Bosoms & Blossoms, 4/26

Dear Constant Reader,

Bosoms and BlossomsAlthough my whole reason for being in Toronto was to attend Costume-Con, I was hoping to perform as well. Scratch connected me to Esther De Ville who booked me into Fionna Flaunit’s show Bosoms and Blossoms at the Oasis Aqualounge. I was delighted to see that I knew two of the other performers, Cerise Noir and Ava Noir (no relation), both of whom I had met at the Expo (from which I also knew Esther & Fionna).

I’ll admit that I was nervous about traveling in an unfamiliar city by public transportation for a late-night gig. Fortunately, Cerise was willing to be my native guide. Although it was a long trek for me (2 buses and 2 subways) the TTC is pretty easy to navigate and most of the subway trip was with my native guide.

We arrived a couple hours before call and had a drink and relaxed in the hot tub with Fionna. The club is very nice, with an outdoor pool, a sauna, and the hot tub. Early on I was introduced to a distingushed-looking gentleman who said “I have the perfect thing for you.” Fionna explained that he was a regular who would bring a big suitcase full of lingerie and hand it out to the ladies. He’s usually dead accurate on size and style. More on that later.

When it was actually time to get ready, we headed up to the 4th floor. I am a veteran of changing in bathrooms, closets, and other inadequate spaces, so I was delighted to enter our dressing room. We had a private, secure space with our own bathroom and several mirrors lining the well-lit hallway. By then Ava and GiGi had arrived, but there was plenty of room for everyone.

In honor of the floral motif for the show, Esther had asked me to do “By Any Other Name”, my rose-themed act. Unfortunately, I discovered that I had left my ribbon corset back at my hotel. Since it doesn’t come off and is just pretty, if I had to forget part of my costume, this was the best item.

The performance was on the small dance floor, next to the bar. By show time, people were crowding in on three sides. We all lined up on the stairs for our entrance. Unfortunately that meant I couldn’t see Ava’s fan dance to a Goldfrapp song. Next up was Cerise doing a slinky number with a chair to “House of the Rising Sun”. Then GiGi performed a classic-style act with a cherry blossom-theme and pink silk veil fans. And I closed out the show.

The performance area was small and there was a pole in the center, but it turned out to be less of a hindrance than I feared. Fionna was right there as a catcher, grabbing each garment as I removed it, so I didn’t have to worry about cluttering up my dance space. The audience was very enthusiastic, and even more so when I began plucking my rose petals. By the way, thanks to the Babydolls for all the feedback in rehearsal — it really improved the number.

After our little show, we made some vague noises about going in the pool, but had a drink instead and went to collect our gifts. Mine was a one-shouldered bustier decorated with cloth roses wandering from one hip up to the shoulder. And yes, it fit just right. He’s got a good eye. No photo because cameras are forbidden in the club. Wait a sec… Hey, look, I found one just like it on-line! I’ll probably bling it up and use it in an act.

Before it got too late, Cerise, Fionna, and I got on the subway. Unlike Boston (or unlike Boston used to be), the public transit runs pretty late. And the bus to the airport runs all night. I even caught a break when the nice bus driver was willing to make an unofficial stop and drop me a couple of blocks from my hotel, so I didn’t have to go all the way to the airport and wait for the hotel shuttle.

It was a lot of fun and I’m so glad I had the opportunity to perform. It was terrific to see those ladies again (and meet GiGi). I hope next time I’m in Toronto to get to see a little more of the city (Cerise was playing tour guide as best she could on the subway: “Now we’re under Chinatown…”). Thank you everyone for making me feel so welcome!

M2

Published in: on 30 April 2014 at 12:39 pm  Comments (1)  

Recent Busyness

Dear Constant Reader,

We’ve had a couple of shows in the last couple of days. If all had gone according to plan it would have been 3 shows in 4 days. A quick recap:

Saturday we performed for folks at a retirement community. Yes, they contacted us. The management requested the Boston version of our acts, which we did. But we knew the audience wouldn’t have been shocked. Some of them admitted to seeing burlesque at the Old Howard. At least one had seen Sally Rand. Lily, our stage kitten, was amazing. You would be so lucky to have her work your show.

Last night was “Burlesque through the Back Door” at the back room of The Burren. It’s right next door to our usual haunt at the Davis Square Theatre. We had a lot of fun and the audience seemed to as well. There were several photographers there, so I’ll share when the pictures come in. Two B.A.B.E. students, Elyse and Olivia, made their debuts as back-up dancers!

Just as we were starting to pack up, Scratch got an apologetic call from The Davis Square Theatre about The Teaseday Club. Seems they had double-booked the space. So, the Teaseday Club is postponed 1 week. Do not go to The Teaseday Club tonight! Come next Tuesday, the 8th. I’ll be at my usual perch in the box office.

M2

Published in: on 1 April 2014 at 3:16 pm  Leave a Comment  

Mardi Tease 3/4/14

Dear Constant Reader,

The Teaseday Club opened for members on March 4th. As it turns out, that was Mardi Gras (for real) so there was an extra big show. There were beads for all the guest and plenty of drinking.

Scratch hosted the show. Our stage kittens were Elyse and Vanity. After 2 months off, I was back in the box office. All photos are by Peter Gordon.

Set 1
Dagny Vanderlust, reigning Cookie Queen, performed a ballet-inspired striptease to one of her favorite songs, “Canvas Wonderland”. Despite the ballet trappings, it was still creepy. If the music sounded familiar, it’s because you’ve seen her unwrapping bondage tape from around herself to that very tune.

Matt Kona did a stand-up set (I was still in the box office at this point).

Lucie Luxe, former Cookie Queen and all-time sales champ, presented a brand-new striptease, in which she had to decide between waiting for Prince Charming and going on a life of adventure. If you know Lucie, you’ll know which one she chose. The music was, appropriately, “Royals”, a rendered by the Vitamin String Quartet.

Emily Hect brought a little Big Easy to our Mardi Gras celebrations by singing “Do You Know What It Means To Miss New Orleans?”. I was back in the box office, but I could hear her, no problem. She’s got one powerful voice.

Brigitte Bisoux, holding the title of Cookie Queen most frequently, showed us the morning after. She lovely removed her night attire with the help of some “Black Coffee” (the song, as well as the beverage). After slowly getting dressed after her night of debauchery, she realized she just wanted a little more and undressed again to “Sugar in My Bowl”.

Set 2
Nonye Brown-West started things off with a stand-up set.

Lucie Luxe presented another new act. I was looking forward to this one because she had announced that was going to show off a big trick — I was dying to know what it was. She used “Here Comes the Sun” and I think we all could sympathize with her desire for better weather after this winter. And the big trick? One-sided tassel twirling!!

Scratch just wanted to make a drink, but his vermouth bottle and glass kept switching places. Then the bottle magically just kept multiplying. All to the tune of, of course, “It’s Martini Time”.

Vikki Likkerish, wearing little more than a string of balloons around her hips, danced to “Baby Did A Bad Bad Thing”, a favorite of mine.

Matt Kona closed things out with more comedy.

Set 3
Vikki Likkerish did a number I’d never seen before, stripping out of a stunning multi-layer costume in Mardi Gras colors to “Sweet Child O’ Mine” as done by Scott Bradlee & Postmodern Jukebox. Brigitte will be using this amazing song in her Beyond Basic Burlesque class in April (and students have to opportunity to perform to it at the June Teaseday Club)! Please forgive the brief commercial plug.

Emily Hecht sang “Mercy On Me”. That woman has such an amazing set of pipes. I think half the audience was scared and the other half fell in love.

Dagny Vanderlust presented a brand-new act. She had workshopped it for The Boston Babydolls the previous week and I was looking forward to seeing it in its finished format. No pictures of this one because she was wrapped in a black cloak and then you got to see everything and I don’t like to post pastie pix (go to the show for that).

Nonye Brown-West did her second comedy set.

Brigitte Bisoux finished off the night with a look toward Spring. And here in Boston, that means one thing — Opening Day. Brigitte was the cutest member of the Red Sox as she stripped off her uniform to, what else, “Sweet Caroline”. It was freakin’ adorable and contained a little dance in-joke for Betty Blaize.

And who won The Great Teaseday Cookie?

No surprise, Brigitte Bisoux. You’ll see her again on April 1st, along with Ginny Nightshade, Victoria Van Layer, Zia, and Mike Lemme. Get your tickets now while they’re still only $10!

M2

Published in: on 11 March 2014 at 2:45 pm  Leave a Comment  
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The Mardi Gras Ball

Dear Constant Reader,

Last Saturday The Boston Babydolls were honored to be a part of the 21st(!) annual Mardi Gras Ball. I’m not exaggerating when I say that we look forward to this event all year. It’s a great event for a great cause and we get to dance to our favorite songs with an amazing band. What’s not to love?

The stage at T.T.’s is a special place. For one thing, it’s crammed with musicians (that’s a good thing), for another it’s filthy (that’s not). To make everyone’s life easier, we take turns catching for one another — one of us stands front & center and the dancer tosses her the costume pieces. Somehow this also involves buying each other shots.

Stella worked out “The Boston Babydoll Shot Chain” which worked like this: you catch for the person who performs before you and you buy a shot for the person who performs after you (who was the person who caught for you). We have varied tastes: Stella & Devora both preferred whisky, Betty wanted coconut rum (much to the bartender’s disgust), and I had a Coke (shots are so not for me).

For the record, we performed:

  • Devora, Blue Prelude, a glove & gown strip with a boa
  • Mina, Harlem Nocturne, a fan dance
  • Betty, Tombstone Blues, a classic strip in Mardi Gras colors
  • Stella, Moonglow, a little vignette in which she is molested by jacket
  • A few amusing notes…
    Alissa Coates (she comes every year with her sweetheart — the event is their anniversary) told me that there were some girls who screamed every time I flashed a hint of rear, as though they’d never seen a bum before.

    Betty got a little enthusiastic with tossing one of her gloves to Stella and it went wild. Stella started hunting and immediately, Hunter was shining his flashlight on the stray glove.

    One of the guest singers this year was Hayley Jane of Hayley Jane and The Primates. But once upon a time, she was Baby Jane, one of the original Boston Babydolls. We had a lovely reunion backstage. Maybe we won’t wait so many years next time.

    I have to give a special thank you to Paul Ahlstrand, who was playing sax with an injured arm that night. “Harlem Nocturne” needs its brass and I adore those guys.

    I saw a photographer in the audience, so maybe there will even be some pictures.

    M2

    Published in: on 10 March 2014 at 4:10 pm  Leave a Comment  
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    Expo 2104: The Newcomers’ Showcase

    Dear Constant Reader,

    The Expo concludes with The Original Newcomers’ Showcase, an opportunity for newer performers to strut their stuff in front of a friendly audience. For the past several years, I’ve been hosting it, which is both delightful and nerve-wracking, since it’s usually the only time all year that I host a show. I don’t get to see all of the acts or see them from the best vantage point because I’m in the wings and often checking in with the next performer.

    A few of my favorites that I did see this year:

  • Jovie DeVoe was buoyant and bubbly with a classic balloon pop
  • Holly Deck blew my mind with a fan dance in tribute to Gary Busey. Yes, really.
  • Ginny Nightshade is a perpetual favorite of mine and great to work with. Her “Wolf in Peep’s Clothing” act was super-hot.
  • Trixie Santiago was the brave soul who made her striptease debut at the “Boston Loves Dixie” show. She wowed me with her new act, which suits her perfectly.
  • Stella Chuu was just stunning with her “Tron” number.
  • I’m so proud of the moment when the Burlesque Your Way students make their stage debuts. This year they only had 5 weeks instead of the usual 6 to create their acts and they worked so hard!

    Serena Soirée, Voluptuous Vanessa Vixen, and Penelope Strut were just fabulous and I hope to see more from them and soon!

    And then other than strike, that was the end of another Expo. See you in 2015! It’ll be my birthday!

    M2

    Published in: on 4 March 2014 at 2:44 pm  Leave a Comment  
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    Expo 2014: The Main Event

    Dear Constant Reader,

    This is the reason so many people come to The Expo, the competition. not only dancers, but audience too. In fact, the show completely sold out. As a judge, I get the big perk of sitting right up front, but the incredibly hard job of picking winners. I have to give credit to my fellow judges, Gore Jess, Scandal from Bohemia, Donna Denise, and Femme Brulee, for making the judging easy and non-contentious.

    Scratch really wanted a big production number to open the show and Willy Barrett created something fabulous. The dancers came from all over the country, learned the choreography via video (some local gals came to a couple of rehearsals Brigitte ran at B.A.B.E.), and had one rehearsal all together the day of the show. It was amazing and you can see it here.

    The competition was fierce this year and I’d like to recognize some acts I really liked* that didn’t receive awards or honors:

  • Kelly LiMone: She opened the show beautifully with a classic strip
  • Tiny D: I was completely blown away by her tribute to Gina Bon Bon
  • Olatsa Assassin: Strong and beautiful as a frost giant.
  • Madeline Sinclair: Her fan dance was totally dreamy. And I love that version of “Sleepwalk”.
  • Deliliah: her act wasn’t in competition and I usually don’t get to see that set because we judges are off deliberating. See above note about fast and non-contentious. I was able to see all of this gorgeous fan dance, albeit from the wings.

    (Unless otherwise noted, photos are by John Bilotti)

    The Honorees this year were:

    April March’s choice: Sailor St. Claire

    Angie Pontani’s choice: Francine “The Lucid Dream”

    Perle Noir’s choice and the Judges’ choice: Üla Überbusen

    And the Howard Award winners:

    Best Hybrid: Scarlet Starlet

    Most Classic: Blaze, The Red Rose of Texas

    Most Humorous: Red Velvet

    Most Beautiful: Whisper de Corvo
    (Photographer unknown)

    Best Solo: Nina La Voix

    And here are the winners (with a little ad for next year’s Expo):
    (Photographer unknown)

    And then we all went to the pool party!

    M2

    *I had to restrain myself or I was going to start listing everybody

  • Published in: on 26 February 2014 at 10:12 am  Leave a Comment  
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    Expo 2014: The Bordello

    Dear Constant Reader,

    On Friday night at The Expo, after The Rhinestone Revue, we retire next door to what will become the Vendor Hall for The Bordello, a cabaret show with refreshments. It’s great because not only do we get to relax and socialize, there’s entertainment too. And it’s also an opportunity for more performers to get on stage, particularly ones who didn’t want to compete and/or are too experienced for The Original Newcomers’ Showcase.

    It was also the one chance all weekend The Babydolls had to wear our uniform, here slightly obscured:
    (Photo by David L. Byrd)

    The show was expertly hosted by The Mad Marquis of Critical Hit Burlesque and contained so many fabulous acts. A few that stood out to me:

  • Lili VonSchtupp: Of course. She did her dirty, frustrating number to “I’d Like to Come”. Probably even funnier than when I saw it in Vermont because I knew what was coming (or not…)
  • Ms. Red Snapper: I followed the creation of this costume on her blog and it was great to see it in the flesh and in motion.
  • Matt Finish: Sexy, smooth, and a great dancer.
  • Vikki Fahrenheit: She sang “Peel Me a Grape” while stripping. She has a lovely, sultry voice and the bit with the rose petals is a sweet trick.
  • Dahlia Fatale: She just gets better and better every time I see her perform. Her chairwork is simply breath-taking.
  • And then I had to be up early the next day to teach!

    M2

    Published in: on 20 February 2014 at 11:46 pm  Leave a Comment  

    Expo 2014: The Rhinestone Revue

    Dear Constant Reader,

    The Great Burlesque Exposition kicked things off with The Rhinestone Revue, a showcase of past Howard Award winners and special guests. It’s really quite an amazing amount of talent on one stage.

    Unless otherwise noted, photos are by Kristin Chalmers Photography.

    Scarlett Letter, Most Classic 2007, Best Solo 2010: Scarlett performed to “Love for Sale” in a green & black vintage-style lingerie. Fun fact: she hand-sews many of her costumes and never uses rhinestones.

    Scandal from Bohemia, Most Humorous 2010: Scandal, known for her comedy, presented a more serious and poignant act about body image. It was interesting foreshadowing for something the next night.

    Dot Mitzvah, Best Hybrid 2012: Dot is famed for singing while stripping. And not just singing, singing opera — yes, arias while removing her clothes. She wanted to change it up this year and presented a Creepy Doll number. Totally unlike Devora’s Creepy Doll, but just as disturbing.

    BettySioux Tailor, Most Beautiful 2010: BettySioux also has been known to sing while she strips, as she did when she became a Howard Award-winner. And she makes all her own costumes (as well as creating the Costume Exhibit every year). In this case, not only did she make her own costume, the costume inspired her song. “Friendly Conversation”, written specifically for this act, was inspired by the conversation hearts on her corset.

    Bobby Burlesque, Mr. Hollywood Burlesque: The Expo has a sister festival — The Hollywood Burlesque Festival — and the winners from their inaugural event got to come to Boston! Mr. Hollywood gave us a fabulous bit of film noir burlesque.

    Sheila Starr Siani, Miss Hollywood Burlesque: Sheila has been coming to The Expo for a couple of years now, but never performed. Oh, was it worth the wait! Her harem-style dance was so sensual, especially her use of the chain ’round her throat.
     
     

    April March, The First Lady of Burlesque: What a treat and a delight! April wasn’t at The Expo last year because she broke her ankle shortly before. Not only is it all better, she lost an enormous amount of weight in the interim year. She looks amazing! Several Expos ago she performed for the first time in over 30 years and then said “I’m never doing that again”. Well, she made a liar of herself! In a rhinestone-bedecked showgirl outfit by Grant Philipo with a robe from Alexandra the Great 48, she teased the audience by barely taking off anything and they loved every minute of it.

    Intermission

    Angie Pontani: Scratch has been wanting Angie at The Expo for a long time, but since it was always on Easter and she’s a good Italian girl, that wasn’t going to happen. But with the change in dates… What a stunning performer! I never get tired of watching her.

    Perle Noire: The only other time I’ve seen Perle perform, she did her Josephine Baker dance — high-energy with lots of splits and kicks. This number was slow and oh-so-sensual. I could practically feel the whole audience simultaneously holding their breath and drooling.

    Femme Brûlée, Most Beautiful: She reprised the act that she won with last year, as a sad cloud that transforms to shimmering rain and finally dazzling sunlight.

    Dangrrr Doll, Most Humorous: In a departure from last year’s polar bear act, Dangrrr Doll presented a dramatic number with one of the stunning costumes she’s become known for. With the black hair and Kabuki-style make-up, I would not have recognized her! Unfortunately, I was dragged away to go backstage before the end and I’m dying to know what happened.
     
     

    Donna Denise, Most Classic: She also reprised her award-winning act. No photograph can capture the power of her pectorals, so you’ll just have to see her live.
     
     

    The Boston Babydolls: True confession time — for various reasons, none of them good, we only had about a month to create and rehearse this act. Scratch knew he wanted to use “Feelin’ Good”, but none of the extant versions were just right, so he did a little editing wizardry and created exactly what he wanted for us. Betty has always choreographed our big Expo numbers. In fact, she’s choreographed every group number since, oh, I’d say 2008. In this case, she teamed up with Brigitte and they created a thing of beauty. Much of it came to Brigitte in a dream. No lie.

    (Photo by John Bilotti)

    Like I said, we only had a month, so we hit it hard. It was a challenge, especially the group stocking removes. Here I have to give a big thank you to Dorothy’s Boutique for staying open late for us to pick up stockings for our final dress rehearsal when the ones we’d ordered failed to arrive in time. Also, lighting was very important to this number, so thank you to Hunter for making it work.

    (Photo by John Bilotti)

    Brigitte’s theme was Babydolls United. Everyone entered in the order in which they joined the troupe and then we stripped one another. Together we are greater.

    And too soon it was all over, but then it was time for The Bordello!

    M2

    Published in: on 19 February 2014 at 10:18 am  Comments (2)  
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    Love Actually (not actually)

    Dear Constant Reader,

    The Boston Babydolls usually do 4 big productions a year, a month-long show in February, The Expo on Easter weekend, our summer tour (June-August), and The Wrathskellar for the month of October. Due to circumstances beyond The Expo’s control, it had to be moved to the weekend before Valentine’s Day. No big February show for us, but we couldn’t just ignore Valentine’s Day. After all, it was a whole week after The Expo. And wouldn’t it be fun to have live vocals for all the songs?

    And it was fun! We had two shows last night, which were *packed*, and all the acts were romantic. Sort of.

    Before I get into the details, I wanted to give you one of those backstage peeks. When we do a show on a weeknight, Scratch arranges for a staff meal for the cast & crew. Many people are hustling in from their day jobs and we’d rather not have cranky hungry dancers or people running out to grab food when they should be preparing for the show. Sometimes we get a local restaurant to sponsor the show by providing the catering, sometimes Scratch cooks, but usually he just buys it, preferably from some place that does party-size orders. Last night’s dinner came from Amsterdam Falafel and it was just the right thing: tasty, not heavy, lots of veggies. And very generous portions. There’s a ton of left-overs at Babydoll Manor.

    On to the show!

    Act I

    Betty Blaize, Devora Darling, Mina Murray: “Jilted”, sung by Alissa Coates and Stella Diamond
    The song was written by The Puppini Sisters for their 3 voices, but we did just fine in two-part harmony. Betty, Devora, and I were jilted women who realize it’s much more fun flirting with one another than moping about men.

    Brigitte Bisoux: “Black Coffee”/”Sugar in my Bowl”, sung by Alissa Coates
    It’s the morning after and Brigitte is savoring her coffee before she gets dressed. Then she realizes she’d rather be in bed with him and undresses again. During the first show, the audio mysteriously cut out half-way through “Sugar in My Bowl”, so Alissa continued singing unaccompanied, which involved winging it during the instrumental section, until the end. The joys of live theatre, folks!

    Stella Diamond: “Moonglow”
    We call this one “Date Night” and it’s one of Stella’s favorites. You can see her get molested by a jacket again at The Mardi Gras Ball on March 1st.

    Devora Darling: “Embraceable You”
    A lovely romantic dance en pointe with long-stem roses.

    Mina Murray: “Too Darn Hot”, sung by Stella Diamond
    A fan dance. How could I not have one? The fans are brand-new, made by me, and I was very excited to use them for the first time. I wasn’t thrilled with how the dance had turned out. It was kind of boring and that was bugging me. Friday morning I decided to throw in a little striptease and was much happier with the results.

    Betty Blaize: “All of Me”
    As Betty removed her clothes, she tied the object of her affection, Stella, to a chair with them. And then abandoned her on stage.

    Act II

    Brigitte Bisoux, Devora Darling: “Old Folks” and “Makin’ Whoopie”, sung by Scratch
    This is a brand-new duet, with Devora as an adorable housewife and Brigitte as her hubby. We were all a little surprised to discover the additional verses to “Makin’ Whoopie”.

    Betty Blaize: “Someone to Watch Over Me”, sung by Alissa Coates
    One of Betty’s signature numbers with her swirling white silk cape.

    Brigitte Bisoux: “Let’s Misbehave”
    Brigitte, as a saucy flapper, tap dances her heart out.

    Devora Darling: “The Man I Love”, sung by Alissa Coates
    Devora seems so sweet and innocent, but occasionally she gets obsessive…

    Mina Murray: “In a Sentimental Mood”, sung by Alissa Coates and “Big Town”
    This is the act I call “Champagne on Ice”, with “In a Sentimental Mood” replacing “The Exciting Life” (because of what backing tracks were available). I changed the ending a bit and I think it was well received. At least, during the second show, I heard someone say “She’s not going to…” right before the climax.

    Stella Diamond, Brgitte Bisoux, Betty Blaize: “How High the Moon”, sung by Alissa Coates
    This is a fun three-person fan dance with lots of mischief and one-up-manship.

    And now we get a little chance to relax before our next scheduled show, The Mardi Grad Ball on March 1st. It’ll be a fabulous time!

    Next up, all about The Expo. I know you just can’t wait.

    M2

    Published in: on 17 February 2014 at 8:30 am  Leave a Comment  
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    Vermont Burlesque Festival, Saturday part 2

    Dear Constant Reader,

    For the first two parts of this account, go here and here.

    I think we arrived at Higher Ground before the show actually started, checked in with Kyla, and headed to the Chinese restaurant next door. A chicken and vegetable stir-fry is one of my favorite pre-show meals, so that was perfect. The photo is kind of dark, but we’re all wearing LBDs and the matching jackets Betty made for us, plus our rhinestone name necklaces from Scratch. The other 4 Babydolls have incorporated their demon horns for our number into their hairstyles.

    After a relaxing dinner, we headed into the venue, which was completely sold out. We found a place to stand, way in the back, and watched some of the first set. After a while, my feet started to hurt and I went to the “Big Room” where the groups were set up. Betty and I sat under the warm lights on the stage and stretched. Just after the first intermission was over, Scratch came and got us because he had procured seats up front.

    We got to see the second set of the show from the luxury of the second row and then we scampered off to the Big Room to get dressed and warm up for our number.

    The show was unusual for a festival in that many of the performers from the previous night performed again. And a couple of the headliners performed twice. It made for a very long show. A few highlights from the bits I did get to see:

  • Miss Astrid: she’s one of the best MC’s in the business. A pleasure to watch her rip people up one side and down the other.
  • Jonathan Bitchman and Quechee George: a burlesque of burlesque to “Maple Syrup Time/Pour Some Sugar on Me”. So funny. So local. Nice scarf work.
  • Everybody who sang. Especially those who sang and stripped. That’s a challenge!
  • Scarlet James: So beautiful.
  • Lili Von Schtupp: Dirty and oh so funny. And she used a song from The Wet Spots which would have won my heart if she hadn’t already done so years ago. You can see her performing at The Expo in less than 2 weeks!
  • Cha Cha Velour: Her Bearded Lady number was quite touching.
  • Alexa Luthor: She performed a charity strip for a local cancer center. She tossed her gloves and hat into the audience and they came back full of money.

    And then there was Ray Gunn. My God. Of the three Stage Door Johnnies, he was the one I had not seen perform before, so I’ve been eagerly awaiting this show. He did “Trust Me”, the act that won at BHoF. I was stunned into silence. Later I was able to see how the snakey movements initiated in the core, like he’d shown us in class, and really appreciate what an excellent dancer he is. However, at the time all that was on my mind was that I had never seen anything so sexy on stage.

    And on that note, we all scrambled off to the Big Room to get into our costumes, touch up our makeup, and warm up. We were presenting “Hell”, our very first ever group number, although it has improved vastly in terms of dance and costume, it’s still the story of a sweet young thing (me) seduced by demons (everyone else).

    There wasn’t a lot of communication between the crew and the performers and it was impossible to hear the stage from the dressing room, so I was getting really anxious about getting to places on time and staying warm. Finally, we stepped out on stage and started.

    Scratch later said that it was as well-executed as he’d ever seen us do it, which is high praise from him. But I could tell we just didn’t have the audience. The lights came up on us in position before our music started and those few seconds of dead air just sucked the audience’s energy. There was a lot of energy on stage, so I hope we won them back. Also, it was *very* late at this point and a lot of the audience had left at the previous intermission and I could tell that many of those that were left were just tired. Frustrating.

    Still, we were happy with our performance when we came off stage and wriggled into our Babydolls t-shirts (our standard attire for curtain call) and rushed out into the house to see Ray Gunn again. We all perched on the back bar, which was a great vantage point. He premiered his Dandy act, which just blew me away. His musicality was stunning (I believe I said something unfit for delicate ears). He’s one of those rare dancers who looks like his movement is creating the music*. And the music itself was terrific: strong and powerful.

    Then we heeded the pleas of the stage crew and took our places for curtain call. It was kind of a cluster with so many performers cramming in the back hall. I managed to get separated from my fellow Babydolls and had to sneak on with Green Mountain Cabaret.

    And here’s absolutely everybody:
    (Photo by Michael Z. Rork at Zinfandel Photography)

    And that was the Festival!

    The recap of Sunday is: we drove to Boston, we went straight to the studio, we rehearsed, I went home, I slept.

    M2

    * My former bellydance teacher Taj is another one. Her dance “War Drums” has the same effect.

  • Published in: on 30 January 2014 at 11:55 am  Leave a Comment  
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