First Steps

Dear Constant Reader,

Please vote for The Boston Babydolls as “Best Theatre Group” on The Boston A-List. You only have to vote once!


I have begun the Fit & Flair dress with my least favorite part: cutting. It wasn’t too terrible. The cotton fabric is quite crisp, even after washing, so it stayed put. Fabric that slithers makes me crazy.

I had to be a little clever in my lay-out. The material is supposed to be folded across the width, as opposed to the usual way along the length, because the majority of the pieces are too wide for a half width. However, the floral pattern is directional, so I couldn’t just fold the fabric. If I did, half the skirt would have upside down flowers. This also meant I couldn’t place the pieces as shown on the pattern layout or I would also have upside down flowers.

So, I marked all the pieces that were getting cut this way (all the skirt panels except the front, the pockets, and facings) and then cut that swath of fabric off. Then I laid it on top of the remaining fabric. Then I started to cut and began to curse. I had made a total rookie mistake. Both pieces of fabric were right side up. That meant instead of mirror images, I was going to have 2 left sides. Fortunately, I caught it very early. And I had bought a little extra fabric. Of course the bit I cut was a curve, so I lost quite a bit of fabric.

Having flipped the fabric, so both sections were wrong side in, I finished cutting that part and was starting to worry about those slashes interfering. I cut the center skirt panel (on the fold) and just had the bodice pieces to worry about.

The bodice and dolman sleeves are cut in one, which means there has to be a center front seam. I find them very distracting, especially when they break a pattern, so I was resolved to match the pattern. This was an exacting process but kind of fun. It’s the kind of problem solving I enjoy. With all luck, the center front seam will hardly be noticeable. *fingers crossed*. The back was no big deal to cut and I’m left with a goodly amount of fabric (if I work around two slashes). Maybe it will become a charming purse.

And this was the result!
pieces
So exciting, I know. I keep the fabric pieces paired with the pattern pieces until I start to sew on them. It lessens confusion.

The next step is to get sewing! And we started with possibly my second least favorite things — darts. Both the front and the back of the bodice are darted for a good fit. I don’t mind sewing darts; it’s marking them that gives me grief.

Eventually I prevailed and did this:
dart
Then my bobbin ran out of thread and I took that as a sign that I should hang it up for the night.

M2

Published in: on 4 June 2013 at 3:14 pm  Leave a Comment  
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My Sewing Machine

Dear Constant Reader,

Yesterday you saw my sewing room and there in my sewing machine. My friend Lucianus got very excited about my vintage machine, having one much like it, so I thought I’d share a little more about it.

It’s a late ’50’s Singer Slant-O-Matic 403 and I adore it. Some parts have worn out and been replaced over the years, like the belt, light, spool holders, but for the most part it’s all original. When my mother had it, it was mounted in a table. I was still in college when she gave it to me, so she had it converted to a “portable” (it’s quite heavy). Now, of course, that I’m settled at Stately Babydoll Manor I wish the table still existed…

I’ve still got the original instruction manual (©1958)
Sewing Machine Manual
and the box of attachments
Sewing Machine Box
This little delight contains all sorts of goodies, like the feet: general purpose foot, straight stitch foot, seam guide, zipper foot, hemming foot, button sewing foot, multi-slotted binder, and ruffler.

It also contains the “fashion disks“. These are cams you drop in the top of the machine to make fancy stitches. Without any, you can only straight stitch. I always have #0 in place, for basic zigzag. I’ll be honest –I’ve never used any other the others. It was only last night that I realized that I had all the original disks, less #9. One wayward part after 55 years — not too bad.

As I mentioned, the one thing I don’t love about this machine is making buttonholes. It’s a complicated process involving repeatedly changing the needle position and the stitch length. I’ve never been able to successfully make nice buttonholes. It’s easier to make them by hand.

Lucianus opened my eyes to the fact that there a buttonholer for my machine! And someone was selling a complete set on eBay. Needless to say I jumped at the opportunity. I’ll let you know how it works out.

M2

Published in: on 30 May 2013 at 11:28 am  Leave a Comment  
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My Sewing Room

Dear Constant Reader,

This is where is all happens. Well, all the costuming anyway. My sewing room at Stately Babydoll Manor.

Sewing Room 1
Here we are facing the door. You can see my dress form with its snazzy cover, made from fabric printed with whimsical dress forms. Behind it is a rather nice mirror Scratch found for a makeup class at the Expo and I inherited. The filing cabinet holds my patterns. You can just see the ironing board behind the door and my mail basket on the door (I only mention that because I made the basket). Above the door are ribbons from costume competitions.

Sewing Room 2
To the right of the door is my fabric and trim stash. It’s a little out of control. The bins are actually well-organized; I just need to get rid of/use up a bunch. The plastic containers way up top hold feathers, boas, and small fans.

Just off to the right is a wooden bench (you can see a bit of yellow) I made in Scratch’s wood shop, under his direction. It currently serves more as a repository of stuff than a windowseat, which was my plan. Sadly, you can’t see the large basket on feet which I also made. During a project it holds important stuff so they don’t get lost in the chaos.

Sewing Room 3
To the left of the door is the office part — roll-top desk, computer, filing cabinets. This is where the business part of B.A.B.E. happens. One of the filing cabinets is currently heaped with cocktail and tea aprons looking for a place to live. One of those decorative shelves is filled with mermaids. The other two have my snow globe collection.

I’m very particular about my snow globes. They should be the cheap tourist kind, contain an iconic landmark or city scape, contain snow (as opposed to glitter), and be from somewhere where it doesn’t usually snow. Thanks to globe trotting friends, I have snow on the Alamo (that’s was my first!), snow on the Great Pyramid, snow on the Las Vegas Strip, snow on the Alhambra, snow on the corner of Hollywood and Vine, snow on Masada (my favorite), snow inside Penn’s Cave, and several more.

Sewing Room 4
Opposite the door is my actual work station. My sewing machine itself is under that sewing machine cozy, printed with whimsical sewing machines. One of the bookcases has all my sewing & fashion books (as well as Elizabethan and maritime history books. I’m eclectic in my interests). The other one is mostly magazines, mostly sewing or needlework related. The one dead ahead has a lot of crafting supplies. It’s not attractive, so I draped it with a pretty bedsheet. On top of all the bookcases are hats and hat boxes.

I’m sorry it was sunny out, partially because it messed with my camera, leaving this picture dark, but really because you can’t see my clever curtains with sewing related prints: dress forms one one, scissors on the other, and sewing machines on the window above the bench. I keep my hula hoops on the curtain rod above. Why not?

Sewing Machine
And this is my wonderful 1950s Singer Slant-O-Matic that my mother handed down to me. Family lore says that my great-grandmother’s treadle machine was sold to buy this one. I love everything about it except how it makes buttonholes. I’ve considered getting a modern machine just for that.

And that’s the grand tour. You’ll be seeing bits of it as I work on the Fit & Flair dress and now you’ll know where those bits are.

M2

Published in: on 29 May 2013 at 11:01 am  Leave a Comment  
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Getting Ready

Dear Constant Reader,

I have begun the Fit & Flair dress!

First step, I bought some fabric:
Fabric and pattern
(and also a zipper, but that’s hardly exciting, so not in the photo). It’s a crisp cotton print. I think the floral design is kind of 50’s.

Then I washed the fabric as hot as possible and dried it the same. I always abuse my washable fabrics and then baby the resulting garments. I pulled the fabric out of the dryer while it was still slightly damp. This makes ironing easier, which was done while watching some old X-Files episodes.

Next step is cutting, which I always hate. And it’s going to be a little challenging. The bodice of the dress is cut in one with the dolman sleeves, therefore it’s too wide to cut on the fold of normal width fabric, so there’s a seam down the center front. I’ll need to match the pattern as much as possible to keep from calling attention to that seam. Although I don’t think I’m going to worry about it on the skirt — there are 7 panels and that’s just too much work. Maybe the front & side front panels, but unlikely.

This is all complicated by the discovery that the fabric has a couple of slashes in it. Not enough that I’m taking it back to the fabric store and complaining. But that’s mostly because I’m lazy and it’s quite a drive. I’m going to have to lay out around them, which will be fun with such full skirt panels. Fortunately, I got extra fabric.

Tomorrow I think I’ll give you a peek at my sewing room.

M2

Published in: on 28 May 2013 at 11:42 am  Leave a Comment  
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The Winner is….

Dear Constant Reader,

For the past week, I held a contest to pick the next dress I would make from my pattern collection. Thank you to everyone who voiced an opinion.

I’ll be posting updates as I make said dress and sharing triumphs and frustrations

The winner is….

Folkwear Fifties Fit & Flair

Now, as for The Teaseday Club race…

Brigitte Bisoux and Ginny Nightshade are basically neck and neck. Dagny Vanderlust is close behind them and Peril S. Curves is in 4th place. Betty Blaize and Beau Blush are tied for 5th. Scratch is in 6th and Sarah Blodgett is DFL.

You can change the outcome! Advance tickets are on sale until (I think) about 5pm today. You can always get tickets at the door tonight, but I don’t think they count in the contest.

M2

Published in: on 14 May 2013 at 11:14 am  Leave a Comment  
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In the Lead

Dear Constant Reader,

On Monday I asked for you to chose what dress I should make next. Read all about it here, if you missed my deathless prose.

So far, Folkwear Fifties Fit & Flair, V-necked style, is in the lead with 2 votes.

Craftsy Bombshell Dress has 1 1/2 votes (some people picked a 2nd choice. I didn’t explicitly say you could only pick one dress, but I’m weighting the 2nd choice as a half vote.)

With one vote each, Butterick 4919, version B and Butterick 5813, version B.

And a half vote for Butterick 4790, 2 tone version.

It’s not to late to have your vote count. Just leave a comment on the original post.

Speaking of voting, The Teaseday Club is meeting again on Tuesday, May 14th and they’re having a little contest. When you buy your ticket in advance, you get to pick a performer to support (and you save on the at-the-door price). The performer who brings in the most guests gets a fabulous prize. So far Brigitte Bisoux is in the lead, followed by Betty Blaize, and then Scratch. Beau Blush, Dagny Vanderlust, Ginny Nightshade, Peril S. Curves, and Sarah Blodgett are working to catch up.

So get out there and vote, whether it’s for my dress or a Teaseday performer. Or both!

M2

Published in: on 8 May 2013 at 9:35 am  Comments (2)  
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My Weekend

Dear Constant Reader,

Preparations for the weekend actually started on Wednesday when we were contacted to perform at a birthday party on Saturday. The birthday girl loves the movie Burlesque, so we were asked to dance to songs from the movie.

Except none of us had ever created a routine to any of the songs. Scratch was sure it wouldn’t be a problem for us to each come up with a new solo — after all, we had 3 whole days! That night at rehearsal Betty, Stella, and I ran though what we had come up with and left feeling pretty good about it.

On the big night, we were a big surprise for the birthday girl. I started things off with a fan dance to “Welcome to Burlesque”. Stella followed with an adorable striptease with a boa to “But I Am a Good Girl”. Scratch magically produced a “birthday card” for the guest of honor. Betty closed out the show with a high-energy strip to “Show Me How You Burlesque”.

After posing for pictures, we were done. It was early still and it seemed a shame just to go home when we were all dressed up, so we headed off to Backbar for some fabulous cocktails and delicious snacks. As usual, everything was great, especially the fig & pig jam and, I’m told, the Cherry Union cocktail. Stella had it as writ, but Scratch asked for it with vodka instead of gin. No shock, I had a champagne cocktail — a kir royale to be specific. Just as we were about to head out, our favorite bartender, Alex, brought over a wee dram of the violet sour milk punch. Amazing stuff.

Sunday we had our yard sale. We’ve been doing this burlesque thing for quite a while and have accumulated a lot of stuff. More stuff than we have room to store. Hence the yard sale. We had a lot of good stuff that has been supplanted by better stuff and we hoped it would go to someone who could use it. And a lot of it did.

I was delighted that we were one-stop shopping for singer Alissa Coates. She’s all set for her next gig with evening gown, gloves, and wireless microphone set. A small theatre company took some of the best audio and lighting equipment, including 2 really nice LED par 64s (listen to me sounding like I know what I’m talking about) for a bargain. Scratch even threw in a couple of pinspots for lagniappe.

Brigitte would write up the sales ticket that the customer would bring to Scratch to pay. And while she was at it, she also gave them a card for The Teaseday Club *and* her business card to remind them to buy tickets in her name. She likes to win…

There were a few items that are left from the Yard Sale, just in case you were interested… like 2 blacklights, a 1-ton beam clamp (aerialists know what I’m talking about) new in the box, some halogen worklights, and 2 torso mannequins. Interested? Let me know and we can negotiate.

Betty as Captain BurlesqueAnd here’s Captain Burlesque (aka Betty) wearing a few items including the infamous Spaaaace Apron.

M2

Published in: on 29 April 2013 at 3:31 pm  Leave a Comment  
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Expo: Costume Exhibit

Dear Constant Reader,

Every year at The Expo we have a Costume Exhibit, curated by BettySioux Tailor, who is assisted by Blitzen von Schtupp. This year we tried a couple of new things. Besides costumes belonging to our winners and guests, plus the ever popular Wall o’ Pasties, people were invited to submit costumes with a theme relating to luck, gambling, Vegas, &c.


On the left, Betty Blaize’s “Luck Be a Lady” costume. On the right, “The Jack” from Blitzen von Schtupp. Card fans by Ruby Solitaire. Styling by BettySioux Tailor.

Here we have the right hand side of the exhibit. Usherette costume by Scarlett Letter, The Shanghai Pearl’s “Bird of Paradise”, Wall O’ Pasties (and a few bras & g-strings), and BettySioux’s rhinestoned TV playing a slideshow of past costume exhibits.

And the left hand side. Jo Weldon’s “Nightmare”, made by Fleur de Lys, a classic costume by Burgundy Brixx, and Corinne Southern’s “The Temptation of Eve”.

Then we had a second exhibit, of costumes from The Wrathskellar. It was accompanied by a loop of all the video diaries we produced for the past year’s show, so visitors could get a feel for the characters.
In the center is The Innocent with her cheery pink dress and “Fame or Bust” suitcase. Looming around her are:

  • The Lost Girl: her iconic “Creepy Doll” costume by Lisa Polito
  • The Broad: “Our Lady of the Underground” by Meredith Magoun
  • The Martinet (hidden behind The Innocent): “Smiling Undertaker” also by Meredith Magoun
  • The Countess: “Cantara” by Betty Blaize
  • Bücher’s patchwork coat, lurking above everyone. Designed & distressed by Scratch and constructed by Kristen Augenfeld
  • The Diva, ignoring everyone and gazing in the mirror. Coat designed by Scratch and constructed by myself. Unfortunately the picture isn’t angled to you could see the front view of the costume in the mirror.
  • I’m so proud of this coat and there’s such a story behind it that I’ll probably make that a separate missive. After I’ve finished with the rest of the Expo report.

    M2

    Published in: on 15 April 2013 at 9:50 am  Leave a Comment  
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    Questions Answered

    Dear Constant Reader,

    I’m running a little contest to give away a fun and educational book. All you have to do is leave me a question on this post before midnight on Wednesday.

    As you ask questions, I’ll answer them, as best I can.

    Red Snapper asks: Where do you get your bulk rhinestones? I tend to shop locally and mix the grades of stones, but I’d love to buy bulk Swarovskis online if it’s more cost effective. I assume your stones for the pasties were an online purchase.

    She’s talking about these pasties that we’re wearing at The Expo. I got the stones at Fire Mountain Gems. They’re a great resource for bulk rhinestones. You can buy by the dozen, the gross, and 10 gross. If you buy more than 15 units of anything, your price goes down. They don’t have every color, but their selection has gotten much better since I started shopping there years ago.

    For smaller orders, I like Artbeads. They frequently have sales on Swarovski elements (like right now).

    Always happy to do my part to make more shiny in the world.

    M2

    Published in: on 25 March 2013 at 11:43 am  Leave a Comment  
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    Friday Tip!

    Dear Constant Reader,

    Today’s tip was inspired by a burlesque performer who confessed that she didn’t wash her costumes much and her undies were really disgusting.

    Wear a Thong of Last Resort.

    That’s what I call it anyway. I’ve also heard it called an Under-G. It’s a wee, nude-colored garment just in case something slips, peeks or falls off. It also keeps your costume clean. The audience shouldn’t be aware of it, but it will bring you peace of mind.

    Let’s face it, your show panties are often heavily decorated and nigh unto unwashable, more akin to jewelry than underwear. Don’t let them touch your bare bits! Always have that barrier of the ToLR/under-g.

    Did you know that cloth-eating insects like to munch on bodily secretions? Icky, but true. And they chew up your fabric in the process. Clean clothes last longer (as well as smell better).

    What to do if you are wearing such a tiny, tiny g-string that you can’t conceal another layer under it? Removable linings. The g-string for my April March tribute act is made of velvet and therefore doesn’t wash well. I basted a red cotton lining to it, which I would unstitch and wash, dry, and sew back into place. I was performing the act so often that I got tired of that process and made a removable lining that snaps into place instead.

    Tidily yours,

    M2

    Published in: on 22 March 2013 at 9:26 am  Leave a Comment  
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