News and Notes

Dear Constant Reader,

I’ve got so many exciting things to share with you! Where do I start?

I’ll start with B.A.B.E. The next session of Introduction to Burlesque starts November 1st. That’s a Sunday, for those of you who’ve been asking for weekend classes! Sign up by October 25 to get the Early Bird price for the entire class series.

I’m delighted to announce that Bebe Bardot will be teaching her acclaimed class Shake It Up: Shake Dancing in History & Practice on November 7th!

Betty Blaize’s workshop on false eyelashes went so well, she’s going to teach a new make-up class, The 1940s Face, in early December. Stay tuned for details!

Next up, some news from The Boston BeauTease! We are having a Halloween show this year. We wouldn’t miss our favorite holiday, even if everything is terrible. We were going to broadcast it live, but we decided you should be able to watch the show on your own schedule, so we’re recording our spooky striptease. The show will be available for download next week!

And lastly, me! I’m thrilled that my writing is being featured on Burlesque Galaxy! Go to the Sextra-Sextra News page to see my article on Sally Keith, Queen of the Tassels. More to come!

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 19 October 2020 at 3:35 pm  Leave a Comment  
Tags: ,

Halloween at the Museum

Dear Constant Reader,

This Friday the first temporary exhibit at The American Burlesque Collection opened! Halloween Comes to Burlesqueland features costumes, photos and other items that celebrate my favorite holiday (maybe yours too).

I went up to help with the exhibit set-up and it was frantic. The museum closed at 5 and the guests coming for the inaugural arrived at 6:30. Even with the prep the staff and volunteers had done, it was not a lot of time. I was on costume duty, as you might have guessed.

The easiest set up should have been the Hedy Jo Star flame coat. One piece, zipper down the front. But I just had to get clever and do some swapping of mannequins and bases, so I’d get one that was tall enough, but also had arms. Only I discovered that there was no way to get the arms through the skinny, skinny upper sleeves. After that disappointment, in the process of removing a recalcitrant mannequin arm, I clonked myself in the forehead with it. And am sporting a charming  lump even now. It’s all glamour here.

One of the most creative displays (I had no hand in this one) is The Lost Girl and Bücher in “Creepy Doll” from The Wrathskellar. Since The Creepy Doll costume really should be displayed as creepily as possible, a standard fashion mannequin wasn’t up to the task. Instead, she’s on an articulated skeleton (’tis the season!) in one of her most disturbing poses from the act. For the final touch, a video of the act is projected just above the costumes.

I was most excited to work on a loan from Angie Pontani. She sent the museum her stunning Madame de Pompadour costume by David Quinn. This was a little tricky to display. We decided to put the undergarments on one mannequin and the over-garments on another. Makes perfect sense, right? Except the gown wouldn’t hang right without the underpinnnings. We came up with a very creative solution… Can you guess?

There are pictures of all these costumes and more are available to my Patrons. The rest of you will just have to visit the museum before November 15th!

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 5 October 2020 at 3:25 pm  Leave a Comment  
Tags: ,

Friday Tip

Dear Constant Reader,

It’s Friday again! I’m up at The American Burlesque Collection for the opening of Halloween Comes to Burlesqueland, running through November 15. But I wouldn’t forget your tip!

If you need sparkle quickly and cheaply, attach sequins with glitter paint.

Sometimes, especially this time of year, we often need costumes or props we’re only going to use for one show or only once a year. You don’t want to waste your precious time or rhinestones on something like that. 

M2

These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 2 October 2020 at 11:54 am  Leave a Comment  

Friday Tip

Dear Constant Reader,

Here we are — Friday again! How does that keep happening?

Here’s your tip!

When working with stretchy fabric, stretch it before applying decorations.

If you stretch the fabric to the size it will be when you’re wearing it, your decorations will lie flat. I like to pin flat fabric to my ironing board and use a form for things like gloves or garters (a one liter soda bottle works nicely!). If you’re gluing rhinestones, make sure there’s plastic or a silicone mat under the fabric, so the glue doesn’t stick to your work surface or another section of the garment.

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 14 August 2020 at 2:50 pm  Leave a Comment  
Tags:

The Story of Buddy Wade

Dear Constant Reader,

As I was writing my Friday Tip about research, I was going to include an example of an uncorroborated statement and fell down one of those rabbit holes I mentioned.

On page 240 of Striptease: The Untold History of the Girlie Show, Rachel Shteir writes of strippers with tragic ends. “Buddy Wade’s tap shoes caught fire, the sparks ignited her costume, and she burned to death one night at the Old Howard in Boston. Walter Winchell wrote a column about her commemorating her courage for not getting near the other performers.”

That’s it. No footnotes. Not even the date when this event occurred. I always thought it was a little weird — her tap shoes caught fire? Boston historian David Kruh was also puzzled and contacted Ms. Shteir to ask for her sources, but she was unable to provide any.

For years, that’s where it stood. While writing the Tip, I thought I should see if I could find any confirmation before I dubbed the story fiction. I had my doubts about finding any evidence. Like everyone else, I’m stuck at home and can’t go to the library, so I had to try my luck with the Internet.

After striking out a lot, I hit on the key search word — “chorine”. From there I found an issue of The Billboard from December 26, 1936. In “Events of the Year” under the “Burlesque” section, dated January, it says “Buddy Wade, chorine, died from burns received on the stage of the Howard, Boston, a heroine in preventing spread of blaze.” Now I had confirmation of the kernel of the story, if not all the details, and better yet, a year!

Now I was able to find the Winchell column. Walter Winchell didn’t actually write about her. He published a letter from a Boston Post reporter who couldn’t get the story in his own paper. I found more information; Scratch found some too. I’m still hunting.

Here’s the story of Buddy Wade as I have pieced it together…

Mary Wandzilak was 23, a miner’s daughter from Shenandoah, Pennsylvania who started in burlesque in Philadelphia. Under the name Buddy (or Buddie) Wade, she was performing in the chorus of the Merry Maidens burlesque revue when it was booked at the Old Howard for a week. Also on the bill for that show was Countess Vanya with her “Dance of the Bats”, Chang Lee in “Dance of the Chinese Lamps” and comics Harry “Hello Jake” Fields and Hap Hyatt.

On Friday afternoon January 10, 1936, the chorus was about to go on for a ballet number, after stripper Margot Lopez. A spark fell from an arc light onto Buddy’s tulle skirt and began to burn. Rather than panic and run past her fellow dancers in their tulle skirts, she pressed against the brick wall of the proscenium and headed backstage to a place without anything flammable. With burns over most of her body, she was taken to Haymarket Relief, an outpost of Boston City Hospital. Unfortunately, she succumbed to her injuries. Before she died on January 12, she spoke to Boston Post reporter Allen Lester and supposedly asked if she had spoiled the show.

The drawing is a self-portrait, published along with her story in the Detroit Free Press.

Lester sent her story to Winchell to make sure people knew of her courage. Presumably the management of the Old Howard had no interest in having their audience know how close they came to a theatre fire and perhaps kept the story from running in the local papers. Lester mentions the “Iroquois theatre catastrophe” of 1903, which in 600 people were killed in a Chicago theatre when an arc light sparked, igniting a muslin curtain. Buddy Wade’s sacrifice may have prevented just such a tragedy in Boston.

I’m still looking for more information, like confirmation of her birth name and the date she died [EDIT 10/17/20: birth name and death date found and missive updated]. I’d also love to find a program from the Old Howard for that week. I’ll update you if I find anything new!

[UPDATE: 4/28/25: I think I found Shteir’s source: The American Burlesque Show by Irving Zeidman, page 213-14. “In 1936 Buddy Wade, a chorine at the Boston Howard, burned to death backstage when her costume caught fire. Yet, at the cost of her own life, she kept away from the rest of the cast lest their inflammable costumes also catch fire.” Note, no mention of tap shoes.]

Sources
“Countess Vanya Featured in Old Howard Burlesque.” Boston Globe, January 7, 1936, page 14.
“Girl Fatally Burned in Theatre Accident.” The Gazette and Daily (York, PA), January 13, 1936, page 1. [added 10/17/20]
Massachusetts Death Index, Volume 6, Page 414.
“The Newest Burlesque Girl Gave Her Life for the Theatre’s Oldest Tradition.” Detroit Free Press, March 8, 1936, page 106.
“Shenandoah Girl Fatally Burned.” Shamokin (PA) News-Dispatch, January 13, 1936, page 7. [added 10/17/20]
Shteir, Rachel. Striptease: The Untold History of the Girlie Show. Oxford University Press, 2004.
Winchell, Walter, “On Broadway.” Reading (PA) Times, January 15, 1936, page 8.
Zeidman, Irviing. The American Burlesque Show. Hawthorn Books, Inc., 1967. [added 4/28/25]

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 8 July 2020 at 3:01 pm  Comments (3)  
Tags: ,

Friday Tip

Dear Constant Reader,

It’s Friday.

Do something.

I’m not even sure what to write today. I’ve been looking for things to do, other than attend protests. These are some suggestions I’ve found.

  • Donate. There are lots of non-profits doing good work that could use your dollars. Also protestor bail funds.
  • Contact your elected officials. A phone call is less likely to be ignored than email.
  • Support Black-owned restaurants and other businesses. I’ve seen lots of lists circulating for different cities. If you live in or near Boston, I can make some delicious recommendations.
  • Amplify the work of Black performers. See my previous missive for some suggestions.
  • Educate yourself. There are also many lists going around of excellent books. There’s also The New York Times 1619 Project.
  • All of this
  • I’m open to more suggestions.

    M2

    Published in: on 5 June 2020 at 3:54 pm  Leave a Comment  

    Amplifying Performers of Color and their Projects

    Dear Constant Reader,

    Yesterday was Blackout Tuesday on social media platforms, but instead of remaining silent (I grew up in the era of silence=death) I posted some of the projects that performers of color I know have created. Facebook made it very difficult by refusing to publish any of my posts with links. I put the links in comments, but I could see the engagement was very low.

    This is important stuff, so here it is all in one place.

    Bebe Bardot has done an amazing amount of research into the hidden history of shake dancers. She recommends to following articles as starting points:

  • A Brief History of Shake Dancing
  • A Brief History of Blackface in Burlesque
  • Screaming into the Burly Void: Why We Should Never Give Up or Shut Up
  • The Legacy of Black American Classic Burlesque
  • Blackface in Burlesque
  • More Vintage Black Burly Videos
  • Loving Classic Burlesque as a Soft Black Femme
  • If you like these, toss a little something her way
    CashApp and Venmo: $bebebardot
    Paypal: paypal.me/bebebardot

    Caramel Knowledge is hosting her show Cocktails with Caramel on June 14th! Get your tickets now.

    Until June 4th you can watch The House of Knyle at Web of Sin and tip the performers!

    Watch SHAKEDOWN, a documentary about black lesbian strip clubs, featuring Egypt BlaqueKnyle.

    Shimmy LaRoux has taken her years in advertising and product development and turned them into on-demand burlesque business classes.

    Siomai Moore created and hosts the podcast The Pastie Tapes with interviews of a diversity of burlesque performers, including Jeez Loueez, Shimmy LaRoux, Nox Falls, and Ray Gunn.

    Twirlisha Divine created and hosts the podcast Showgirl Sunday Dinner.

    RedBone makes Glam Jam, an all-natural solid glitter lotion.

    More to come! Suggestions welcome!

    M2

    Published in: on 3 June 2020 at 11:02 am  Leave a Comment  

    Performing Live(ish)

    Dear Constant Reader,

    It’s been too long since I last performed before a live audience (Taste o’ Burlesque, March 8) and even longer since I performed at The Speakeasy Lab at Deacon Giles (Valentine’s Day).

    Well, we’re back! Kinda. This Friday at 8pm Eastern join us for Live-ish From Deacon Giles (sort of)!. We’re not actually at Deacon Giles, of course and we’re not performing live, but we will be live on the chat. We miss our fans and are eager to hear from you!

    You’ll see some performances recorded at Deacon Giles, from back when we could still do that, and some brand-new acts filmed in our homes! We even have some special guests. The show is free, but we’re taking donations.

    Want to feel like you’re really there? Order some booze from Deacon Giles — they’re delivering to the North Shore and greater Boston — and have a cocktail of three with us!

    I’m looking forward to seeing you (virtually) Friday night!

    M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

    Published in: on 27 May 2020 at 12:18 pm  Leave a Comment  
    Tags:

    Friday Tip

    Dear Constant Reader,

    It’s Friday again! How do you know? Here’s a tip!

    This week your tip is from special guest contributor, Devastasia!

    Threading elastic (or whatever) through things with a bobby pin of some kind is 1000x easier than using a stupid safety pin..

    Brilliant!

    M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip Devastasia if you liked this.

    Published in: on 15 May 2020 at 12:16 pm  Leave a Comment  
    Tags: ,

    Friday Tip

    Dear Constant Reader,

    It’s Friday again! Time for a tip!

    All this constant hand washing is taking a toll on my skin and I’ve been going through a lot of moisturizers. How about an alternative to standard hand lotion?

    Try solid lotion.

    I love this stuff. It’s like a bar of soap, but it melts deliciously with body heat. Once we’re traveling again, since it’s solid, you can take it with you on a plane to combat the dry air. It’s great for massages too. The addition of glitter makes it perfect for pre-show sparkling!

    You can certainly find solid lotion for sale, but it’s easy to make your own. You need some speciality ingredients, but the process is so simple. I’ve had great success with this formula.

    Equal parts* of beeswax, coconut oil, and cocoa butter

    Gently melt all ingredients together over very low heat. When the mixture is liquid, pour into molds. I use 2-ounce silicone soap molds, but you could try a muffin tin or an ice cube tray. Let the bars cool and harden. Pop them out of the mold and store individually in tins or other containers.

    I think these smell wonderful as is, sort of honey-chocolate-coconut, but you can alway add a few drops of your favorite essential oil to the liquid mixture.

    Also, if you’re adding glitter, be sure to use cosmetic grade!

    Remember, these bars melt at body temperature, so when it starts getting hot out, stash them in your fridge.

    *By weight, not volume. One ounce of each is a good start and will give you a couple of hotel soap-sized bars.

    M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

    Published in: on 10 April 2020 at 12:06 pm  Leave a Comment