Friday Tip!

Dear Constant Reader,

Happy Friday! How about a tip?

Get permission before leaving stuff all over the stage, like glitter, water, confetti, torn-up paper, broken glass, &c.

It’s just polite to your fellow performers and producers. You certainly don’t want to be the reason burlesque is banned from a venue. Or piss someone off because your residue got all over their costume or made the stage slippery.

A good way to get permission to make your mess is to prove you’ll disrupt the show as little as possible while still returning the venue to its original state. Have a plan in advance for your clean-up. That may mean bringing a vacuum cleaner or performing on a tarp. Request to perform right before intermission, if possible, so your clean-up doesn’t slow down the show.

I practice what I preach. Or at least I try. “Lizzie Borden” uses water, so I perform it on a faux Oriental rug. Once I forgot the carpet, realized it on the way to the venue, and bought a plastic drop cloth. It should have been fine, if not as aesthetically pleasing. There was this stagehand, who I think really didn’t want to be working this show. I asked him to lay out the plastic near my water bucket and he just sort of tossed the folded-up packet randomly on stage… after my music had started. I tried to go light on the water and still do a good act, but I was cringing every time a splash hit the stage. I felt terrible, especially when the hosts ran out with paper towels afterwards.

M2

Published in: on 23 August 2013 at 12:35 pm  Leave a Comment  
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The Most Wonderful Time of the Year

Dear Constant Reader,

It may still be summer out there, but in Babydoll-land it’s already autumn. We’ve begun working on The Wrathskellar for this year. For those of you expecting of dark cabaret with its tale of ambition, betrayal, and murder, you’ll be surprised.

This year we are unveiling W. R. Athskellar’s Cavalcade of Curiosities, but you can still call it The Wrathskellar. It’s our most ambitious version yet, combining all of the best elements of past shows: live music, a purpose-built theatre space, a plot, an immersive and interactive experience for the audience, and, of course, burlesque.

We have a lot to do in a very short time. All the acts are brand new and need new choreographies, costumes, props, and set pieces. All the songs are being arranged by our wonderful musical director. I’ll keep you posted as best I can, but it’s going to be a busy month.

For your viewing pleasure, I’ll share few photos from our Kick-off Party, courtesy of John Bilotti. Click right here. (Bonus: how many Babydolls can you spot wearing dresses from Trashy Diva?)

M2

Published in: on 22 August 2013 at 12:26 pm  Leave a Comment  
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Vintage Chinese Food, Part 2

Dear Constant Reader,

Yesterday I wrote about making Cashew Chicken from a cookbook published by nuns in the mid-50’s. Today’s recipe is Asparagus Peking Style.

In this case I made the recipe almost exactly as writ, with one big exception. It called for a can of asparagus and I just can’t do that, even in the spirit of tasting history. I had to use fresh asparagus. Sorry to all those purists out there.


Asparagus, sherry*, soy sauce, corn starch, chicken broth, and oil. I remembered to put the oil in this picture!

Since the recipe called for canned asparagus and I was using fresh, I had to do a little prep work before I could get started. I snapped the tough ends of the asparagus (it’s fun!) and blanched them. Some people advocate blanching the asparagus standing up, but I think that takes way too much time and water. I like to throw them in a little boiling water in a big skillet, presumably the same one they’re going to get cooked in later, to save on dish washing. After a few minutes the asparagus turns bright green and is tender. Don’t let it overcook. Drain the asparagus and run some cold water over it to stop the cooking process.

Then mix up the oil, broth, some water, sherry, soy sauce, and cornstarch in the pan and bring to a boil. When it’s bubbling away, toss in the asparagus and cook until it’s hot. The sauce will be really thick, bordering on gloppy. Serve.

That’s it!

And here’s the recipe with measurements and stuff.

Asparagus Peking Style (Lung Hsu Ts’ai)
2 Tablespoons oil
1/4 cup chicken broth
1/4 cup water
1 tablespoon sherry
2 Tablespoons soy sauce
1 Tablespoon cornstarch
1 lb. asparagus

Prepare asparagus by snapping off tough lower stems. Blanch the asparagus in boiling water for a few minutes until the stems are bright green and tender. Drain asparagus and set aside. This can be done in advance. Or you could just use canned asparagus, like the original recipe.

Heat pan and add all ingredients except asparagus. Bring to a boil, stirring constantly.

Add asparagus and heat through.

Serves about 4.

And here’s the whole meal: Cashew Chicken, Asparagus Peking Style, and brown rice. This picture doesn’t show the beauty of my zebrawood chopsticks**.

M2

*In the last missive I decided not to use cream sherry because it was so sweet and instead used rice wine vinegar. A few minutes later I changed my mind, thinking that it was likely that cream sherry was the sort that your average 1950’s housewife had on hand and that was the target audience for this cookbook.

**I need a food stylist. And a better camera.

Published in: on 20 August 2013 at 9:31 am  Leave a Comment  
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Vintage Chinese Food

Dear Constant Reader,

The other day I indulged in some vintage Chinese food. That’s not “vintage” as in “hmm… how long as this white box been in the back of the fridge?”, but as from a vintage cookbook.

The Art of Chinese Cooking, The Benedictine Sisters of Peking (1956)

The backstory to this cookbook is as good as the recipes. It was written by two nuns who were in China when the Japanese invaded. After Pearl Harbor, they were sent to a civilian internment camp. When the War ended, they went back to being missionaries, but the Communists kept pushing them out of various cities until they ended up in Taiwan (then called Formosa). The American Consul thought they might be in danger there and sent them off to a safe place. Ironically, that was Tokyo. Needing an income, they opened a school where they taught Chinese cooking.

Their book is illustrated with the cutest line drawings of dancing dumplings and opium-smoking ducks. Yes, there are some utterly stereotypical “Oriental” caricatures, but do keep in mind when it was published. It’s also a product of its times in the use of canned foods which we can easily get fresh these days.

There are a whole lot of recipes I’m planning to try someday, quite a change from many of my midcentury cookbooks, where the recipes are more “interesting” than delicious. I’m really intrigued by Loquat Chicken and someday I’ll have to visit my parents when their loquat tree is fruiting and try it out.

I made Cashew Chicken, a favorite. I’ve modified the recipe a bit from the original, mostly in terms of proportions (i.e. heavier on the vegetables, lighter on the meat), but a little regarding the ingredients.


The ingredients: bamboo shoots, water chestnuts, raw cashews, rice wine vinegar, soy sauce, salt, cornstarch, celery, chicken breast, sugar, chicken broth, onion. There was also oil, which I completely forgot to put in this still-life.

Combine soy sauce, salt, sugar, cornstarch, and vinegar* in a bowl. Chop the chicken into small cubes and add to the bowl. Set aside. Not the most attractive photo, but raw chicken isn’t exactly glamorous.

Chop up bamboo shoots, water chestnuts, celery, and onion. The most important thing when making Chinese food is to cut up everything first, because you won’t have time once you start cooking. Also, everything should be about the same size so it all cooks evenly.

Heat up some oil** and add the veggies. Stirfry them until they’re softened (not mushy — you’ll be cooking them more later) and the onion is just little bit brown. You want to use a big pan and high heat. Scoop the cooked veggies out of the pan.

In the oil remaining in the pan (add some if necessary), brown the cashews. This is why I specified raw ones. Keep an eye on them, so they don’t burn. Once they’re toasty, remove them from the pan. The original recipe is for walnut chicken (with a substitution of blanched almonds), but walnuts are my least favorite nut. The original also calls for deep frying the nuts. I though that was excessive. But feel free to make it that way if you like.

Add more oil to the pan and add the chicken. Be careful; it will spit! Cook the chicken until it’s browned. Then add some chicken broth or stock. When that heats up, add the vegetables and nuts and cook it all until it’s hot.

Serve with rice.

The recipe proper:

Mina’s Cashew Chicken, Benedictine-style
1 boneless skinless chicken breast (about 8 oz.)
1/4 teaspoon salt
1 Tablespoon cornstarch
1 1/2 Tablespoons soy sauce
1 Tablespoon rice wine vinegar
1/2 teaspoon sugar

1 can (8 oz.) water chestnuts
1 can (8 oz.) bamboo shoots
3 ribs celery
1/2 large onion
Approx. 5 Tablepsoons oil
1 cup raw cashews
1/4 cup chicken broth

Combine salt, cornstarch, soy sauce, vinegar, and sugar in a medium bowl. Cut the chicken into 1 inch cubes. Add the chicken to the sauce. Set aside.

Chop water chestnuts, bamboo shoots, celery, and onion into small pieces.

Heat 2 Tablespoons oil in a large pan over high heat. When it’s hot, add the vegetable and stirfry until soft and slightly browned. Remove vegetables from pan and set aside.

If necessary, add 1 Tablespoon oil to pan. Heat and add cashews. Cook until browned. Remove and set aside.

Add 2 Tablespoons of oil to the pan and heat. Carefully add the chicken to the hot pan. The liquid will make it spit, so be careful. Brown the chicken. Lower the heat and add the chicken broth. Once the broth simmering, add the vegetables and nuts.

Cook all until it’s hot. Serve with rice. Makes about 4 servings.

You can easily double the amount of chicken, just remember to double the sauce ingredients too. Everything else stays about the same.

Tomorrow I’ll share the second dish I made, Asparagus Peking Style.

M2

*The original recipe calls for sherry. We have cream sherry (very sweet) and I’m sure back in China it was made with rice wine, which has a sharper flavor. So I used rice wine vinegar. The reason I forgot to put the oil in the picture was because I was furiously debating the virtues of sherry vs. vinegar, decided, grabbed the bottle from the pantry, and left the oil sitting forlornly there next to the abandoned sherry.

**This should be a neutral oil that can get quite hot, like vegetable oil. Peanut oil is good for cooking Chinese food. I used grapeseed oil. Which you’d know if I had remembered to put it in the picture.

Published in: on 19 August 2013 at 12:04 pm  Leave a Comment  
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Friday Tip!

Dear Constant Reader,

I just realized that last Friday was a momentous occasion — the 100th Friday Tip!

Here’s the start of the second century…

Rehearse with your costume as soon as possible.

Burlesque is *so* costume-dependent. Your choreography may have to change because of your costume or vice versa. It might turn out to be completely impossible to unzip your dress in the time you allotted when you first created the dance.

“Air clothing” comes off so much more easily and smoothly than the real thing. If your costume isn’t ready for rehearsal, it’s better to use a substitute garment that’s going to behave similarly (“stunt clothing”, we call it) than pantomime.

And rehearse with as much of the costume as you can. If the sequins on your skirt keep getting caught on your fishnets, you’ll have time to make adjustments, instead of finding out there’s a problem when you’re on stage.

M2

Published in: on 16 August 2013 at 10:06 am  Leave a Comment  
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The Teaseday Club 8/13/13

Dear Constant Reader,

The Teaseday Club opened again this past Tuesday, again not hosted by John J King (trust me, this gets funnier the more months you attend). Instead, it fell to our own Mr. Scratch to keep things moving along. Honestly, I think even if, by some miracle, John were available, Scratch would have taken this month as it marked Evie Sphinx’s last performance (only for a while, we hope) as she goes off to complete her degree.

I was in the audience this month, with a video camera, so perhaps in the future I can share a little of the fun.

(All photos from Mystic River Studios by Rich Jarvis Photography)

Set 1
Delilah Spring of The Tasty Pasties opened up the show with her fan dance to “The Mooche”. Delilah was one of my fan dance students last year and I think it shows in her performance. At least to me. I could recognize the moves I taught her and the ones she picked up from watching me.
 
 

Anthony Scibelli provided us with a stand-up comedy set. He’s a very funny guy: just Google his name + “snozzberries”.
 
 
 
 
 
 
 
Devora Darling performed a number from A (Re)Movable Feast which we call “Cupcakes”. It has many of her favorite things: a pink frilly costume, dancing en pointe, and a bra covered with soft-sculpture petit-fours. I know, I know that gives away the punchline, but she’s so fond of it. I think she’d wear that bra all the time if she could get away with it.

Stella Diamond sang “Paper Moon”, as she does in The Fine Art of Burlesque (last performances this weekend in New Hampshire and Maine). The lovely vintage gloves were a find from our trip to Cleveland, purchased from Miss Holly Hock at the Ohio Burlesque Festival. Stella got big cheers during the dance break in the middle of the song even though she didn’t take a thing off.
 

Set 2
Dagny Vanderlust of The Tasty Pasties performed “Bad Things“. I love this number because I saw it grow from an idea to a stage-worthy act in B.A.B.E.’s “Burlesque Your Way” class. I think Dagny tried out at least 4 different pairs of shoes over the life of this routine, from rhinestoned stilettos through bare feet to character shoes, before deciding on the cowboy boots. By the way, her final reveal is awesome and it’s *after* her bra comes off.

Krupp and Bubbles began with a little slight of hand from Krupp and ended with a little demonstration of the art of misdirection from Bubbles.
 
 
 
 
 
 

Evie Sphinx danced to the song Amor Fati from the new album, Softly Swooning World by Samantha Farrell, who was in the audience. Although the act was brand-new, observant fans might have noticed that she was wearing most of her “Smiling Undertaker” costume from The Wrathskellar 2012. A whole bunch of Evie’s Introduction to Burlesque students came to the show and provided her a personal cheering section.

Then some more comedy from Anthony Scibelli. He’s a writer at Cracked.com (one of my favorite time wasters) and you should check out his stuff.

Stella Diamond looked like a good girl, but as the song “Whatever Lola Wants” began playing, she gradually shed her inhibitions along with her clothing. I’m not sure which Stella enjoys more, the silly hat she wears or that the naughty magazine that gets her going is gay porn bought at a discount (it was ladies’ day at the sex shop).
 
 
 

Set 3
Amber BuTane of The Tasty Pasties teased all the “Momma’s Boys” in the audience with her amusing strip, which included twirling fake saggy boobs. And Amber’s actual mom was there to see her daughter in all her glory. Mother BuTane both did Amber’s hair *and* captured Mr. Scratch’s heart.
 
 

Krupp and Bubbles did a little mind reading. They had the audience toss a deck of cards randomly around and whoever caught it would flip through and pick a card, then toss it to someone else. Some of those tosses were more like pitches and many of the catches were fumbles. It was a little worrying… But there were no injuries, at least no major ones. Six people were brought up on stage and six cards were correctly named, although two of them required a little special attention.

Delilah Spring of The Tasty Pasties returned with a second fan dance plus a little striptease to “My Man”. Some of the Boston Babydolls (names withheld to protect the childish) have an awfully juvenile sense of humor. During rehearsal before the show, Kendra the Sound Gal called out from the booth “Delilah, do you want to do my man?” and there was some snickering from a particular corner.

Devora Darling, Evie Sphinx, and Stella Diamond in “A Harlequin Romance”. This act was created for Unlucky in Love (and was the only number in that show to use recorded music). They performed it again at The Expo 2012 to such acclaim that The Shanghai Pearl wanted to award them her trophy (but it has to go to one of the acts in competition). I was so happy to see it one more time. It’s a lovely blend of commedia dell’arte (from Scratch), ballet (from Evie and Devora), striptease, and classic comedy (a la Sid Ceasar and Nanette Fabray). They got a standing ovation.

The next meeting of The Teaseday Club will be September 10th. See you there!

M2

Published in: on 15 August 2013 at 9:55 am  Leave a Comment  
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Review: Crazy Horse

Dear Constant Reader,

Crazy Horse, directed by Fredrick Wiseman (2011).

The good people at Zipporah Films sent me a copy of Crazy Horse to review. When I started watching the movie, I knew of the Crazy Horse in Paris, although I’ve never been.* Beyond that, I went into it a tabula rasa.

Unlike your average documentary, there are no voice overs, no captions, and no focal point. The camera roves around the Crazy Horse while a new show, Desir, is in creation. It’s almost entirely in French, with subtitles, so I found I had to pay close attention or I’d get totally lost**. We jump between rehearsals, performances, back stage, and conversations. There are too many establishing shots of Paris and the camera frequently lingers on stage lights changing colors. Honestly, I found it tedious — 2 plus hours was a bit much.

After watching it, I learned that Fredrick Wiseman is famed for his fly-on-the-wall style of film making***.

Also, I learned that I am a philistine, because all the critics absolutely raved about this film and its brilliance.

What did I like? The performance footage. It was quite inspiring. Many of the acts involved fabulous lighting effects, either silhouettes or colored images projected on the dancers. And It’s nice to see that a big-budget show has some of the same problems as our little shoe-string productions.

After a while I did get used to the fact the film had no overt adgenda, like many documentaries, but just sort of drifted around. Eventually I figured out most of what was going on, but I’m still not sure who some of the people were or their roles in the show.

M2

* I have been to the Moulin Rouge, but that’s neither here nor there.
** My French is okay, but not good enough to only listen and still follow along.
** Sometimes called it “observational cinema” or “cinéma vérité”, but apparently he dislikes those terms.

Published in: on 14 August 2013 at 11:35 am  Leave a Comment  
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Last Ohio Burlesque Festival Note

Dear Constant Reader,

I realized I talked a lot about our new costumes for the act we brought to The Ohio Burlesque Festival and only teased you about showing pictures someday. That day is now.

Thanks to Eric Paul Owens for taking these shots.
Ohio Burlesque Festival 2013 - EPO
The opening. The camera has caught me just as I’ve turned (see how my skirt is still swirling) and am in the process of getting into the same pose as the other 3. The round things we’re holding which are covered in a curly fake fur are the “poodle paddles”. Similarly, we’re wearing “poodle hats”.

Ohio Burlesque Festival 2013 5 - EPO
And here you can see the black & white/white & black bras on Stella and Devora. In another few seconds, you would have seen that Betty and I had the same configuration.

We’re planning to do the act again at “Boston Loves Dixie!” on the 31st, so you can see us in all our black & white, poodle glory!

M2

Published in: on 13 August 2013 at 11:54 am  Leave a Comment  
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Ohio Burlesque Festival: Sunday, August 4

Dear Constant Reader,

Not too much to report on the drive back from Cleveland to Boston. About 11 hours from the hotel to Stella’s place.

However, one of the things I love about these road trips is seeing places I otherwise never would have. When we left Howe Caverns on Thursday (which feels like a lifetime ago) Dr. Nightmare (that would be the GPS) took us along a secondary, scenic route, instead of taking us back to the highway the way we’d come. We saw some beautiful scenery and lovely old houses which we would have otherwise missed.

Similarly, on Sunday’s drive, Scratch had the brilliant idea of stopping in Buffalo for lunch. We drove through the city, which I have frequently passed, but never seen. It’s a fascinating mix of gleaming new glass & steel buildings and abandoned industrial sites. We decided it looked like Gotham City.

Having lunch there was a great idea. We had. . .
Buffalo wings
Buffalo wings!

We went to Frank and Teressa’s Anchor Bar, the birthplace of the Buffalo wing. And the wings were terrific: fried crispy, but still juicy, nicely coated in sauce, but not soggy with it. We got the “medium” sauce, which had enough heat that you knew you were eating Buffalo wings, without being painful.


And here we are with the menu for proof!

That’s all the excitement for now, Constant Reader. The Boston Babydolls have 2 more stops with The Fine Art of Burlesque, Portsmouth, NH this Friday and Denmark, ME this Saturday. I’m not in this version of the show, so I’ve asked the other ladies to report back.

You can catch me next in Boston Loves Dixie, a celebration of the life of Burlesque Legend Dixie Evans on August 31st. And don’t forget that tomorrow is Teaseday! Come to The Teaseday Club and see Evie Sphinx’s last performance before she moves out of state!

M2

Published in: on 12 August 2013 at 2:07 pm  Leave a Comment  
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Friday Tip: In Memoriam

Dear Constant Reader,

This is a special Friday Tip, laden with sorrow.

Always remember those who came before.

Saturday night at the Ohio Burlesque Festival, shortly before the headliners started, Scratch came over to me and said simply, “Dixie died.”

Dixie Evans, The Marilyn Monroe of Burlesque, was the godmother of modern burlesque. She took dreams of a burlesque museum and made them reality. She created the Miss Exotic World pageant. In some way or another every current burlesque performer can trace their heritage back to Dixie and her work to keep burlesque alive. At the end of this month, performers around the world planned classes and shows to celebrate her 87th birthday and raise money for her care.

While I stood there, stunned and sad, Bella Sin began talking to Scratch. I knew what she was asking. It was a heavy request, but we all knew he was the right person.

When the show was over, and the stage was filled with energized performers having just taken their final curtain call, Scratch took the stage to announce our loss.

He spoke eloquently about Dixie’s life and legacy. About her importance to the burlesque world and her connection to all of us. And then he began to choke up: “I think you know where I’m going with this. (Fuck!) Dixie died this afternoon.” It was that muffled profanity that made me begin to weep again — seeing our silver-tongued Scratch, usually never at a loss for words, being almost unable to speak.

It breaks my heart that I can’t share his moving, extemporaneous speech with you. I was too overcome with emotion to even think of taking a crummy cellphone video. And the videographer had stopped filming. You just had to have been there.

He ended by asking everyone to light a candle, raise a glass, whatever was meaningful to you, to celebrate the life of this great Legend. And she was sent off with thunderous applause.

Every time we lose a Legend the connection to our past and our history becomes ever more tenuous. Always remember them and what they did to make what we do possible. We stand on the shoulders of giants.

April March, The First Lady of Burlesque; Dixie Evans, The Marilyn Monroe of Burlesque; Lily Ann Rose, Banned in Boston

Sorrowfully,
M2

Published in: on 9 August 2013 at 10:30 am  Comments (1)  
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