In the Kitchen: Zorita’s Knish

Dear Constant Reader,

It’s been a while since I got into the kitchen, since things have been so crazy with The Wrathskellar. The other day I was in need of a little comfort food, so I made knishes, which always make me think of Zorita.

Zorita used “knish” as a euphemism for a certain body part burlesque dancers weren’t supposed to show the audience, but often did. She famously said, when accused of “flashing” by the Toledo police, “And they said that they could see hair. I said, ‘That’s impossible, I haven’t had a hair on my knish in years.'”. This recipe is in honor of her.

Make the dough first. Take 2 eggs, salt, baking powder, oil and flour.

Beat the eggs with the salt, baking powder, and oil. Gradually add flour until the dough is soft and not sticky.

Knead for about 10 minutes until the dough is smooth and elastic.

Form into a ball and put into a bowl with a little oil. Roll the dough around until it’s covered with oil. Cover it and let it rest for an hour.

Meanwhile, make the filling.
Take potatoes, onions, an egg, parsley, oil (or schmaltz), and salt & pepper.

Boil the potatoes until they’re tender. Drain them, let them cool, and then peel. Really, let them cool. Don’t be dumb and keep burning your fingers. Trust me.

While the potatoes are cooling, chop the onions and cook them in some olive oil or chicken schmaltz until they’re nicely brown. If you’re a really bad Jew, use bacon fat. I won’t tell.

Mash the potatoes. Get out all your frustrations on the poor tubers.

Add the onions (let them cool a bit first), a beaten egg, chopped parsley, and some salt & pepper to taste.

Now comes the fun/tedious part: actually making the knishes. These are bite-sized cocktail party knishes, not big old deli-sized ones. That means you’re making a bunch of the little buggers. I didn’t take any pictures of this step because I was working too fast to pause.

Roll out about half the dough on a floured board. Keep the other half under wraps so it doesn’t dry out. Roll the dough as thin as you possibly can. Thinner than that. Use a 3″ biscuit cutter to cut a circle of dough. As soon as you lift the cutter, the circle will start to shrink in on itself, so roll it a couple more times.

Put a tablespoon of filling on half the round of dough. Brush the edges with cold water and seal. You want to smush things around so the knish is oval, with the sealed edge down the center, not the side like a potsticker.

Now you need to decide. Do you want a lady-like knish, appropriate for serving to refined company? Put the knish on the baking sheet, seam side down. Want a more vulvar knish, in honor of Zorita? Seam side up. It will probably open during baking exposing the delicious filling.

Repeat until you run out of dough or filling. I got 36 with some filling left over. I might have been able to squeeze a few more out of the dough scraps, but I was tired of it and 3 dozen is a round number. I put the leftover filling into a ramekin and baked it alongside the knishes. You could also make it into little cakes and fry them.

Brush the knishes with beaten egg yolk thinned with a little water and bake at 350F for 20-25 minutes.

Enjoy!

Here’s the recipe!

Dough: Filling:
2 eggs 1 lb potatoes
1 tsp baking powder 3 Tbsp schmaltz or olive oil
1/2 tsp salt 2 onions, chopped
2 Tbsp oil 1/4 c parsley
1 2/3 c flour 1 egg, beaten
1 egg yolk beaten
w/ 1 tsp water
salt & pepper

Beat eggs with salt, baking powder, and oil. Gradually add flour, just enough to make a soft dough that is not sticky. Start with a fork then work by hand. Knead for about 10 minutes, until very smooth & elastic, sprinkling in a little flour if necessary.

Pour a little oil into the bowl and turn dough to coat. Cover bowl with plastic wrap and let rest for an hour.

Boil potatoes until tender, about 25 minutes, then drain, cool, peel, & mash. Fry onions in fat until browned. Add to potatoes, add egg, add parsley, salt and lots of pepper.

Knead dough again and roll as thin as possible. Cut into 3” rounds.

Place 1 Tbsp filling on each round & seal with a little water. Shape them into ovals.

Brush with egg yolk and bake at 350 for 20-25 minutes.

M2

Published in: on 28 October 2015 at 2:20 am  Leave a Comment  
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Audiences Behaving Badly

Dear Constant Reader,

Theatre etiquette is fairly simple: shut off your phones and don’t talk loudly during the show. Don’t do anything to distract the performers or annoy the other audience members. A burlesque show has slightly different rules, in that you’re supposed to cheer and make other appreciative noises during the performance, but, really, the other rules apply too. Common courtesies will make sure the experience is enjoyable for everyone, fellow audience members and perfomers.

You know the saying about a few rotten apples? We had that experience at The Wrathskellar on Saturday with some disruptive audience members. I wish I could say it was an isolated incident, but we also had similar problems the previous Saturday. The Wrathskellar is a particularly atmospheric show and boorish behavior can shatter the mood.

It was mostly people at the expensive cabaret tables up front. Maybe they felt they were special. Maybe they couldn’t see the other audience members in the dark. Perhaps they confused the theatre with their living room. I’m sure the woman who kept putting her feet up on the footlights was under that delusion.

We had people having conversations at speaking volume throughout the show. We had people shouting their “witty” comments at the performers almost continuously, especially during the particularly dramatic or tense moments.

We even had one person on her phone. Despite the signs in the lobby and on the theatre doors and the preshow announcement asking people to shut off their phones, she just had to make a call during the show. Scratch, in character as Bücher, had to ask “Is our show interrupting your PHONE CONVERSATION?”, to cheers from the rest of the audience. Later, at intermission the offender complained that Scratch had “embarrassed me while I was on the phone”. Seriously?

When we’re putting on one of our usual revues, the MC or even the dancers can shut down an obnoxious audience member if necessary. In The Wrathskellar we are hobbled by the fact that we are playing characters and following a script. It’s really hard to get an audience member to just shut up and let everyone else enjoy the show when you’re in character and performing a choreographed routine. We tried. You would think someone would get the hint if a performer shushes them during a dance or the host bluntly tells them to shut up. And even more so when the rest of the audience applauds that action. Unfortunately some people are beyond oblivious.

If one would like a private performance at which one could shout, chatter, or ignore the performers as much as one liked, we would be happy to oblige for a mere several thousand dollars. Please contact our management for details.

We had audience members who were upset that these selfish idiots were ruining their experience. I am truly sorry and wish there was more we could have done. I wish we had security or bouncers, but the theatre doesn’t supply any and we don’t have the staff — our ushers are also performers. Please, if you’re at one of our shows and people are talking or being inappropriate, you as a ticket holder are fully empowered to tell these jerks to shut up. You have every right to enjoy the show.

Now, behaving appropriately doesn’t mean that you have to sit in silence while you watch the performance. You can cheer, applaud, ooh and aah, sing along during the audience participation section (you’ll know when it is; it’s really obvious), laugh at the funny bits (there are funny bits), gasp in horror, gasp in awe, sob quietly, &c. That sort of thing.

We want *everyone* to enjoy the show, not just a few assholes at the expense of everyone else.

M2

Published in: on 26 October 2015 at 4:47 pm  Leave a Comment  
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Friday Tip!

Dear Constant Reader,

Happy Friday! Here’s your tip!

Appreciate your tech people. Without them you’d be standing on stage in the dark and silence.

We can’t perform well without lights and sound. Be nice to the tech people before the show and say thank you afterwards. They make you look good on stage and get none of the glory.

On a personal note… I’d like to thank our tech crew of The Wrathskellar and The Woman in Black for all their hard and invisible work: Allison for lighting design, Caitlyn for sound design, Josiah for load-in and carpentry, Emily for stage management, and, of course, Hunter, our long-time technical director.

As long as I’m thanking people….

A special thank you to Stacey, one of my students, who designed the angel & devil we draw every night, and made the Lost Girl’s dollhouse look so eerily beautiful.

Also my appreciation to those who are doing double-duty by performing on stage as well as being ushers and stage hands *and* taking abuse from the principle characters night after night: Alice, Eva, Heather, Jennie, and Gabe.

We could not do it without you.

M2

Published in: on 23 October 2015 at 1:51 pm  Leave a Comment  
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Striptober!

Dear Constant Reader,

Monday night The Boston Academy of Burlesque Education had its fall student showcase and what an amazing show it was. All the students absolutely rocked it!

First up we had the B.A.B.E alumnae*, strutting their stuff. Some of the acts I’d seen before, some were brand new, and they were all crowd-pleasers.

Sadie Hunter started things off with a smoldering classic-style strip with a boa to “Nasty Naughty Boy”.

Trixie Santiago brought in some humor with a “fan” dance in honor of Ivar Haglund, the clam king of Seattle. Yes, her fans were over-sized clam shells.

The luscious Viva Le Reve performed a sultry down-and-up strip to “Feelin’ Good”, starting in a robe and ending barely covered by a beaded evening gown.

Silki Velour presented a more traditional fan dance. If you missed it, I believe she’s bring it to The Teaseday Club in November.

Teaseday Cookie Queen Elsa Riot teased us with a glittering red cape that she used to reveal and conceal.

Scratch awarded them all cutesy, kitschy, back-to-school themed certificates, like “The Girl Most Likely To…” and “Class Clown”.


From left to right: Elsa Riot, Trixie Santiago, Via Le Reve, Sadie Hunter, and Shirley Rockafella (I’m not sure where Silki went…)

Then it was time to reveal what had been in the Mystery Boxes. I was dying to find out. This was the first advanced routine creation class that I hadn’t taught, so I had no idea what was coming!

This was day one:

Six of the eight students brought their act all the way from box to stage. Each box contained elements that the dancer had to incorporate into the act, including small props, costuming decorations, dance moves, costume items, a mood, and a piece of music.

The first three performers made their burlesque debuts!

Devastasia was a slightly gothy baker who proceeded to sensually frost a cupcake on stage (and present it to me. I’m so lucky!). I though the bejeweled spatula was an item from her box, but it was the cupcake! Her sequin-swirled bra was gorgeous. (By the way, she’s the artist who made The Lost Girl’s dollhouse so beautiful. Come to The Wrathskellar and see…)

Dimples DeVil was a slinky cat burglar with a thing for jewelry. She worked with Brigitte to up the “dirty” factor of her act and it showed. I loved her opening leg tease.

Jeanie Martini started out cute, then next thing I knew there was a shower of dozens of flowers — from her crotch! Totally unexpected and marvelous. One of her box items were jingle bells and her (very lovely) underthings were covered with them.

Honey Bee is a veteran of Burlesque Your Way and I was looking forward to seeing what she created this time. She was a bartender with a box full of props, including one of her requirements — a bottle, which she envisioned as a bottle of Jameson. My favorite moment was when she put a cocktail shaker between her thighs and pulled out a boa. One of her required items was a shimmy belt and she attached cocktail strainers to her hips!

Villa Lobos was the only student I didn’t know. I believe this was her first burlesque class, although she’s clearly a performer. She performed a dance routine with sheer wings and a hula hoop which looked unearthly under the strobe light. I know that one of her items was a turkey baster, which she transformed into a black rose.

Shirley Rockafella is the most experienced student of the batch, having performed all over the place this past year. She closed the show out with an adorable strip, starting as a cleaning lady and ending up in a corset and ruffled skirt. She rhinestoned the crotch of her panties!

I’m so proud of each and everyone of them for taking on such a challenging class and acquitting themselves so well. Scratch had “Super Star” blue ribbons for each of them and they all totally deserved it! I just wish I’d gotten a class picture…

Our next student showcase won’t be until the spring, but I’m sure some B.A.B.E. students will be gracing the stage at The Great Burlesque Exposition in February!

M2
*It’s not that they’ve graduated from B.A.B.E., since most of them still take lessons with us, but that they’ve graduated to the professional/semi-professional stage

Published in: on 21 October 2015 at 4:36 pm  Leave a Comment  
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Friday Tip!

Dear Constant Reader,

Happy Friday! Here’s your tip!

Play nice. We’re all in this together.

It’s hard enough making a go of it as an artist without also enduring negative actions by fellow artists.

There are stories back in the day of burlesque performers sabotaging the acts of their rivals. Tempest Storm says she was removed from a show because the headliner, Lili St. Cyr, who danced barefoot, accused her of dropping pins on stage. It’s said that when Rosita Royce and Tirza were both performing at The New York World’s Fair, Rosita had the shower of Tirza’s wine bath plugged up with gum, so Tirza retaliated by having Rosita’s doves shot at with a BB gun. Evangeline the Oyster Girl took an axe to Divina’s tank (right).

Those days of sabotage on stage seem to be gone, but in their place is behavior more insidious and just as damaging, oft done anonymously: bad-mouthing other performers (especially to producers and venues), removing other artists’ promo materials, hacking social media, blitzing ticketing services so tickets can’t be bought, &c. It sounds crazy that anyone would go to such lengths, but it has all happened to performers I know (including my troupe).

Sydni Deveraux, The Golden Glamazon, wrote a bit about trash-talking today. You should read it.

There is room enough in the world for everyone. Trying to take down a “rival” by damaging their reputation and/or their show is the action of a petty person with no confidence that the quality of their work can stand on its own merits. Surely one has better things to do with one’s life.

Spend your energies building up yourself and your art instead of trying to tear others down. Be better.

M2

Published in: on 16 October 2015 at 3:29 pm  Leave a Comment  
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How did I not know about this?

Dear Constant Reader,

I will confess, I came late to the false eyelash game. I didn’t like them the first time I wore them because no one had taught me how to properly fit and wear them. And that was that. No lashes for me.

It wasn’t until I had my face done by the lovely Dana at the Shu Uemura counter at Barney’s that I embraced the lash. She gave me demi-lashes, which are perfect for my eyes. These are my go-to lashes these days:

But I didn’t actually want to talk about lashes, I wanted to talk about glue. I used to get adhesive in a tube. I suppose some dexterous people can squeeze the glue directly onto the lash band without making a huge mess, but I’m not one of them. I would squirt some out, either too much or too little, into the lid of the tin where I store my lash paraphernalia, and then apply it to the lash with my sophisticated adhesive applicator — that is, the tip of a hair pin. It was messy & wasteful.

Recently I ran out of lash adhesive and discovered that…

Duo comes with a brush!

This has made my life so much easier! I can brush exactly the right amount on without any waste. Bonus — the tube exactly fits in the above-mentioned lash storage tin.

M2

Published in: on 14 October 2015 at 10:48 am  Comments (1)  
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The Wrathskellar Preview 10/8

Dear Constant Reader,

Last night The Wrathskellar opened with a preview. I think I speak for all the BeauTease when I say that we’d been waiting for this moment for years. We’ve really missed our decrepit cabaret.

I will admit to being more nervous than usual. We hadn’t yet had a complete rehearsal with all costumes, all props, all lighting, and all of Bücher’s interstitial bits. But that’s why our first show is a preview. We open for real tonight.

I thought the show was a little rocky here and there as we figured some things out. I discovered that in full blackout, after just being in bright light, I can’t see the edge of the stage. Thank goodness Alice was there to grab my arm! There were a few other issues, but I’m sure they will all get smoothed out.

The audience seemed to like the show. Sometimes it’s hard to tell because this isn’t your usual burlesque show with lots of audience hooting & hollering. And more than liking it, they seemed to *get* it. We’re telling a story, a rather dark one. Hint: keep an eye on the footlights — they illuminate (pun intended) whether things are going well or awry for our characters.

Here’s a little backstage peek: that’s me as The Diva in my private dressing room. And just to keep this all glamourous… the door to my dressing room (the tech closet 11 months out of the year) won’t stay open by itself. I’d rather not be cut off from the rest of the world until it’s absolutely necessary, so I wedged the door open with something from the closet — a rusty curtain counterweight. No one warned me that the theatre was open to patrons until it suddenly was. In my haste to move the extremely heavy thing and stash it behind the draperies in the room, I slashed my finger open. Yay! At least it was my ring finger, one of the fingers Willy Barrett used to say that you could live without. And I avoided bleeding onto my ivory ostrich boa.

Tonight we don’t go on until 10pm. See, there are actually THREE* shows using the theatre this month. The Woman in Black is Mondays through Wednesdays and The Wrathskellar is Fridays through Sundays. However, on Fridays and Saturdays Shit-Faced Shakespeare is on before us.

So, that’s three shows worth of props, costumes, and set pieces, mostly ours. Just to give you an idea of how much that is, The Wrathskellar has a dozen performers, many of whom average four costume changes, and several very big, awkward, and somewhat delicate set pieces, like a chaise, a dressing table with mirror, and a dollhouse. The Woman in Black also has a couple of large set pieces. I don’t know if you’ve ever been backstage at the Davis Square Theatre, but it is not a large space. I hope this works out for all concerned, especially since one of Shakespeare‘s actors will be drunk.

I hope to see all of you Constant Readers in the audience this month! And don’t forget to read Bücher’s note before you arrive!

M2

*really more than that but we won’t count The Teaseday Club, the B.A.B.E. Striptober Showcase or the two other shows that Scratch isn’t producing, because they’re all one-night stands.

Published in: on 9 October 2015 at 2:47 pm  Leave a Comment  
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Friday Tip!

Dear Constant Reader,

Happy Friday! The Wrathskellar had its preview last night and maybe, if I’m not too exhausted, I’ll tell you all about it later today. But first, your Friday Tip!

When wearing wigs, use the right pin for the job

  • Put up your hair with bobby pins (right). Bonus tip: the wavy side should face your scalp for extra grip. You’ll want at least 4 pin curls to secure the wig to: one at each temple and one to either side of your neck
  • Fasten your wig cap to your hair with short wig pins (center).
  • Secure your wig through the cap and into your hair with long wig pins (left).
  • You should use at least 4 long pins, one in each of the pin curls you made. For extra security use small pins around the hair line.

    I have four wig changes in The Wrathskellar, so I only use the minimum 4 pins and jam them in as securely as possible and pray. I have really thin, fine hair, which means it tucks nicely under a wig cap, but doesn’t give me a lot to fasten into. Those of you with thick hair may have the reverse problems.

    Happy pinning and may your wigs never slip!

    M2

    Published in: on 9 October 2015 at 9:55 am  Leave a Comment  
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    An Exhausting Weekend

    Dear Constant Reader,

    It has taken me this long to report on my weekend as I was completely wiped out! It was a great weekend, but a strenuous one.

    Friday night The Boston BeauTease were engaged to perform at Rufflecon. I knew it was an “alternative fashion” event, but that did not prepare me for the acres of ruffles, lace, and petticoats worn by the attendees. It was predominantly Lolita fashions with a smattering of goth, steampunk, and Victoriana styles. I wish I had taken pictures to share with you the remarkable confections I saw walking around. To the right is a random photo from their fashion show, just to give a small idea.

    We had been asked for a show that was a little Halloween-ish, for elaborate costumes, and for a male stripteaser. So, we brought along a couple of numbers from The Wrathskellar (preview tomorrow!), some of our finest costumes, and the performer who plays Klaus in The Wrathskellar, under the nom de strip of “Charles River”.

    The audience was marvelous! We had a wonderful time performing for them. In particular, they went completely berserk over “Charles”. To no one’s surprise they loved Devora’s “Creepy Doll”. It was a perfect choice for this ruffle & doll-loving crowd. Betty & I got a lot of appreciation for our costumes (made by her, by me, and by Catherine D’Lish). You can see Betty’s new Theda Bara-inspired costume at The Wrathskellar. It’s quite remarkable.

    It was a midnight show, so morning came very early. After a delightful breakfast, we took a turn through the vendors’ room, where I felt rather underdressed with only my single modest crinoline. I might have acquired a new tea wallet…

    As much as we might have liked to stay in the fantasyland of ruffles and frills, we had to head back to Boston to get ready for load-in for The Wrathskellar first thing Sunday morning.

    My day started with a private fan dance lesson with Elsa Riot at B.A.B.E. and then Eva (aka Blanche) arrived to help me pack up all the costumes & props and load up the car.

    So much work had to be done, like building and painting stage platforms, hanging lights, making new curtains &c. It was all hands on deck and all the cast & crew pitched in. I’m not entirely certain what all was going on in the theatre as I had my own little project.

    The tech closet had to be magically transformed into The Diva’s dressing room. I opened the door and my heart sank. It was full of boxes, lighting and sound gear, and all sorts of junk. I metaphorically rolled up my sleeves and got to work. I only thought to take a picture *after* I moved the boxes of our lighting gear out, cleared a shelf, and removed some of the 50 or so microphone stands.

    You aren’t going to believe the transformation. That is, if you’re one of the lucky guests invite into my dressing room for a chat…

    And after all that hard physical labor, we still had to have rehearsal. Well, that’s why they call it “hell week”. Ah, well, as they say, I can sleep when I’m dead.

    I hope to see you in the audience. It makes all the work worthwhile.

    M2

    Published in: on 7 October 2015 at 4:00 pm  Comments (2)  
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    Friday Tip!

    Dear Constant Reader,

    Happy Friday and happy October!

    Today’s tip comes from Scratch. We’re about to open a big show with a lot of costume changes (that would be The Wrathskellar — do you have tickets yet?) and we needed a way for our Wardrobe Mistresses to keep track of all the costumes and get every costume piece reunited properly when they are cleaned up after the act.

    Put a tag on a hanger listing all the costume pieces for an act.

    Each act got an index card. The performer wrote on it their character name, the act name, and listed each costume element that went on the hanger. Things like shoes and pasties don’t live on a hanger, so they didn’t have to get written down.

    After reinforcing the corner of the card with a piece of tape, we punched a hole in it and threaded a rubber band through. The rubber band went over the hook of the hanger. Any small items, like gloves or panties, were attached to the hanger with binder clips.

    Once we get to the theatre (Sunday!), we’ll hang everything up in run order and it should be super-simple to maintain all the costumes.

    You can do this for storing your costumes as well, if you’re lucky enough to have enough space to hang them all up. The costume closet in my atelier is too small, alas.

    M2

    Published in: on 2 October 2015 at 11:18 am  Leave a Comment  
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