Dear Constant Reader,
Scratch and I were out in Seattle at BurlyCon for the past several days. And they were crazy-fun jam-packed days! I’ll do my best to recount them all, without being too tedious.
Not-yet-bright and way too early we were off to the airport. I’m an early riser, but we had to get up *way* too early… and that flight was no fun at all. It was very nice of the airline to upgrade us to exit row seats for free, but I’d rather have a seat that reclines so I could sleep instead of the extra leg room. But that’s not what you wanted to hear about.
The hotel shuttle was packed with other burlesquers and the air was filled with excitement and the potential for glitter. Once arrived, we checked in, unpacked, picked up our badges, had a burger with Lili vonSchtupp and company and generally relaxed until my first class (which was really the second class session. I skipped one. Forgive me.).
Panel Skirt Construction (Penny Starr Jr.): I was really looking forward to this one and I was not disappointed. I love panel skirts and I’m always happy to pick up costuming tips. She displayed and discussed quick & dirty versions, more luxurious skirts, bustles, drapes, &c. I always find Penny a knowledgeable and accessible teacher and she answered my biggest patterning question, so I’m totally inspired to make some new panel skirts.
Fast & Furious Silk Fans (Agent Asian): I use a single cloth fan in my Titania act and was hoping to pick up some pointers. I was a little dismayed to see a room full of students with silk veil-fans. We were told the instructor was stuck in traffic and after we moved to a bigger classroom, one of the students jumped into to start teaching about veil-fans. I was contemplating leaving, since I had the wrong equipment, when the instructor raced in. Fortunately, the class was geared more toward my style of fan, so I’m glad I waited around. After learning a few moves and combinations, we drilled a choreography (to “But I am a Good Girl”, which amused me with the fusion of styles). I think there are a few moves I can incorporate, but most valuable was just the drilling of opening and closing the fans smoothly.
After that I went to catch the last bit of Scratch’s Commedia dell’arte class. He was drilling everyone on a section of our “Temptation” choreography, using different body parts to lead. When I arrived, they were all dancing like Pantalone. Scratch told me he was awfully nervous to have Waxy Moon, Paco Fish, and Ray Gunn in his class. The students were numerous and extremely enthusiastic for a 90-minute class on a 500-year-old theatre form.
Then we dressed up for the Vintage Meet and Greet (sponsored by Atomic Cosmetics). Scratch donned a tiki shirt and I stepped out in a slinky black dress with rhinestone accents. My fabulous black heels turned out to be a poor choice for the hotel’s thin carpets-over-concrete floors, but they looked great for the short time I wore them. There was bacon jam and champagne punch and many drag queens. There had also been awakening at 4:30am East Coast Time, so I turned in relatively early.
Before I called it a night, I attended the Literati caucus, just to see what the heck that meant. It was organized by Sailor St. Claire who had sacrificed some pages from books for the cause. We would each draw a section of a page from an envelope and try to figure out which book it came from and who else had part of it. Thus organized into little groups, we chatted about books. Then we did it again.
This was the first page piece I drew:

Appropriate, no?
There will be much more to come. I have 3 more days of BurlyCon to report on, plus shopping!



Matt Donaher opened the show with a little stand-up. He’s a very funny guy and I’m glad he returned to the Teaseday Club stage.
Corinne Southern brought us a classic balloon pop act to the classic song
Sally the Altar Boy presented a beautiful glow-poi spinning act. It was one of those cases where the audience sat in an appreciative silence at the loveliness. He later told me it had been created for Zehara Nachash’s show Animus where he took the role of fireflies.
I was particularly excited to see this act. Lucie Luxe is an instructor at B.A.B.E. and this was her burlesque debut! She had a lot of friends in the audience and they were loudly approving for her first strip on stage.
Sally the Altar Boy, in honor of the day (it was Election Day), campaigned and spun poi to
Lucie Luxe returned with a chair dance. I recognized most of those moves from the chair dance course at B.A.B.E. and I was delighted to see how she put them all together.
Corinne Southern, dressed as Eve and adorned with a snake, tempted the audience in all sorts of ways before succumbing to the apple. Corinne has some mighty slinky floor moves.
Samantha Farrell, last month’s winner of The Great Teaseday Cookie, performed the entire last set with her band and a little burlesque from The Boston Babydolls.
She opened with an original song “Trouble You Need”, which she wrote in tribute to Benjamin Franklin. It’s much sexier than that sounds. Stella Diamond certainly thought so.
Yes, an actual fireplace, keeping us toasty warm. A warm dressing room is a relative rarity, unfortunately, and this was just delightful.
First up was Devora with a charming dance in which she seeks the perfect man. But what is she doing with that shovel? The fellow rolled up in the rug, by the way, is named Frank.
Then Stella sang “Touch-a Touch-a Touch Me”. It was supposed to be just a variety number (no stripping), but she convinced Scratch to let her wear her adorable Innocent dress from The Wrathskellar 2011 (bright pink, eyelet lace trim, satin sash). And then it only made sense for her to remove it. And as long as she was showing her bra, she might as well go down to pasties. The audience didn’t seem to mind.
I closed out the set with my tribute to the alleged axe-murderess of Fall River, Lizzie Borden. I was a little nervous because it involves water, and a wet, slippery stage is no fun for anyone. Scratch had provided a large plastic tablecloth and it seemed to work just fine. 
After a short break, we were back. I opened the set with my fan dace to “Jezebel”. Well, I was supposed to. iTunes chose that moment to have a hissy fit and refuse to play. Eventually Scratch & Dan the DJ beat the computer into submission and I could begin.
Then Scratch did a little trick involving a 6-inch-long metal spike, hidden under one of three cups. A successful conclusion involves 2 smashed cups and no injury. An unsuccessful one… Well, let’s just say that spike is really sharp. I can never watch when he does this one. 








