Expo 2015: The Rhinestone Revue

Dear Constant Reader,

I know I’ve taken forever — more than a month — to give you my Expo report, but I wanted to make sure it was lavishly illustrated and the photos have just begun trickling in. So, let us begin with the first event on the first evening.

The Great Burlesque Exposition kicks off Friday night every year with the Rhinestone Revue, a gathering of special guests and Howard Award winners from years past and the current title holders.

(All photos by John Bilotti for The Great Burlesque Exposition, except the photo of Blaze by Chuck Jones)

We were very fortunately this year to have the show hosted by The Buxom Foul-Mouthed Godmother of LA Burlesque, producer of Monday Night Tease, Lili VonSchtupp, bringing us a little #vagic all the way from Hollywood. Lili was also at the very first Expo which was held the same weekend in February and also had extreme weather. And yet she came back!

Femme Brulee, Most Beautiful 2013: Appeared as a giant bath puff, wrapped in the largest pastel tulle boa I have ever seen. A costume malfunction did not deter her from finishing strong.
Scarlett Letter, Most Classic 2007, Best Solo 2010: Slithered about the stage in a serpent gown. Audiences familiar with Scarlett’s performances can’t wait for the moment when she pulls her hair pins and four feet of red hair come tumbling down. She then rushed off to prepare to stage-manage The Bordello next door.

Scandal from Bohemia, Most Humorous 2010: She usually calls this act Minnesota Strip but in honor of our epic snowfall, she renamed it Massachusetts Strip. She came out all bundled up and proceeded to get less dressed and hotter to an appropriate Jimi Hendrix song.

Lucy Buttons, Most Classic 2009: She did a Jazz Age turn as Lucy The Mooch. I was kind of distracted at this point because I knew we were going on soon and I couldn’t give the stage my full attention. Too bad for me, Lucy’s a great performer, so I know I missed out.

JZ Bich, Most Humorous 2009: I missed this one completely because we were getting ready to head backstage. I could hear that it was to “Bohemian Rhapsody”, but that’s all I can tell you…

Taradise, Burlesque Idol NYC 2014: She welcomed us to Taradise on her private island. I was pretty impressed with her light-up fans and dancing en pointe, but the highlight (no pun intended) of the act what when she rubbed up against her palm tree suggestively and it suddenly lit up! I later learned the palm tree is named Peter. Of course.

The Boston Babydolls: We had just done a fairy tale-themed show, Bumps Upon a Grind and this was the finale. The Three Blind Mice (Devora, Evie, and Stella) are just minding their own business when a clever cat (Betty) and her not-very-bright friend (me) see lunch… Choreography credit goes to Stella Diamond for this one.

Angie Pontani, Miss Exotic World 2008: A graceful statue, Angie yearns to leave her pedestal and dance. Magically she’s is transformed into a living woman. She dances with abandon until, reluctantly, she must return to her frozen state. Angie’s a mesmerizing performer and I think there were some tears in the audience when she sorrowfully became a statue again.

INTERMISSION

Kitten Natividad: Our Legendary Guest this year was Russ Meyer Girl, Kitten Natividad. She was just a delight, on-stage and off. One of her songs was “Poetry in Motion” and it couldn’t have been more appropriate. She’s so graceful and full of charisma, yet earthy too — you can’t keep your eyes off her. We have so much to learn from our Legends.

Bella Blue: I’ve heard a lot about Bella Blue, but this was my first opportunity to see her perform. She commanded that stage from the moment the lights come up. The passion of her movements matched that of the song (“El Tango de Roxane” from Moulin Rouge) and her glove peel was particularly epic.

Blaze, Most Classic: A stunning vision in red, Blaze’s lavish costume was accessorized with “The Precious”: a vintage fox fur with three tails, embellished with rhinestones and dyed the same vivid color as Blaze’s hair. And it came into her hands that way; she didn’t change a thing. Some partnerships were just meant to be.

Scarlet Starlet, Best Hybrid: She calls herself “Miss Majorette of Burlesque” and began with very traditional baton twirling (the skill that brought her the trophy last year). Very quickly the mood & music changed to something a lot funkier. yet, the baton twirling remained excellent.

Whisper De Corvo, Most Beautiful: Whisper presented the beautiful act Forget Me Not which she used to propose to her partner. Her big reveal moment came when she swept her draperies aside to show her burgeoning baby bump.

Red Velvet, Most Humorous: She romped around stage as an orange cat and really nailed those feline mannerisms. What cat could resist all those feathers! Especially her boa tail.

Nina La Voix, Best Solo: Nina may have had a classic costume with gown & boa, but her style is much more high-energy. Of course, she showed us all #whatdatbootydo with an impressive range of butt tricks.

You can see more pictures and read Jimmy Berg’s account of the event in Burlesque Beat.

Don’t forget you can help The Expo!

M2

Published in: on 24 March 2015 at 3:14 pm  Leave a Comment  
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Tomorrow!

Dear Constant Reader,

Tomorrow is our New Year’s Eve Spectacular. I have to say this has been a very rocky road, but it’s leading to a really fabulous show.  I will tell you all about it afterwards — the on-stage glory and the off-stage agonies. Because I know what you really want to hear about.

We’ve got some really amazing acts for you, including some we only bring out for very special occasions, some old favorites, and at least one that I don’t think you’ll be able to see again for a long time…

I hope I’ll see you in the audience!

M2

Published in: on 30 December 2014 at 10:07 am  Leave a Comment  
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We Shall Return

Dear Constant Reader,

I just got some exciting news from Scratch. We have the Davis Square Theatre booked for the month of October. That means…

The Wrathskellar will reopen!

It’s been two years since I last set foot in that decrepit cabaret. Two years since The Diva preened, The Countess plotted, The Martinette abused the wenches, The Broad lusted, The Innocent lost her way, and the Lost Girl lost everything. And Bücher held sway over all.

But we have a lot going on before we can return to that shadowy venue…

New Year’s Eve Spectacular! Bumps Upon a Grind! The Expo! The MalTease Falcon!

M2

Published in: on 23 December 2014 at 3:02 pm  Leave a Comment  
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Seriously?

Dear Constant Reader,

We’re presenting a fabulous show on New Year’s Eve. But you knew that.

The wonderful folks at Fernet Branca agreed to sponsor the show and Scratch blithely applied for a beer & wine license for the night. It’s not a big deal; we’ve done it for other shows, even ones in vacant buildings. Our co-producers (the guys who run the theatre) do it all the time for their shows and we were told we had the backing of the mayor’s office. Just some paperwork and formality, right?

Yesterday the City of Medford denied our beer and wine license because of the “prurient nature of the material being presented”.

So, no bar at the shows, no sponsor (and hopefully our relationship with them isn’t damaged), annoyed patrons who thought they could get a drink, financial loss, and of course, the general feeling that what we do is immoral and unworthy.

Way to support the arts, Medford.

M2

Published in: on 18 December 2014 at 10:51 am  Leave a Comment  

Los Angeles: Sunday, 11/23/14

Dear Constant Reader,

Sunday we had a date in the Fashion District. We met up with Sheila Starr Siani and her offspring, Mowgli and Mogwai, Jessabelle Thunder, and Lili VonSchtupp & Funny Eddie to explore the myriad of shops. It was utterly overwhelming and I’m glad we had some native guides.

I thought NYC had fabulous costume shopping, but LA beats it all to hell. I can’t even begin to count the number of fabric shops we visited — mostly little storefront things crammed with bolts & bolts of fabric. And there were also the trimmings stores, the rhinestone places (loose & in jewelry), and I think there was even ready-to-wear, but we didn’t get to any of those. There is no excuse to be a poorly costumed burlesque dancer in Los Angeles.

I was fairly restrained in my personal shopping, but we have a passel of backup dancers to clothe for the New Year’s Eve Spectacular. Scratch picked up so much stuff that we were concerned about getting it home. Most of it is now in the capable hands of Marion at Vixens Ahoy. Betty had requested some show-stopping fabric for a new dress and boy, did she get it. It’s not in the above photo, so you’ll just have to wait and see it in person on (and off) Betty.

That night we had another show to perform in, a stand-up comedy showcase which occasionally had burlesque. We were invited by someone who had been slated to perform at The Teaseday Club and was repaying the favor.

Let me digress for a moment and talk about payment. There’s been a *lot* of talk lately in the burlesque community about not performing for free. (Yes, there are exceptions, but for the most part, don’t give it away). Scratch pointed out that there are 2 ways to pay your performers: with cash or with love & respect. Friday night at Peepshow Menagerie we got both: a guaranteed minimum (and they did well at the door so we got more than the promised), comps, drink tickets, good communication, and overall a pleasant experience.

This gig had none of that. I knew it was a freebie and we were mostly doing it for fun. Except it wasn’t fun. There was a distinct lack of communication and stage management. In fact, there wasn’t a set list posted or any performer amenities, not even freakin’ bottles of water in the green room. However, most of the other performers were perfectly nice and as confused as we were about what was going on. Some of them were also funny on stage.

I went on early (after having my slot moved around more than once. And one of those times I learned I had been moved in the line-up was when I was waiting to go on and the host announced someone else). Scratch went on late, but we couldn’t even leave after his act because he had to leave his table full of magic equipment on stage. There was nowhere to move it to and he can’t break it down in view of the audience. So we stuck it out to the bitter end.

I did a fan dance, mostly because it’s a no-brainer for me. And I realized it was good that I didn’t need any pick up. I guess Scratch could have done it for me because the venue certainly didn’t have anyone. Before I started I had already noticed that the stage was carpeted. I could deal. Once I got on stage I realized the ceiling was only about 7 feet high. Okay, I’ll need to be careful with the overhead moves. And then I saw that the walls were mirrored. Yeah, that kind of kills the tease. Oh well. I did the best I could with what I had. The audience didn’t seem too into it until I finally revealed all at the end. However, I got a lot of compliments later and one of the comics mentioned me in his set (in a good way).

The show was interminable (I think it ran about 2 & a half hours without an intermission). Just as the last comic was finishing up her set, she wandered over to the table Scratch had left at the far side of the stage, picked up one of the pieces from his trick and flashed the gimmick at the audience. WHO DOES THAT?

Afterwards she complimented me on my act and I just said “thank you” because if I said anything else I was going to find myself with my hands around her throat, screaming “Kindergarten rules! If it’s not yours, don’t touch it!”

The only good part of the evening was that Joe K., our stage manager from the first run of Madame Burlesque, had just moved to L.A. Like, he arrived the day before, after having driven cross-country most of the month. Scratch got him comped into the show (we weren’t offered comps; Scratch just steamrollered the door girl) and afterwards we went to Mel’s Drive-In for sliders & fries & pie and to catch up.

Next up, our last day…

M2

Published in: on 3 December 2014 at 2:30 pm  Leave a Comment  
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Los Angeles: Friday 11/21/14

Dear Constant Reader,

Way too early Friday morning we headed off for Los Angeles. I won’t bore you with details of the travel. Once we finally arrived, Scratch went off to visit an old friend while I rehearsed, took a bath, and napped. Not necessarily in that order.

That night we were performing in Peepshow Menagerie‘s Spacetease: Dimensions of Time & Tease, their Dr. Who tribute show. When Scratch first told me the theme, I was stumped. You know that I’m a classic burlesque kind of gal. What on earth could I do that was appropriate? He reminded me of an old act that I’d done only once many years ago. Change the focus and a little costume revamp… Excellent.

Before we got to the venue, I had to try an In & Out Burger. Yes, for the first time. I haven’t become a total convert, but I would do that again.

Fais Do Do, the venue, is a big club with a nice dressing room. Well, I’m told it was a pit the month before and it had just been improved. I guess we got lucky on timing. It was really nice to just be able to relax and focus on the single act I was performing. We had a late start because of some technical/production issues. There was a band to open, so the burlesque portion of the show started much later than I’m used to, but it didn’t particularly bother me — I was a guest at this party.

Not long before he was to go on, Scratch unpacked his magic trick to set it up and discovered that a key component had shattered in transit, probably from the cold of the baggage hold, since everything else was fine. That was exciting. There was quite a bit of running around and some cursing. So if you had seen the act before and wondered why his lowball glass was a plastic cup, that’s why. And remember — always check your equipment well before you go on stage…

The show itself had a script tying all the acts together with several actors advancing the plot. Scratch started hosting the show and performing “Martini Time” (demonstrating the principle of “bigger on the inside”). He was interrupted in his hosting duties by the appearance of a villain, the TARDIS (yes, really, right on stage), the Third Doctor (played by Wolfgang Wolfwhistle) plus a number of companions.

I’m not going to recreate the whole story for you, but here’s a bullet point list of performers and acts (I might have things a little out of order). I’m not exquisitely well-versed in things Dr. Who, having only seen the first 3 seasons of the new show, so some of the references & characters were lost on me and I had to ask Scratch.

  • Caramel Knowledge: Madame Vastra
  • Mae Lust: an 18th-century clockwork automaton (“The Girl in the Fireplace”)
  • Mercury Troy: a Cat Nun from New Earth
  • Me: I’ll tell you about that later
  • Lemi Atom: The Souffle Girl
  • Mr. Snapper: Capt. Jack Harkness (this was one of my favorites)
  • Holly Go Darkly with tally marks all over her body (“The Silence”)
  • Georgia O’Queef: Queen of the Daleks
  • Glama Sutra: “Hello Sweetie!”
  • Gretna Grenade: The Girl Who Waited
  • Jessabelle Thunder: Cyberwoman
  • Scarlett Letter: Missy
  • My act was to “Howlin'”, a rockabilly song by The Spectres (some of whom have gone on to become The Wages of Sin). I had made a big pink circle skirt for the original act and worn it with a letter jacket. Change out the jacket, make a sequined pink top, add pink shoes, and voila, Rose Tyler in “The Idiot’s Lantern”. I am so sad I didn’t take a picture of the ensemble, since I was pretty proud of it all. You can see a rehearsal shot here. Hopefully there will be pictures from the show someday.

    One of the things I think is important about fandom-based acts (or pop culture acts or “nerdlesque”) is that it be a good act, even if you don’t know the fandom, so that was my goal here. I hope I succeeded, but I can’t tell because the majority of the audience were Dr. Who fans. And my big reveal was especially for them — let’s just say that the song is about a big Bad Wolf… But right before I got to that point, a guy in the audience yelled “I ship you, Rose Tyler!” High praise indeed.

    After it all was over and the cast had their curtain call, there was a special guest sort of tacked on at the end. She was a German burlesque performer making her L.A. debut and bring filmed for reality TV. It was a pretty standard, no surprises, glamour strip with fans and a big champagne glass. Kind of anticlimactic after all the silly fun we’d just had.

    Big thanks to Scarlett Letter and Chris Beyond for letting us play in their show and the entire cast for being so welcoming to a couple of East Coasters. It was a huge amount of fun and a great start to our little trip.

    It was very late by the time we got back to our hotel, foreshadowing the rest of our trip…

    M2

    Published in: on 1 December 2014 at 3:37 pm  Leave a Comment  
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    A Little More from the New York Burlesque Festival

    Dear Constant Reader,

    I was delighted yesterday to see that Burlesque Beat had posted some more photographs from the Thursday Night Teaser Party, taken by Olena “Photolena” Sullivan. I was particularly delighted that I was the cover girl.

    All the photos are terrific and she summed up each act in about 30 words. You really should go look at them all. However, I know, Constant Reader, that you read these letters just to hear all about ME, so here you go:


    V is for Vixen
    A beautiful woman stands in her luxurious dressing gown, teasing with peeks of skin here and there. With a change behind a dressing wall, Miss Mina Murray emerges for a stunning feather fan dance to charm even the coldest heart.
    *

    In my original missive about Thursday night at NYBF, I mentioned the Scan-A-Rama, but I failed to note that Scratch availed himself of their services. And a few weeks later a package arrived and…

    Li’l Scratch!

    M2
    *Amusing note: the original version of this act first appeared at the Boston Babydolls’ show V for Vixen, so Olena’s choice of a title is ridiculously appropriate.

    Published in: on 19 November 2014 at 12:08 pm  Leave a Comment  
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    New Year’s Eve Spectacular

    Dear Constant Reader,

    So, the Boston Babydolls are having this little show on New Year’s Eve…

    I lied. It’s not a *little* show at all. Inside snowstorm! The woman in the moon! Aerials! Rose petals! The return of The Oyster Girl! And so much more!

    We’ve got 6 burlesque performers, 5 backup dancers, 2 singers, an aerialist, and, of course, Scratch. It’s going to be simply amazing. And we’re doing 2 shows (early and late), plus a VIP after-party, to suit everyone’s NYE schedule.

    Get your tickets now for a good seat!

    M2

    Published in: on 6 November 2014 at 2:09 pm  Leave a Comment  

    Busy Babydoll

    Dear Constant Reader,

    Last week was a whirlwind of activity!

    Tuesday: After teaching the last session of “Hot Hips” at B.A.B.E., I ran to Gorelesque Idol and saw Devora and Scratch miss first place by *that* much (really — it was like 3 or 4 votes) with an act that was more Hitchcock than Saw. One of the judges said she would have liked to have seen some blood and got roundly booed by the audience. As Scratch says, we do what we do. And I’m delighted that so many members of the audience, who were clearly there for the gore, liked our creepy little Lost Girl and her puppeteer.

    Wednesday: Rehearsal as usual and the last round of auditions for backup dancers for our New Year’s Eve Spectacular. We’re thrilled to be working with some B.A.B.E. alumnae and some brand-new dancers.

    Thursday: Scratch & I headed down to NYC to perform at a HUGE party. I’m going to be coy about the client & location. I will write about it further, but for now I’ll just say it was beyond over-the-top and kind of a clusterfuck. However, it was fabulous to share a dressing room with Angie Pontani, Nina La Voix, Deanna Deadly, Vita Lightly, Nonye Brown-West, Bettina May, Di Lovely, and Legs Malone.

    Friday: Scratch kindly drove me to Brooklyn and lugged this down a narrow flight of stairs.
    It’s a wardrobe trunk with hangers on the left and drawers on the right (the bottom drawer is MIA). It’s heavy as heck, even empty. However, could you imagine loading it up with all your costumes and then having it placed in your dressing room? You could just open it up and be ready to go! And that’s how it was in the old days. And this particular trunk belonged to….

    You can see it in person at The Great Burlesque Expo!

    When we finally arrived back at Stately Babydoll Manor much later than anticipated, there was this adorable pumpkin pincushion awaiting me from my mother, who understands how important Halloween is to this household.

    Saturday: First, Betty and I went to the annual Boston Mensa gathering to teach a burlesque class. The room was packed with enthusiastic participants! It was so much fun. We had promised a G-rated, co-ed class and I was delighted to see a number of guys. None of them were shy about grabbing a boa and bumping & grinding. The conference had a lot of fascinating sessions on a wide variety of topics, but I heard that we were the talk of the weekend. I do wonder if I’m smart enough to join…

    In the evening, we played an awesome Halloween party at a fabulous apartment in the North End. (Amazing chalk drawing by our hostess). There was live music from our old friends The Waveriders and we danced a couple numbers in each set. Let’s see if I can remember…

  • Betty danced to “Pipeline” in an adorable bellhop costume
  • Evie, as a cat, danced to “Drums-A-Go-Go”
  • I dressed as a private eye and stripped to the “Peter Gunn Theme”
  • Brigitte tapped her heart out to “Sing, Sing, Sing” in a devil costume
  • I did a fan dance to “Sleepwalk”
  • Betty closed out the show by stripping out of a fantasy harem costume to “Miserlou”
  • I was so glad for that extra hour of sleep on Sunday!

    M2

    Published in: on 5 November 2014 at 1:59 pm  Leave a Comment  
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    New York Burlesque Festival, Friday

    Dear Constant Reader,

    After the excitement of Thursday, I was ready for a more relaxed Friday. After a delightful breakfast in Brooklyn, some gaping at the fabulous view (see photo), and Scratch fielding a number of business calls (I won’t complain when it’s people who want to hire us), we headed into Manhattan to meet the lovely Mimi Mischief and go shopping.

    It was mostly window shopping, but we did get some items to bling up our demon costumes. Eventually we were joined by Mimi’s very handsome swain, but too soon, it was time to return to get ready for the Friday night show. Brooklyn not being Manhattan when it comes to parking, we elected to drive, which was the right choice.

    We got to Brooklyn Bowl while the opening band was playing and it was too loud for me in the main room. Happily, Delilah and her friend had a table out front and invited us to join them where it was fractionally quieter. The food was better than expected and the smoked trout salad was a real winner (thanks for the recommendation!).

    The main room was *packed*, no great surprise. Thank goodness they were projecting everything on big screens or I wouldn’t have been able to see the performers from about the thighs down. We found a good spot was in the back, up a level where it was easy to see the stage and a couple of screens.

    Amongst the acts that stood out for me:

    • Raquel Reed: beautiful costume and a great surprise. I thought she was wearing a full-skirted coat, but it was really wings, belted.
    • Tansy: an etherial tease in a elegant gown
    • Ivory Fox: beautiful pole work
    • Evelyn Vinyl: it was a striking act with all the electronics, but that was just icing on a really good cake.
    • Sydni Deveraux: just stunning. The embodiment of The Golden Glamazon.
    • Aero Trapeze: It was Harvest Moon and a name I didn’t catch. I was awestruck. They obviously had an agreement with gravity — they wouldn’t bother it and it didn’t bother them. So much strength & grace.
    • Apathy Angel: she blew me away with her asselling. Best I’ve ever seen.
    • Trixie Minx: a very cute first song and quite the stocking remove for the second
    • Ellie Dorado: it’s pretty obvious why she’s now the Queen of New Orleans burlesque
    • Jonny Porkpie: I really liked this number. Being a Raiders fan, how could I not love the premise. And the music was a great choice.
    • Dangrrr Doll: breakin’ the rules again…

    I’m sorry we missed the Saturday & Sunday shows, but family and troupe obligations came first.

    M2

    Published in: on 7 October 2014 at 4:22 pm  Leave a Comment  
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