Friday Tip

Dear Constant Reader,

Happy Friday! Today’s tip continues the series on dressing room and backstage etiquette:

Respect other’s backstage rituals.

People prepare for the stage differently. Some are social and chatty. Some are quiet and meditative. Some listen to their music. Some stretch. Some work on costuming or other handwork. Some need to keep moving. Whatever you need to do to get ready for your performance is fine, as long as it doesn’t encroach on someone else’s needs.

So, wear your headphones. Keep the conversation to a moderate level. Find some space out of the way. Explain your needs in a clear and polite way. Everyone should be able to get their energy up and focused in their own way so you all can have the best show possible.

M2Like this tip? There are lots more in Miss Mina Murray’s Little Book of Better Burlesque.

These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 7 July 2017 at 2:39 pm  Leave a Comment  
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Big Props: The Picture Frame

Dear Constant Reader,

Continuing in my big prop series, The Picture Frame was built for the same show as The Paintbrushes, The Fine Art of Burlesque. We used it as both a back drop for the whole show and as a silhouette screen for my number “An Invitation”.

The base of the frame is sturdy metal pieces that bolt together. They are concealed behind decorative molding, painted with a metallic finish. The two frames are held together with tiny bolts, which allow the metal to slide under the molding to make corners that are neat and securely-attached. The whole thing is supported with wooden feet and braces, painted black for unobtrusiveness. The scrim is made from a king bedsheet and is held in place with Velcro. That was a bit fussy (I was the one who sewed it), but after I added some subtle clues as to which side was up, it became much easier to attach correctly.

Brigitte got this backstage shot of the setup (I’ve since gotten a better backlight):
Frame scrim 2013-06-22

Once broken down, the frame packs into The Big Red Box along with the paint brushes and would ride on the roof thusly:
babydollmobile

In The Big Time Pearl used the frame without the scrim to portray a dancer in the vein of Degas, who steps out of her picture and into the real world for a while.

Pros: packs down fairly small, albeit long. Versatile — I can think of a few neat effects we can do with the scrim that we haven’t tried yet.
Cons: a bit complicated to put together if you don’t know what you’re doing.

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 5 July 2017 at 3:33 pm  Leave a Comment  
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Friday Tip

Dear Constant Reader,

Happy Friday! A happy Independence Day weekend for my US readers! I’m continuing with tips on how to be the sort of person with whom people love to share a dressing room. Here’s the latest:

If you’re going to use hairspray, loose glitter, spray-on stockings, &c, ask permission of the other inhabitants of the dressing room.

If your dressing roommates are okay with it, spray or dust yourself pointing away from people, costumes, and food. If someone has an issue, check if there’s some other place you can take care of this part of your beauty ritual.

M2Like this tip? There are lots more in Miss Mina Murray’s Little Book of Better Burlesque.

These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 30 June 2017 at 12:22 pm  Leave a Comment  
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Big Props: Evie’s Oyster

Dear Constant Reader,

I’d like to return to the theme of big props. I haven’t covered all the big props in the BeauTease collection, before I even get to the props we built for The Big Time. This is one of my favorites, because it looks great and the construction is so clever: Evie’s Oyster

Evie was our Oyster Girl for Madame Burlesque, so obviously she needed an oyster. We were touring with this show, so the oyster need to break down for transport, but it had to be large enough that Evie could fit inside with a minimum of contortion (she’s pretty bendy, but still…) Also, it needed to be light enough that the two sea nymphs who danced with Evie could carry it onto stage with her inside.

And this is how it appeared:

It’s very cleverly made from two papasan chairs. Betty sacrificed one for the cause and I think the other was a Craig’s List find. The two seats and one base were covered in fabric and decorated with “seaweed” and pearls, then securely fastened together with zip ties. We tried some other methods of attachment, but those proved the best, even though we had to cut them off after every show.

And when the oyster opened:

There’s Evie!

Behind Evie’s arms, you can just see the two golden cords inside that keep the lid from falling back when the oyster is open. What you can’t see is the wooden platform Scratch built for Evie to sit on, so she could just step out instead of clambering up.

Her pearl was made from a battery-powered accent lamp, so it gently glowed.

The only real problems I remember having with the oyster was a venue with a stage entrance that was so narrow the oyster had to be carried through sideways and Evie had to hop inside once it was positioned on stage and another one where the tiny backstage area had no room for it at all. For the most part it’s a good example of “packs (relatively) small, plays big”.

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 27 June 2017 at 2:56 pm  Leave a Comment  
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Friday Tip

Dear Constant Reader,

Happy Friday! Here’s your tip:

Keep your dressing room footprint small.

Most dressing rooms are not large or lavishly appointed (oh, I could tell you dressing room horror stories) and a lot of people need to use them. You don’t want to take up more than your fair share of space.

Keep your stuff (make up, costume, hair tools, &c.) compact and under control, rather than sprawling all over. Not only does it make you a more pleasant person with whom to share a dressing room, it keeps your things from getting lost, damaged, or accidentally appropriated. Also, you’re ready to leave more quickly at the end of the night, if you re-pack as you go.

If there’s somewhere else you can hang out if you’re not actively getting ready, you should leave the dressing room for those who currently need it. If not, be as out of the way as possible, especially keeping clear of those performers who are going to come racing in for a fast change. If you’re one of those, warn everyone in advance. Not only will people stay out of your way, you’ll probably even get some offers of help.

M2Like this tip? There are lots more in Miss Mina Murray’s Little Book of Better Burlesque.

These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 23 June 2017 at 2:26 pm  Leave a Comment  
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In the Kitchen: Asparagus Forced in French Rolls (1790)

Dear Constant Reader,

It’s been a while since I did any really historic cooking. This late 18th century recipe for asparagus bits in a savory custard sauce served inside a hollowed-out loaf of bread makes a delightful light supper or, as recommended, a side dish.

From The Housekeeper’s Instructor by William Augustus Henderson (1790)
Asparagus forced in French Rolls.
Cut a piece out of the crust of the tops of three French rolls, and take out the crumb; but be careful that the crusts fit again in the places from whence they were taken. Fry the rolls brown in fresh butter: then take a pint of cream, the yolks of eggs beat fine, and a little salt and nutmeg. Stir them well together over a slow fire till it begins to be thick. Have ready an hundred of small grass boiled, and save tops enough to stick the rolls with. Cut the rest of the tops small, put them into the cream, and fill the loaves with them. Before you fry the rolls, make holes thick in the top crusts to stick the grass in. Then lay on the pieces of crust, and stick the grass in, which will make it look as if it were growing. This makes a very handsome side-dish at a second course.

The original recipe makes three loaves, but I cut it down to one, as is my wont.

“Forced” (sometimes spelled “farced”) means stuffed.

Asparagus was well known in the classical world, where it was called “asparagus” by the Romans. The Emperor Augustus is reported to have said “celerius quam asparagi cocuntur” (“quicker than cooking asparagus”) to describe something done very fast. The vegetable didn’t become popular in northern Europe until the 16th century. The English, because they’re like that, mutated the perfectly good Latin name into “sparrow grass” or just plain “grass”, as did our author above.


I start with a small loaf of French bread (you don’t want to use a baguette for this — it’s too long and skinny) and cut a big rectangle out of the top crust. Be careful not to break it when removing (done that). Carefully scoop out all the bread inside without cutting through the crust. I just pull it out with my fingers and maybe use a spoon for the last bits. I save the innards for something that needs bread crumbs. Poke a bunch of holes in the top crust. They should be just big enough to hold an asparagus stalk.

Then melt some butter in a skillet and fry the bread until it is toasted. There’s no butter in the above photo because I forgot it in the fridge. The lid is easy to fry, but the loaf is a bit awkward. I like to brush the interior of the loaf with some of the melted butter.

Cook asparagus until it’s just tender. This doesn’t take long (see the Latin quote above) If you don’t have your favorite method, you can see how I cook them here. Cut the cooked asparagus into small pieces. I think I usually cut them about an inch long. Reserve as many asparagus tips as holes poked in the bread lid.

Warm some cream in a small saucepan. I was using light cream, but you can use heavy cream for a creamier custard. I don’t like whipping cream because it has thickeners added to it. Beat an egg yolk in a small bowl. When the cream gets hot, temper the egg yolk by added a little cream to the egg, beating the whole while. Add the egg/cream mixture back into the cream. Season with salt and grated nutmeg (also missing in the picture — where was my head?).

Cook custard over low heat until it thickens a bit. Add the asparagus bits to the saucepan and remove from heat. You don’t want the asparagus to cook more, just warm up a touch.

Spoon the asparagus-custard mixture into the loaf. Take the reserved tips and stick them into the holes you poked in the lid. Put the lid on the loaf. Voila! It looks like a little grassy hill. Adorable!

I end up cutting this into very messy, but delicious, slices, because the custard oozes out as soon as the structural integrity of the loaf is breached. I suppose one could treat it like a bread bowl, where the loaf is primarily a serving vessel, but I like the combination of bread, custard, and asparagus in each bite.

Asparagus Forced in a French Roll
1 small loaf of French bread (should be crusty, but not a baguette)
Butter
5 oz. cream
1 egg yolk, beaten
1 bunch asparagus (about 30 skinny stalks)
Salt to taste
Nutmeg to taste

Cut out a lid from the top crust of the loaf. Carefully scoop out all the bread inside without damaging the crust. Cut several holes in the lid.

Melt a little butter in a skillet, about a tablespoon or so, and fry the bread until it is toasted.

Cook asparagus until tender. Cut the cooked asparagus into small pieces. Reserve as many asparagus tips as holes poked in the bread lid.

Warm cream in a small saucepan. Temper egg yolk and add to cream. Season with salt and freshly grated nutmeg. Cook over low heat until sauce thickens. Add the asparagus bits to the mixture and remove from heat.

Spoon the asparagus-custard mixture into the loaf. Take the reserved tips and stick them into the holes cut in the lid. Replace the lid on the loaf. Serve.

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 21 June 2017 at 1:46 pm  Leave a Comment  
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Friday Tip

Dear Constant Reader,

It’s Friday again and time for your tip again!

If you need to cut fabric in straight lines, a rotary cutter is your best friend.

If you need a lot of strips of fabric, like for can-can ruffles, corset binding, or quilts, a rotary cutter is the way to go. It’s fast, easy, and accurate. you will also need a special cutting mat and acrylic ruler, but the investment pays off in saved time. Use the lines on the mat to line up your fabric. Set the ruler as a straight edge and run the cutter along side it. Before you know it, you’ll have heaps of fabric strips (or squares or triangles). Just be careful — those cutters are sharp — and close the safety cover when you’re not actively cutting. And replace the blade (it’s easy) when it starts getting dull.

M2Like this tip? There are lots more in Miss Mina Murray’s Little Book of Better Burlesque.

These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 16 June 2017 at 2:10 pm  Leave a Comment  
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And the Winner is…

Dear Constant Reader,

Thank you all for reading my review of Exotic World and The Burlesque Revival. Big thanks to those of you who shared your favorite burlesque Legends, living, departed, and fictional. I enjoyed reading your comments.

By random selection, the winner of the DVD is Caramel Knowledge! I hope you enjoy it!

Also, Red Tremmel, the documentary’s creator pointed out that one can rent or buy the film streaming right here. And you should!

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 14 June 2017 at 3:36 pm  Leave a Comment  
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Friday Tip

Dear Constant Reader,

Happy Friday! Before I get to your tip, a couple of reminders and announcements.

First, I’m giving away a copy of Exotic World and the Burlesque Revival, just go to my review and leave a comment telling me who your favorite legend of burlesque is and why. I’ll pick a winner at random on Wednesday morning.

Second, applications to the first ever Mini BurlExpo close on Saturday! It’s going to be a fun and relaxed weekend. Join us in July!

And now, your tip:

Create info sheets for each of your acts.

It will make your life so much easier when submitting to festivals or working with a producer. I keep these files handy on my computer and then cut & paste the necessary information as needed. For each act I have the name, a link to the video, the song title, artist and length, a basic introduction, a short description, set up and clean up, lighting and sound notes, and anything else important.

I also have another sheet with my performer bio in various common lengths (50 words, 500 characters, 200 words, &c.). If you’re really organized, also have an mp3 of each song and promo photos in the same folder with the act info and the bio. Everything you need in one place!

M2Like this tip? There are lots more in Miss Mina Murray’s Little Book of Better Burlesque.

These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Published in: on 9 June 2017 at 1:44 pm  Leave a Comment  
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Review: Exotic World & the Burlesque Revival

Dear Constant Reader,

While the rest of the burlesque world was in Las Vegas at the Burlesque Hall of Fame Weekend, I stayed home and watched this documentary. It’s become an annual ritual for me.

Exotic World and the Burlesque Revival by Red Tremmel (2012)

Quick explanation for my non-burlesque readers: Exotic World was founded by Jennie Lee, The Bazoom Girl, as a burlesque museum and retirement home for former strippers. The museum was originally a goat farm in the Mojave Desert and as you might imagine, it was not over-run with visitors. After Jennie Lee’s death, Dixie Evans (The Marilyn Monroe of Burlesque) took over the place and then created the Miss Exotic World pageant to bring more people in.

The film chronicles Exotic World’s struggle to stay afloat and its rise as a place of pilgrimage for neo-burlesque performers. It’s full of interviews with Legends, more precious now that some of them have since left us, and with some of the pioneers of the burlesque revival. The documentary was shot over the course of several years, so you see the how the pageant grows, but also how the museum decays. It ends as Exotic World is packed up for the move to Las Vegas and the gates are closed.

It’s always a bittersweet experience watching it. The clips of the pageant are a delight to watch. There’s so much energy and excitement amongst the performers. It’s marvelous to watch the early days of some icons of the modern burlesque scene, like Dirty Martini and Kitten De Ville. Then there are the scenes in the museum itself. The newer performers treat it with reverence and awe. The Legends are more nostalgic: these were their friends, their youth, a lost past.

It’s hard seeing this amazing collection in the crumbling surroundings. There was something wonderful about this gem in the desert, but it was also delapidated, leaking, and insect-infested. Dixie tried her best, but there’s only so much that can be done on volunteers and hope. It did my museum-trained heart good to see the collection being packed up in acid-free tissue by white-gloved workers, even as I got weepy seeing the end of an era. Someday those treasures will see the light of day again.

Occasionally in watching the documentary I would pull back and try to watch it as someone from outside our Glitter Tribe and think “who are these half-naked freaks in the desert?” But for the most part the love from the young performers and the filmmakers comes through.

Exotic World is an important part of our history and we can never again visit that old goat farm in Helendale (I missed it by a year). The film immortalizes the words of Legends now gone (including our beloved Dixie) and the leaders of our current revival. A taste of what Exotic World once was is preserved. It is so, so important that all modern burlesquers see this documentary.

To that end, I’m going to give away a copy of the documentary. Just leave a comment here naming your favorite Legend of burlesque (living or not) and a short explanation of why. You can leave a comment here (not on Facebook or any of the other places I post this link) up until 9AM on June 14, I’ll pick a commenter at random and the DVD is yours!

M2These writings and other creative projects are supported by my Patrons. Thank you so much! To become a Patron, go to my Patreon page.

Update: The above site appears to be gone. You can still watch the movie through Amazon here

Published in: on 7 June 2017 at 2:32 pm  Comments (5)  
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