Expo 2014: The Costume Exhibit

Dear Constant Reader,

I love the Costume Exhibit at The Expo. For the past 6 years it’s been created by BettySioux Tailor and Baroness Blitzen von Schtupp and always amazes me. This year the theme was “In Love with Burlesque”, so there were hearts everywhere and the costume labels has answers to the questions “When did you fall in love with burlesque?” or “What do you love about burlesque?”.

My camera, of course, chose this time to have one of its hissy fits and not allow the flash to work. Some of the pictures are a tad blurred. Sorry about that. I really need a new camera.


From L to R: Madeline Sinclaire (I believe this is a vintage gown, but the rest was made by her), Angie Pontani, April March, Blaze (“Sparkling Diamonds” and “Pink Diamonds” — two Moulin Rouge reproductions)


After April March and Blaze, we have Femme Brûlée, Me (my “La Vie en Rose” costume), Scarlett Letter (“Love for Sale”, which she had worn in The Rhinestone Revue), and a boudoir robe by Catherine D’Lish (owned by me)


Hedy Jo Star (Cleopatra headress, Bob Mackie/Cher-inspired costume, and peacock costume — Scratch was able to get these on loan for the weekend, but the collection has since been split up), Pat Manzo (from the same source), BettySioux Tailor (“Friendly Conversation”, worn in The Rhinestone Revue). On the table is a scrapbook of Gypsy Rose Lee photos and clippings, compiled by one of her close friends and given to Willy Barrett.

You can see most of the individual costumes and a tiny bit more information here.

M2

Published in: on 27 February 2014 at 11:30 am  Leave a Comment  
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Expo 2014: The Main Event

Dear Constant Reader,

This is the reason so many people come to The Expo, the competition. not only dancers, but audience too. In fact, the show completely sold out. As a judge, I get the big perk of sitting right up front, but the incredibly hard job of picking winners. I have to give credit to my fellow judges, Gore Jess, Scandal from Bohemia, Donna Denise, and Femme Brulee, for making the judging easy and non-contentious.

Scratch really wanted a big production number to open the show and Willy Barrett created something fabulous. The dancers came from all over the country, learned the choreography via video (some local gals came to a couple of rehearsals Brigitte ran at B.A.B.E.), and had one rehearsal all together the day of the show. It was amazing and you can see it here.

The competition was fierce this year and I’d like to recognize some acts I really liked* that didn’t receive awards or honors:

  • Kelly LiMone: She opened the show beautifully with a classic strip
  • Tiny D: I was completely blown away by her tribute to Gina Bon Bon
  • Olatsa Assassin: Strong and beautiful as a frost giant.
  • Madeline Sinclair: Her fan dance was totally dreamy. And I love that version of “Sleepwalk”.
  • Deliliah: her act wasn’t in competition and I usually don’t get to see that set because we judges are off deliberating. See above note about fast and non-contentious. I was able to see all of this gorgeous fan dance, albeit from the wings.

    (Unless otherwise noted, photos are by John Bilotti)

    The Honorees this year were:

    April March’s choice: Sailor St. Claire

    Angie Pontani’s choice: Francine “The Lucid Dream”

    Perle Noir’s choice and the Judges’ choice: Üla Überbusen

    And the Howard Award winners:

    Best Hybrid: Scarlet Starlet

    Most Classic: Blaze, The Red Rose of Texas

    Most Humorous: Red Velvet

    Most Beautiful: Whisper de Corvo
    (Photographer unknown)

    Best Solo: Nina La Voix

    And here are the winners (with a little ad for next year’s Expo):
    (Photographer unknown)

    And then we all went to the pool party!

    M2

    *I had to restrain myself or I was going to start listing everybody

  • Published in: on 26 February 2014 at 10:12 am  Leave a Comment  
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    Expo 2014: The Conference

    Dear Constant Reader,

    The Conference is the jewel of The Expo — 4 tracks of classes covering everything from dance to business and beginner to professional-level. It’s a fabulous opportunity to learn and I wish more people took full advantage of it.

    Friday
    The Teasing Touch (me): Friday afternoon classes are new this year. I wasn’t actually expecting anyone to show up, but I had 3 students: a newcomer, an experienced burlesquer, and someone for whom this was her first burlesque class! I was so thrilled. We explored some of the wonderful things you can do with your hands and gloves.

    There were more classes and some Birds of a Feather sessions, but I was in tech rehearsal for The Rhinestone Revue.

    Saturday
    Subtle Sparkle: Edge-Beading (me): I really like “make & take” classes. You go in with nothing and walk out with a thingy or at least the beginnings of a thingy and the knowledge to finish it. In this class I taught the basics of edge-beading and let the students practice it by making a ribbon choker. Here’s Gala Delicious modeling her creation. She practically beaded the whole thing in just two hours!

    Strip Like a Stripper (Sheila Starr Siani): After seeing Sheila’s terribly sexy performance the night before, I was eager for this class. We learned some key secrets and practiced some classic stripper moves. No surprise, everyone wanted to learn the booty bounce. Best moment, Stella with her legs up in the air demonstrating, mentioning that she learned it in college.

    The Road Warriors (panel): This was just fun, listening to Willy Barrett, Scratch, Angie Pontani, and Red Snapper share touring stories. Still, I learned some useful tips. Just have to point out that Snapper made *handouts*. For a panel.

    Dance Moves for Non-Dancers (Red Snapper): I swear I was not stalking Red Snapper. We learned a bunch of basic moves, hardly harder than walking, many of which we use in BABEfit combinations. The class finished with us all dancing The Hustle. And there was a cheat sheet, so I didn’t even need to take notes.

    Flirting with Fan Dance (Fanny Galore): You know I love fan dance and I take all the classes I can, even beginner ones because I’m always search for that one bit of gold. In this case, it was the experience of fan dancing to music that was nowhere near my comfort zone.

    Sunday
    Using Your Face (Willy Barrett): I admit it: facial expressions are one of my weak points and when I’m sharing the stage with Betty or Brigitte, it really shows. We learned the mind-body-spirit correspondences to the parts of the face and to the eyes.

    Down & Dirty (Red Snapper): I’ve taken this floorwork class before, but I always like to work my legs and abs. And besides, I might learn something new. In this case, it was the memorable phrase “tits up to God”.

    The Legs and Feet of a Dancer (Willy Barrett): I always love watch people’s minds get blown in one of Willy’s classes. And Brigitte was no exception — she’s already reworking her stocking removes. Besides learning the mind-body-spirit connection to the parts of the leg and the foot, we also practiced stances and their meanings. Favorite moment: Whisper de Corvo volunteered to demonstrate. She chose to be a tiger, then said she couldn’t be a bunny. You never say “can’t” to Willy Barrett! And yes, she can.

    Ribbon Work for Detailed Costumes (Whisper de Corvo): Ribbon flowers are so beautiful, but I’ve never tried making them. We made pansies from lovely ombre ribbon, some modern and some vintage. My creation turned out a little wonky (I think I needed slightly longer ribbon lengths), but still pretty.

    Go-Go Robics (Angie Pontani):
    (Photo by Kristin Chalmers Photography)
    I was really looking forward to this one. The Pontani Sisters’ Go-Go Robics DVDs (the original and sequel) were among the first I bought when I embarked on my burlesque journey, so I jumped at the chance to do it with Angie, in person. She taught a super-high energy choreography to “The Clapping Song”, which had us gasping and sweating in no time. Here’s a snippet of video. You can just sort of see me flailing around behind Angie.

    And then I had to skip the last class session to set up for my Tea Party!

    M2

    Published in: on 25 February 2014 at 10:37 am  Leave a Comment  
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    Expo 2014: The Rhinestone Revue

    Dear Constant Reader,

    The Great Burlesque Exposition kicked things off with The Rhinestone Revue, a showcase of past Howard Award winners and special guests. It’s really quite an amazing amount of talent on one stage.

    Unless otherwise noted, photos are by Kristin Chalmers Photography.

    Scarlett Letter, Most Classic 2007, Best Solo 2010: Scarlett performed to “Love for Sale” in a green & black vintage-style lingerie. Fun fact: she hand-sews many of her costumes and never uses rhinestones.

    Scandal from Bohemia, Most Humorous 2010: Scandal, known for her comedy, presented a more serious and poignant act about body image. It was interesting foreshadowing for something the next night.

    Dot Mitzvah, Best Hybrid 2012: Dot is famed for singing while stripping. And not just singing, singing opera — yes, arias while removing her clothes. She wanted to change it up this year and presented a Creepy Doll number. Totally unlike Devora’s Creepy Doll, but just as disturbing.

    BettySioux Tailor, Most Beautiful 2010: BettySioux also has been known to sing while she strips, as she did when she became a Howard Award-winner. And she makes all her own costumes (as well as creating the Costume Exhibit every year). In this case, not only did she make her own costume, the costume inspired her song. “Friendly Conversation”, written specifically for this act, was inspired by the conversation hearts on her corset.

    Bobby Burlesque, Mr. Hollywood Burlesque: The Expo has a sister festival — The Hollywood Burlesque Festival — and the winners from their inaugural event got to come to Boston! Mr. Hollywood gave us a fabulous bit of film noir burlesque.

    Sheila Starr Siani, Miss Hollywood Burlesque: Sheila has been coming to The Expo for a couple of years now, but never performed. Oh, was it worth the wait! Her harem-style dance was so sensual, especially her use of the chain ’round her throat.
     
     

    April March, The First Lady of Burlesque: What a treat and a delight! April wasn’t at The Expo last year because she broke her ankle shortly before. Not only is it all better, she lost an enormous amount of weight in the interim year. She looks amazing! Several Expos ago she performed for the first time in over 30 years and then said “I’m never doing that again”. Well, she made a liar of herself! In a rhinestone-bedecked showgirl outfit by Grant Philipo with a robe from Alexandra the Great 48, she teased the audience by barely taking off anything and they loved every minute of it.

    Intermission

    Angie Pontani: Scratch has been wanting Angie at The Expo for a long time, but since it was always on Easter and she’s a good Italian girl, that wasn’t going to happen. But with the change in dates… What a stunning performer! I never get tired of watching her.

    Perle Noire: The only other time I’ve seen Perle perform, she did her Josephine Baker dance — high-energy with lots of splits and kicks. This number was slow and oh-so-sensual. I could practically feel the whole audience simultaneously holding their breath and drooling.

    Femme Brûlée, Most Beautiful: She reprised the act that she won with last year, as a sad cloud that transforms to shimmering rain and finally dazzling sunlight.

    Dangrrr Doll, Most Humorous: In a departure from last year’s polar bear act, Dangrrr Doll presented a dramatic number with one of the stunning costumes she’s become known for. With the black hair and Kabuki-style make-up, I would not have recognized her! Unfortunately, I was dragged away to go backstage before the end and I’m dying to know what happened.
     
     

    Donna Denise, Most Classic: She also reprised her award-winning act. No photograph can capture the power of her pectorals, so you’ll just have to see her live.
     
     

    The Boston Babydolls: True confession time — for various reasons, none of them good, we only had about a month to create and rehearse this act. Scratch knew he wanted to use “Feelin’ Good”, but none of the extant versions were just right, so he did a little editing wizardry and created exactly what he wanted for us. Betty has always choreographed our big Expo numbers. In fact, she’s choreographed every group number since, oh, I’d say 2008. In this case, she teamed up with Brigitte and they created a thing of beauty. Much of it came to Brigitte in a dream. No lie.

    (Photo by John Bilotti)

    Like I said, we only had a month, so we hit it hard. It was a challenge, especially the group stocking removes. Here I have to give a big thank you to Dorothy’s Boutique for staying open late for us to pick up stockings for our final dress rehearsal when the ones we’d ordered failed to arrive in time. Also, lighting was very important to this number, so thank you to Hunter for making it work.

    (Photo by John Bilotti)

    Brigitte’s theme was Babydolls United. Everyone entered in the order in which they joined the troupe and then we stripped one another. Together we are greater.

    And too soon it was all over, but then it was time for The Bordello!

    M2

    Published in: on 19 February 2014 at 10:18 am  Comments (2)  
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    The Great Burlesque Exposition of 2014

    Dear Constant Reader,

    The Expo has been and gone and I’m exhausted! Over the next couple of weeks I’ll be giving you a recap in bite sized pieces, but today I wanted to give some thank yous.

    Everyone who worked on The Expo deserves big thanks and if I tried to list them all I’d surely forget someone. However, there are some people who helped me out personally and I want to make sure you all know who they are.

    Thank you to:

    …Brigitte Bisoux, Devora Darling, Stella Diamond, Lucie Luxe, and Mandy for running the B.A.B.E. drop-in classes all weekend long and for packing up the classroom at the end of each day. And special thanks to Lucie for toting all the gear back to B.A.B.E.

    …Donna Denise, Femme Brulee, Gorejess, and Scandal from Bohemia for judging the Main Event and making it one of the fastest, easiest, and most conflict-free deliberations ever.

    …my tea party ladies: Brigitte Bisoux for getting MEM Tea Imports and Runa: Clean Energy on board as sponsors, Mimi Mischief for making the adorable centerpieces, and Blaze for helping with set up and making sure the tea pots stayed full.

    …the backstage crew at The Original Newcomers’ Showcase: Claire, Linda B., Lia, and Diamond DeVille. You guys were fabulous at keeping everything running smoothly, even with all the messy acts.

    …Betty Blaize and her Web Guys, Marcus DeBoyz and John K. The casual user of the event site has no idea what useful features they created on the back end. It made my life so much easier when I was prepping for judging and hosting shows.

    …a stage kitten whose name I never caught who cheerfully pinned me into my tea dress when the zipper was failing.

    …and of course, Scratch, without whom none of this would have happened.

    M2

    Published in: on 11 February 2014 at 10:53 am  Leave a Comment  
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    Vermont Burlesque Festival, Saturday part 2

    Dear Constant Reader,

    For the first two parts of this account, go here and here.

    I think we arrived at Higher Ground before the show actually started, checked in with Kyla, and headed to the Chinese restaurant next door. A chicken and vegetable stir-fry is one of my favorite pre-show meals, so that was perfect. The photo is kind of dark, but we’re all wearing LBDs and the matching jackets Betty made for us, plus our rhinestone name necklaces from Scratch. The other 4 Babydolls have incorporated their demon horns for our number into their hairstyles.

    After a relaxing dinner, we headed into the venue, which was completely sold out. We found a place to stand, way in the back, and watched some of the first set. After a while, my feet started to hurt and I went to the “Big Room” where the groups were set up. Betty and I sat under the warm lights on the stage and stretched. Just after the first intermission was over, Scratch came and got us because he had procured seats up front.

    We got to see the second set of the show from the luxury of the second row and then we scampered off to the Big Room to get dressed and warm up for our number.

    The show was unusual for a festival in that many of the performers from the previous night performed again. And a couple of the headliners performed twice. It made for a very long show. A few highlights from the bits I did get to see:

  • Miss Astrid: she’s one of the best MC’s in the business. A pleasure to watch her rip people up one side and down the other.
  • Jonathan Bitchman and Quechee George: a burlesque of burlesque to “Maple Syrup Time/Pour Some Sugar on Me”. So funny. So local. Nice scarf work.
  • Everybody who sang. Especially those who sang and stripped. That’s a challenge!
  • Scarlet James: So beautiful.
  • Lili Von Schtupp: Dirty and oh so funny. And she used a song from The Wet Spots which would have won my heart if she hadn’t already done so years ago. You can see her performing at The Expo in less than 2 weeks!
  • Cha Cha Velour: Her Bearded Lady number was quite touching.
  • Alexa Luthor: She performed a charity strip for a local cancer center. She tossed her gloves and hat into the audience and they came back full of money.

    And then there was Ray Gunn. My God. Of the three Stage Door Johnnies, he was the one I had not seen perform before, so I’ve been eagerly awaiting this show. He did “Trust Me”, the act that won at BHoF. I was stunned into silence. Later I was able to see how the snakey movements initiated in the core, like he’d shown us in class, and really appreciate what an excellent dancer he is. However, at the time all that was on my mind was that I had never seen anything so sexy on stage.

    And on that note, we all scrambled off to the Big Room to get into our costumes, touch up our makeup, and warm up. We were presenting “Hell”, our very first ever group number, although it has improved vastly in terms of dance and costume, it’s still the story of a sweet young thing (me) seduced by demons (everyone else).

    There wasn’t a lot of communication between the crew and the performers and it was impossible to hear the stage from the dressing room, so I was getting really anxious about getting to places on time and staying warm. Finally, we stepped out on stage and started.

    Scratch later said that it was as well-executed as he’d ever seen us do it, which is high praise from him. But I could tell we just didn’t have the audience. The lights came up on us in position before our music started and those few seconds of dead air just sucked the audience’s energy. There was a lot of energy on stage, so I hope we won them back. Also, it was *very* late at this point and a lot of the audience had left at the previous intermission and I could tell that many of those that were left were just tired. Frustrating.

    Still, we were happy with our performance when we came off stage and wriggled into our Babydolls t-shirts (our standard attire for curtain call) and rushed out into the house to see Ray Gunn again. We all perched on the back bar, which was a great vantage point. He premiered his Dandy act, which just blew me away. His musicality was stunning (I believe I said something unfit for delicate ears). He’s one of those rare dancers who looks like his movement is creating the music*. And the music itself was terrific: strong and powerful.

    Then we heeded the pleas of the stage crew and took our places for curtain call. It was kind of a cluster with so many performers cramming in the back hall. I managed to get separated from my fellow Babydolls and had to sneak on with Green Mountain Cabaret.

    And here’s absolutely everybody:
    (Photo by Michael Z. Rork at Zinfandel Photography)

    And that was the Festival!

    The recap of Sunday is: we drove to Boston, we went straight to the studio, we rehearsed, I went home, I slept.

    M2

    * My former bellydance teacher Taj is another one. Her dance “War Drums” has the same effect.

  • Published in: on 30 January 2014 at 11:55 am  Leave a Comment  
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    Vermont Burlesque Festival, Saturday

    Dear Constant Reader,

    If you’re just joining me, read about our Friday here.

    We began our Saturday with Bloody Marys and bacon at the Performer Brunch. There are so many Babydolls that we filled a whole table, but we managed to find a little room for Ray Gunn to join us. I just loved Lili Von Schtupp’s classy breakfast attire — a union suit, complete with butt-flap. Miss Astrid was in her Kate Valentine guise and I didn’t recognize her at first.

    Then off we went to the Burlesque Bowling charity tournament. We discovered that as bowlers we are excellent burlesque dancers, but we had a lot of fun. This was the first time Betty experienced “real bowling” instead of candlepin (Massachusetts born and bred!), but she turned out to be one of the best bowlers on our team. Betty won the first game and Brigitte the second (with a last minute strike!), coming ahead of Scratch, which was unexpected. I wasn’t half bad myself. I got a spare in each game — the first I’ve ever scored. Still, the absolute highest total score was 84, so “best” was completely relative.

    You can read local news coverage of the tournament here.

    Our proudest moment was winning the world’s most unprestigious trophy for “Best Dressed”. And this is why!

    And from the back:
    (Photos taken by Cha Cha Velour)
    It’s not so clear in the photo, but the shirts say “Dolls with Balls” and have huge rhinestone bowling balls. Scratch, not being a Doll, has the devil on his shirt, of course, also enhanced with some rhinestones.

    Then back to the hotel. Stella and I opted for naps. Betty headed off to take class with Lili Von Schtupp. Scratch, Brigitte, and Devora went downtown to go shopping and came back with some great finds.

    Then it was time for tech. Higher Ground, that night’s venue, is practically next door to the hotel and a really easy walk if it wasn’t ridiculously cold. Thank goodness for the Tassel Taxi. No surprise, but tech was running late. They were trying to move it along with “tops & bottoms” — just the beginning and endings of each act. Scratch pulled rank as headliner and had us not only jump the queue, but run the entire act. I felt like a diva going ahead of other performers. I hope no one was too resentful.

    Then Betty and I rushed off to Ray Gunn’s class which was supposed to be starting right that minute. The Tassel Taxi wasn’t going to be coming for half an hour, but we fortunately managed to catch a lift (but I’ve been sworn to secrecy as to with whom). Class had not yet started when we got there. The first class had started late and everything dominoed from there, getting later and later.

    Soul Fire Studio is lovely with mirrors and a wooden dance floor, but I wish the classes had been held in a conference room at the hotel, just for logistical purposes. One less place to travel to might have been easier on everyone.

    Eventually Scratch caught up with us. He’d been ferrying the other Babydolls back to the hotel. Class started with a light warm-up, then moved into some Bartimieff exercises (no, I’d never heard of it before either), which were awesome in their evil focus on the core. We were split into 2 groups for this and I will point out that our instructor did everything with each group plus the demonstration, which means he did something like 5 or 6 sets of ratcheted push-ups to the students’ two (that is, if we could manage even two sets).

    This was followed with some across-the-floor exercises to practice walking like a man. A bunch of the women had trouble, but so did some of the men. We ended with a short combination. I knew I was in over my head dance-wise, but if you play it safe, you’ll never learn anything.

    Then we took Ray back to the hotel and began getting ready for the show. Again, Scratch had okayed it with Kayla that we were going to miss call, but we would absolutely be ready well before our number. Considering that the show was going to last many hours and we were 4th from the end, that was an easy promise to make.

    I think I’ll save the show itself for my next missive.

    M2

    Published in: on 29 January 2014 at 11:17 am  Leave a Comment  
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    Vermont Burlesque Festival, Friday

    Dear Constant Reader,

    Friday morning Scratch, Betty, and I piled into the Babydoll-mobile and headed for the frozen North. And I’m not kidding — it was well below zero in Burlington. We arrived with just enough time to have a little rest before our tech rehearsal at the evening’s venue, a nightclub creatively called Venue.

    I know you were all worried about the whole decency ordinance and my g-string. When we checked in, they summed it up as “No penis, no vagina, no sex on stage”. No problem.

    Performers all got goodie bags — these chic Monday Night Tease packs filled with useful items for keeping warm, like books of matches and snazzy Vermont Burlesque Festival scarves.

    Tech was running late and there were some lighting issues that slowed things down further. As it was approaching 6 o’clock, I was getting worried about getting into hair & makeup (my April March transformation takes a lot longer than my usual face & ‘do) and getting something to eat and getting back in time for call at 7. Scratch squared it with Kyla, the stage manager, that we would be there by 8pm, without fail. That extra hour was a godsend.

    Back at the hotel, while Betty and I got ready, Scratch ran out to get us dinner. He is so good to us. By now the 2nd shift of Babydolls had arrived in Brigitte’s zippy little car and got ready to head over to the venue (Venue) and get their drink on.

    A brief digression: One of the things I love about The Expo and BurlyCon is that they all happen under one roof. This festival, like most I’ve been to, was in multiple locations. Granted the evening venues were walking distance from the hotel — if it had been June (remember the negative temperatures?). So it was lovely that the event eased the burden of transportation with the “Tassel Taxi”, a couple of large vehicles shuttling between the hotel and other sites. It really made things easier. Especially if you wanted to get your drink on.

    We arrived a hair before 8, as promised, and headed backstage. There was a small but toasty warm dressing room and a spacious green room with a huge spread of performer snacks: a vast variety of cut fresh veggies and fruit and a little candy. Just about perfect.

    First up was the short film “It’s All That Glitters”, which is a companion to the book of the same name. The performers who were photographed were also asked, on camera, to define burlesque, in their opinion. I was rather disappointed. I know there were about 100 interviews but only tiny number made in into the film. And there was a *lot* from the same few performers. Not that they didn’t have valid and interesting things to say, but I would have liked to have seen more breadth.

    I’m not going to recap the entire show, because that’s boring and I spent a lot of time in the dressing room or green room getting focused and ready, so I missed a whole bunch of acts.

    Some memorable moments:

  • Vera Wylde: Great physicality and awesome cane work.
  • Kitty Kin-Evil: She did a very classic number and totally owned it.
  • Ellie Quinn: Very creative use of assels.
  • Lili Von Schtupp: Great shoes! A very good host and truly foul-mouthed. I was wishing Klaus from The Wrathskellar was there because the jokes were right up his alley. Turned out Scratch was texting him some of the better ones.
  • Caramel Knowledge: Nice pastie-punchline.
  • Cha Cha Velour: I love her Gypsy Valentine number. It’s so high energy. And I enjoyed chatting with her in the dressing room.
  • Betty closed out the first act of the show with “Betty, It’s Cold Outside” and she just killed it. I’m not sure I’ve ever seen her and Dino do it better. The audience was going absolutely nuts!

    Scratch performed in the middle of the second act with his “Martini Time” magic trick. Again, it was as good as I’ve ever seen him do it.

    I was starting to get nervous about living up to the expectations my troupe-mates were setting. And I was starting to wonder, given the large number of neo-burlesque acts, how well a Legend Tribute was going to go over with this audience.

    I was 3rd from the end. So, when the performer before me (I think it was Merrique Hysteric) started, I headed for the icy-cold waiting room. Kyla came in on her way to the dressing room to get me and realized that I, like my comrades before, was at places. We’ve been trained well. She brought me into the wing (such as it was) to wait, which was so much warmer, thank goodness.

    Lili gave me a very nice (and serious) intro. My music started, I channeled The First Lady of Burlesque, and stepped out on stage. I know I had fun. I hope the audience did too.

    Afterwards, Scratch said “You looked like a headliner.” And that was all I needed to hear.

    And here we all are:
    (Photo by Greg Gouwens @ G-2 Photography)

    It took me a little while to strike my prop and pack everything up. Although there was an after-party, we were pretty beat and headed back to the hotel. No rest for Babydolls yet! Despite it being 1AM, we had a little rhinestone party to give the costumes for our group number a little more sparkle.

    And I’m awfully grateful to the hotel for having hot beverages available in the lobby round the clock. That hot cocoa was just what I needed.

    Still to come: brunch, bowling, classes, and another show!

    M2

    Published in: on 28 January 2014 at 9:50 am  Comments (5)  
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    BurlyCon: Shopping

    Dear Constant Reader,

    And here is the last of my BurlyCon reports, all about the shopping!

    This was my haul:

    Going roughly clockwise:

  • A vintage beaded purse from Lux Mystica Beadworks. This wasn’t actually her work, but something she found at an estate sale.
  • A hair flower from Amber Ray because I can’t pass her beautiful table without getting *something*. Besides, my original pansy ornament has vanished. : (
  • A Diva set from Beauty Butler. I can’t wait to organize my makeup!
  • A corsage from Cristal Blu Creations, being a gift from Scratch. It has a wrist loop under the flowers, but also a heavy duty bobby pin, so I could have worn it on my décolletage. It’ll be appearing as a fascinator in the future.
  • The latest issue of Zelda from The Burlesque Boutique, just because.
  • Tea from the Jacqueline Hyde Emporium. I love Bad Things (a peach oolong) and I was down to my last teabag at home. When I expressed my disappointment to Miss China Doll, who was minding the store, that there was no Bad Things for sale, she promised to tell Jacqueline to bring some over. And she did. I also picked up some Valentease. Chocolate tea? I just had to try it.
  • Pasty magnets from Rowdy Baubles. There’s an unattractive filing cabinet in the B.A.B.E. studio and I’m beautifying it by covering it with magnets and these were perfect.
  • And last, my spree at Atomic Cosmetics. I’m grateful Dr. Jen does mail order, so I can get my skin care fix, but it does make things difficult when it comes to selecting cosmetic colors. Finally able to try them in person, I ended up with a Lana lipstick and L’amour lip liner.

    And she had so many products not yet available on line, like Sugar Kisses, a lip exfoliator, and Working Girl, a hand sanitizer. The several pots of red glitter were gifts for the Babydolls. I wear Summer Lovin’ (sun screen) all the time and I love its subtle shimmer on my body, but this was made without the glitter so I could wear it as my everyday SPF on my face. Scratch liked the scent of Leather Daddy (who doesn’t), so I got him some skin care.

    Most exciting was the custom foundation. I jumped on the chance and took the first appointment possible. Dr. Jen tested a different foundation on each of my hands to check my undertone, but it was really a formality. She was pretty confident as to which color was right for me. Once applied to my jawline, it was virtually invisible. In fact, I ended up with foundation on half my face, but you couldn’t really tell where the line was at all. Then the most fun was watching her mix up the magic ingredients and fill the container. Now all I need to do to get more is give her my number and I’ll get the same perfect shade.

    This I didn’t buy, but it’s too cool to ignore. Lili von Schtupp gave me my very own Hollywood Burlesque Festival bag. I feel like such a cutting edge rockstar, because only a handful of people currently have one. You should totally go to the festival; it sounds really amazing and a bunch of fabulous people are working really hard to make it so. I wish I could be there, but we’re preparing for Brrrlesque the following weekend.

    And that wraps up BurlyCon 2013. It doesn’t look like I’ll be at BurlyCon 2014 (it’s scheduled for October and you know that I’m usually very busy in October), but I’ll be back when I can!

    M2

    Published in: on 21 November 2013 at 10:32 am  Leave a Comment  
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    BurlyCon: Sunday 11/10/13

    Dear Constant Reader,

    Last day at BurlyCon!

    After a quick yogurt, I went to my first class.

    Gloves, Arms & Hands (Willy Barrett): I never pass up an opportunity to take a class with Willy (aka Delsarte Master Joe Paul Williams). He’s been a staple at The Expo since the very first year, and you can thank Betty Blaize for luring him into the world of burlesque! His teachings have strongly influenced The Boston Babydolls and I would encourage any performer to take one of his workshops.

    This class was packed! I think someone said it was the second-largest class all weekend. There was one marvelous moment when the entire class audibly had their minds blown (it was the wrist-throat connection, for those who know). I heard a rumor he’ll be offering “Legs and Feet” at the upcoming Expo in February…

    Power in Simplicity (Perle Noir): Well, I planned to attend. The class was crowded and I realized I didn’t have much concentration at the moment. After the warm up and watching the choreography demonstration I left.

    Instead, Scratch and I checked out of our room, put our bags in the holding pen, and had a pleasant brunch with Jonny Porkpie, Jo Weldon, Kristina Nekyia, and some other folks that I can’t quite remember at the moment. The conversation turned to flexibility (as Porkpie showed a photo of his recreation of a vintage Hustler cover involving a bit of contortion). Kristina, a professional contortionist, mentioned that she had an instructional DVD on splits and backbends. I’ve always wanted to be able to do a split and have been unable to find a good training program, so I ordered it as soon as I got home. We shall see how that goes…

    And then back to class.

    Merkins (Lola Love): For my non-burlesque readers, a merkin is basically a g-string without the string — a little patch that covers the bits that must remain hidden. It’s unlikely that I’ll ever wear one, Boston decency laws being what they are, but I still want to know how to make one. They are really quite simple to construct. Keeping one in place is the challenge.

    Then there was a little more shopping before my last class of the weekend.

    Dances of the Roaring 20’s (Gin Minsky): So much fun! We learned the Charleston and the Black Bottom and then spent most of the class putting everything together into a choreography. Exhausting! A great way to end the convention.

    Then I wrestled my suitcase out of luggage jail, changed into travel clothes, and had a spot of bother returning said bag. But it was okay because I got to hang with Lili von Schtupp while she tried to rescue her bag out.

    Then we went out for some dinner with Scandal, Hoi Polloi, Dahlia Fatale, and a brand new burlesquer named Pepper before it was time to head to the airport.

    We had an overnight flight, so I was beyond grateful that whoever was supposed to sit between us failed to show up and I could stretch out a little and sleep. We arrived in Boston a bit earlier than scheduled and watched the sun come up as we were chauffeured back to Stately Babydoll Manor. There to be met by a large white cat who missed Scratch terribly.

    Next time, it’s all about the shopping!

    M2

    Published in: on 20 November 2013 at 12:44 pm  Leave a Comment  
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