wrote in tribute to Benjamin Franklin. It’s much sexier than that sounds. Stella Diamond certainly thought so.

    Then she sang “Sugar in My Bowl” and “Shake”, another original song, written because her mother complained that she had no songs you could “shake your ass to”. This one you certainly can. All the Babydolls back stage were doing just that.

    Lastly she sang “Temptation” while Betty as Gambling Addiction, Devora as Intoxication, and myself as Inappropriate Lust tempted the audience. Samantha even joined us for a few dance steps!

    We had so much fun!

    And who won The Great Teaseday Cookie?

    Lucie Luxe! You’ll see her again next month on December 3rd.

    M2

    Published in: on 6 November 2013 at 11:18 am  Leave a Comment  
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