The Story of Buddy Wade

Dear Constant Reader,

As I was writing my Friday Tip about research, I was going to include an example of an uncorroborated statement and fell down one of those rabbit holes I mentioned.

On page 240 of Striptease: The Untold History of the Girlie Show, Rachel Shteir writes of strippers with tragic ends. “Buddy Wade’s tap shoes caught fire, the sparks ignited her costume, and she burned to death one night at the Old Howard in Boston. Walter Winchell wrote a column about her commemorating her courage for not getting near the other performers.”

That’s it. No footnotes. Not even the date when this event occurred. I always thought it was a little weird — her tap shoes caught fire? Boston historian David Kruh was also puzzled and contacted Ms. Shteir to ask for her sources, but she was unable to provide any.

For years, that’s where it stood. While writing the Tip, I thought I should see if I could find any confirmation before I dubbed the story fiction. I had my doubts about finding any evidence. Like everyone else, I’m stuck at home and can’t go to the library, so I had to try my luck with the Internet.

After striking out a lot, I hit on the key search word — “chorine”. From there I found an issue of The Billboard from December 26, 1936. In “Events of the Year” under the “Burlesque” section, dated January, it says “Buddy Wade, chorine, died from burns received on the stage of the Howard, Boston, a heroine in preventing spread of blaze.” Now I had confirmation of the kernel of the story, if not all the details, and better yet, a year!

Now I was able to find the Winchell column. Walter Winchell didn’t actually write about her. He published a letter from a Boston Post reporter who couldn’t get the story in his own paper. I found more information; Scratch found some too. I’m still hunting.

Here’s the story of Buddy Wade as I have pieced it together…

Mary Wandzilak was 23, a miner’s daughter from Shenandoah, Pennsylvania who started in burlesque in Philadelphia. Under the name Buddy (or Buddie) Wade, she was performing in the chorus of the Merry Maidens burlesque revue when it was booked at the Old Howard for a week. Also on the bill for that show was Countess Vanya with her “Dance of the Bats”, Chang Lee in “Dance of the Chinese Lamps” and comics Harry “Hello Jake” Fields and Hap Hyatt.

On Friday afternoon January 10, 1936, the chorus was about to go on for a ballet number, after stripper Margot Lopez. A spark fell from an arc light onto Buddy’s tulle skirt and began to burn. Rather than panic and run past her fellow dancers in their tulle skirts, she pressed against the brick wall of the proscenium and headed backstage to a place without anything flammable. With burns over most of her body, she was taken to Haymarket Relief, an outpost of Boston City Hospital. Unfortunately, she succumbed to her injuries. Before she died on January 12, she spoke to Boston Post reporter Allen Lester and supposedly asked if she had spoiled the show.

The drawing is a self-portrait, published along with her story in the Detroit Free Press.

Lester sent her story to Winchell to make sure people knew of her courage. Presumably the management of the Old Howard had no interest in having their audience know how close they came to a theatre fire and perhaps kept the story from running in the local papers. Lester mentions the “Iroquois theatre catastrophe” of 1903, which in 600 people were killed in a Chicago theatre when an arc light sparked, igniting a muslin curtain. Buddy Wade’s sacrifice may have prevented just such a tragedy in Boston.

I’m still looking for more information, like confirmation of her birth name and the date she died [EDIT 10/17/20: birth name and death date found and missive updated]. I’d also love to find a program from the Old Howard for that week. I’ll update you if I find anything new!

[UPDATE: 4/28/25: I think I found Shteir’s source: The American Burlesque Show by Irving Zeidman, page 213-14. “In 1936 Buddy Wade, a chorine at the Boston Howard, burned to death backstage when her costume caught fire. Yet, at the cost of her own life, she kept away from the rest of the cast lest their inflammable costumes also catch fire.” Note, no mention of tap shoes.]

Sources
“Countess Vanya Featured in Old Howard Burlesque.” Boston Globe, January 7, 1936, page 14.
“Girl Fatally Burned in Theatre Accident.” The Gazette and Daily (York, PA), January 13, 1936, page 1. [added 10/17/20]
Massachusetts Death Index, Volume 6, Page 414.
“The Newest Burlesque Girl Gave Her Life for the Theatre’s Oldest Tradition.” Detroit Free Press, March 8, 1936, page 106.
“Shenandoah Girl Fatally Burned.” Shamokin (PA) News-Dispatch, January 13, 1936, page 7. [added 10/17/20]
Shteir, Rachel. Striptease: The Untold History of the Girlie Show. Oxford University Press, 2004.
Winchell, Walter, “On Broadway.” Reading (PA) Times, January 15, 1936, page 8.
Zeidman, Irviing. The American Burlesque Show. Hawthorn Books, Inc., 1967. [added 4/28/25]

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 8 July 2020 at 3:01 pm  Comments (3)  
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Fit & Flair Returns

Dear Constant Reader,

About a thousand years ago, I ran a little contest where my Constant Readers would vote on a pattern from my collection and I would make the dress. The winner was “Fifties’ Fit & Flair” by Folkwear, a now out-of-print pattern. You can read all about the process here.

However, I left you hanging with a dress that didn’t fit quite right. So what happened?

I tossed the dress in my “unfinished” pile and it languished there for years. Last week I unearthed it and decided it was a shame to abandon it. The skirt was perfectly good, very full and it had pockets. I ripped the bodice off and added a waist band. Voila, a circle skirt!

(Not the greatest picture of it but Albert was sprawled right where I wanted to stand)

I’m sorry I couldn’t make the bodice work, because I did such a perfect job of pattern matching the front. But I never loved the dolman sleeves, so in the end, it’s better.

Also, obligatory matching mask.

Maybe I’ll do another one of these “dress me” polls, but this time I’ll need to use a pattern from my collection AND fabric from my stash. I have too much fabulous fabric sitting around doing nothing.

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 7 July 2020 at 11:52 am  Leave a Comment  
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Friday Tip

Dear Constant Reader,

Happy Friday! If you are celebrating Independence Day this weekend, I hope you do it safely. Here’s your tip!

Research your research.

Jo Weldon recently talked about burlesque history and some of its problems, which inspired this,

When researching anything but let’s focus on burlesque history, don’t take anything at face value. Even primary sources, like newspaper articles and autobiographies are full of exaggerations and grandiose statements. Publications wanted to sell copies and performers wanted fame (or notoriety). A good story, particularly a salacious one, was preferable to reality. And some of these have been handed down as fact by publications about burlesque. It’s hard to blame them — I’ve heard stories directly from legends that change over time or don’t match up with documented facts. (If every

So what can you do? Rather than just citing a source, check its sources. The easiest way is to follow the footnote trail. If there are no footnotes or other citations, dig a little deeper. Check contemporary sources. Accurate dates are so important! You may find yourself going down an Internet rabbit hole or buried in a library research collection to discover the actual facts and probably some things you didn’t expect (I’ve spent many fascinating hours doing this!). If you still can’t corroborate, it doesn’t mean don’t use the information, but make sure you note that the source may not be reliable.

Just do due diligence before presenting burlesque myth as burlesque fact.

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 3 July 2020 at 2:32 pm  Leave a Comment  
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Review: Legends of Burlesque, Then and Now

Dear Constant Reader,

I’m catching up on my book reviews! The Burlesque Hall of Fame is usually a chance to meet our Legends in person. However, it’s happening virtually this year. While trying to decide if I should submit something for the on-line showcase (answer — probably not), I was flipping through this book.

Legends of Burlesque, Then and Now presented by Gina Bon Bon and Julie Mist, 2018

This is a collection of photographs of burlesque legends, from their glory days onstage and also from the present day. It’s a large format hardcover book, but with matte paper pages, which make the photos seem slightly muted. Each Legend is featured on at least two, sometimes more, pages of photographs, with a Quick Facts side bar with, generally, their legal names, career span, acts, and prominent bookings or awards. Some have additional brief information and anecdotes. Toni Elling talks about dealing with racism and Kitten Natividad about surviving cancer. Many reveal what they have been doing since they left the stage.

Also included are a couple of people (and a place) who don’t actually qualify as legends, but have been important to honoring the legends and keeping their legacy alive. The place, of course, is the Burlesque Hall of Fame.

The book opens with profiles of some prominent performers (and a couple of lesser known ones) who had passed away, like Ann Corio and Dixie Evans. Sadly, since the book was prepared, a few of the Living Legends are no longer with us. Our legends are a dwindling resource and should be cherished.

This is by no means a comprehensive volume, either in subject or scope. There are just over 3 dozen performers covered, which doesn’t include everyone considered a legend. The information about them is just a tantalizing taste of their stories. There are other books and documentaries that cover more, but this work was created by legends about their fellow legends which gives it an interesting perspective and a bias quite different from works created by those outside the industry.

I had a fantasy of going to BHoF and overcoming my shyness to meet as many of the Legends as I could, but alas, not this year. While we’re unable to gather in person this year, perhaps reach out to your favorite legend and just say thank you for creating the path we follow.

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 30 June 2020 at 2:53 pm  Leave a Comment  
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Friday Tip

Dear Constant Reader,

Happy Friday! Here’s your tip!

Feeling overwhelmed with work? Set a timer.

When I have many things on my to-do list, I find myself jumping from task to task, accomplishing little. To create focus, I set a timer, usually for half an hour and work on only one project, with no breaks until the timer goes off. If I’m on a roll, I take a 5 minute break and set the timer for another 30 minutes. Half an hour is a manageable bit for time for me — your milage may vary — that I know I get get something done, but it doesn’t feel too onerous.

Another option, combining work and entertainment, is to use a playlist or a podcast as your timer. I like to do this when I’m cleaning or sewing.

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 26 June 2020 at 1:39 pm  Leave a Comment  
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Friday Tip

Dear Constant Reader,

It’s Friday — time for a tip! But first I want to recognize that it’s Juneteenth today. The artists of The Front Porch Arts Collective have been celebrating all week and you should check out today’s programs!

And now your tip:

Review, reflect, revise.

Take a look at your acts with fresh and honest eyes, especially if you’ve been performing for a long time. Are your acts still appropriate to be performed? What can you do to change them up?

Are they at your current skill level? You may have grown beyond where you were when that act was created. If so, up your game or retire the act.

If you’re using pop culture or current event references, are they still relevant? You don’t want the act to feel dated or to leave the audience confused. I’ve seen great topical acts that kill when they debut and the reference is fresh, only to bomb six months later when no one remembers.

If you have very local reference in your act, would they be confusing for an out-of-town audience? Maybe make a more generic version or do some research and tailor it to the locale. Audiences love it when you make the effort.

Are you using any tropes that are no longer acceptable? Even if a classic performer did it back in the day, it may not be okay now. “Vintage style, not vintage values”.

This also applies to hosts and MCs. Check your schtick. Make sure all your stock bits and jokes still fly. Comedy is hard — what’s considered funny changes all the time. Some classic burlesque bits that had them rolling in the aisles in 1930 are horrifying now.

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 19 June 2020 at 9:44 am  Leave a Comment  
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Friday Tip

Dear Constant Reader,

It’s Friday again! Here’s your tip!

A properly fitting corset will have a gap of a couple of inches in the back.

If you can lace your corset completely closed, it’s too big for you. If the lacing reveals most of your back, the corset is too small for you.

A good rule of thumb is that the gap should be about 10% of the corset size. For example, if you wear a 28, a gap of 2 to 3 inches is just fine.

For more about corsets, you can take Getting Tight: A Guide to Corsetry, my on-line workshop on Thursday, June 18. Learn all about buying, making, wearing, and removing corsets, plus an illustrated history of the garment (aka corset porn).

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

Published in: on 12 June 2020 at 1:55 pm  Leave a Comment  
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Friday Tip

Dear Constant Reader,

It’s Friday.

Do something.

I’m not even sure what to write today. I’ve been looking for things to do, other than attend protests. These are some suggestions I’ve found.

  • Donate. There are lots of non-profits doing good work that could use your dollars. Also protestor bail funds.
  • Contact your elected officials. A phone call is less likely to be ignored than email.
  • Support Black-owned restaurants and other businesses. I’ve seen lots of lists circulating for different cities. If you live in or near Boston, I can make some delicious recommendations.
  • Amplify the work of Black performers. See my previous missive for some suggestions.
  • Educate yourself. There are also many lists going around of excellent books. There’s also The New York Times 1619 Project.
  • All of this
  • I’m open to more suggestions.

    M2

    Published in: on 5 June 2020 at 3:54 pm  Leave a Comment  

    Amplifying Performers of Color and their Projects

    Dear Constant Reader,

    Yesterday was Blackout Tuesday on social media platforms, but instead of remaining silent (I grew up in the era of silence=death) I posted some of the projects that performers of color I know have created. Facebook made it very difficult by refusing to publish any of my posts with links. I put the links in comments, but I could see the engagement was very low.

    This is important stuff, so here it is all in one place.

    Bebe Bardot has done an amazing amount of research into the hidden history of shake dancers. She recommends to following articles as starting points:

  • A Brief History of Shake Dancing
  • A Brief History of Blackface in Burlesque
  • Screaming into the Burly Void: Why We Should Never Give Up or Shut Up
  • The Legacy of Black American Classic Burlesque
  • Blackface in Burlesque
  • More Vintage Black Burly Videos
  • Loving Classic Burlesque as a Soft Black Femme
  • If you like these, toss a little something her way
    CashApp and Venmo: $bebebardot
    Paypal: paypal.me/bebebardot

    Caramel Knowledge is hosting her show Cocktails with Caramel on June 14th! Get your tickets now.

    Until June 4th you can watch The House of Knyle at Web of Sin and tip the performers!

    Watch SHAKEDOWN, a documentary about black lesbian strip clubs, featuring Egypt BlaqueKnyle.

    Shimmy LaRoux has taken her years in advertising and product development and turned them into on-demand burlesque business classes.

    Siomai Moore created and hosts the podcast The Pastie Tapes with interviews of a diversity of burlesque performers, including Jeez Loueez, Shimmy LaRoux, Nox Falls, and Ray Gunn.

    Twirlisha Divine created and hosts the podcast Showgirl Sunday Dinner.

    RedBone makes Glam Jam, an all-natural solid glitter lotion.

    More to come! Suggestions welcome!

    M2

    Published in: on 3 June 2020 at 11:02 am  Leave a Comment  

    Friday Tip

    Dear Constant Reader,

    A little business before we get to your tip!

    First, tonight we are presenting Live-ish From Deacon Giles (sort of)! on our FaceBook page at 8pm Eastern! I hope to “see” you in the audience!

    Second, every Wednesday at 3pm I’m teaching a short burlesque lesson on IG Live. I’ve been posting them on YouTube afterwards. If there’s a burlesque move or technique you’d like to see, leave me a comment and maybe you’ll see it in a future Bite-Sized Burlesque Lesson!

    When filming yourself, make sure your main light source is behind your camera.

    If you only have one light, position it behind the camera (computer, phone, &c.). If you have two lights, shine one on the wall behind you, which will help create depth. For the best lighting, use two lights on you — one main, one for fill — so you don’t get shadows. Avoid overhead lights.


    Here I am filming a reading for Booklover’s Burlesque in my bedroom using clip-on work lights. Very glamourous, no?

    I have been learning A LOT these past few months about tech things I usually let other people handle… What new skills or knowledge have you acquired?

    M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page. Or you can just tip me if you liked this.

    Published in: on 29 May 2020 at 2:01 pm  Leave a Comment  
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